Ryan James

Guitar Build

Tester

Der TS9 Tube Screamer Reissue belebt das legendäre Overdrive‑Pedal der 1980er neu, das zahllose Gitarrentöne prägte.
Sein charakteristischer Mitten‑Boost und das warme Clipping verleihen sanften Biss, ohne die Klarheit jeder Note zu opfern.
Drei einfache Regler—Drive, Tone und Level—formen den Sound von dezentem Boost bis zu sattem Overdrive.
Buffered Bypass sichert Ihr Signal auf dem Pedalboard, ob aktiv oder ausgeschaltet.
Kompakt und robust in seinem typisch grünen Gehäuse ist es sowohl bei Profis als auch Hobbyisten unverzichtbar.
Ob SRV‑Sparkle oder moderner Crunch—der TS9 liefert den unverwechselbaren Klassiker‑Sound.

The TS9 Tube Screamer reissue faithfully revives the classic 1980s overdrive that defined countless guitar tones.
Its signature mid‑hump and warm clipping add smooth grit while preserving note clarity and amp feel.
Three simple knobs—Drive, Tone, and Level—let you shape everything from a gentle boost to full‑bodied overdrive.
Buffered bypass ensures your signal stays strong on‑ or off‑board, with true pedalboard reliability.
Compact and rugged, its familiar green enclosure has been a staple on pros’ and hobbyists’ rigs alike.
Whether you’re chasing SRV sparkle or modern crunch, the TS9 delivers instantly recognizable tone.

Ibanez

Product Page

Review by The Gear Page

Review by Reddit /guitarpedals

Manual

Demo by intheblues

Official Product Video

TS9 Tube Screamer

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Michał Mankiewicz

TC Electronic

Polytune Mini

Der Whitey Tighty Compressor ist JHS Pedals Version des klassischen Effekts, den man angeschaltet nicht hört, dafür aber schmerzlich vermisst, wenn er ausgeschaltet ist. Der Whitey Tighty ist so simpel gehalten, dass er deinem Setup und deinem Sound nie im Weg steht, durch das kompakte Mini-Format lässt er sich außerdem problemlos in jedes Pedalboard integrieren. Durch die Möglichkeit Kompression und Clean Signal stufenlos zu mischen hat jeder die Chance seinen perfekten Sound zu finden. Das Pedal arbeitet mit drei intuitiven Regelmöglichkeiten für Volume, Compression und Blend. Mit dem Volume-Regler lässt sich das Level auf Unity Gain einstellen oder leicht boosten, um den wahrgenommenen Verlust durch die Kompression auszugleichen. Der Compression-Regler regelt die Stärke der Kompression von einer subtilen 'Glättung' des Signals bis zu einem ansprechenden Squash, der sich perfekt für Country, Blues, Pop und Rock eignet. Über den Blend-Regler kann man das Verhältnis aus Clean Signal und komprimiertem Signal einzustellen. Auf diese Weise erhält man den natürlichen Klang des Instruments und erhält gleichzeitig eine Kompression in Studioqualität, die deinen Sound auf die nächste Stufe hebt.

The Whitey Tighty compressor is JHS Pedals take on the classic effect that no one may ever know is on, but when it's off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. In a compact mini pedal, you'll save so much space on your pedal board that you'll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you'll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty!

Official Product Page

JHS Whitey - Demo by Living Room

JHS Whitey Tighty - Review by Muzikus [CZ], [02-2020]

JHS Whitey Tighty - Review by Bonedo [DE], [11-2019]

Whitey Tighty

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

ch ray

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

Julia analog chorus and vibrato from WalrusAudio.com. Julia offers a unique blend knob to blend your dry signal with chorus or blend between chorus and vibrato.

Walrus Audio

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Nobel Music 

JULIA

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

The [ACS1]™ is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinets created by Tone Factor, and controllable room size. With the ACS1, players have expansive options to deliver their tone whether it's on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an immeasurable tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware.

Review by musicradar

Review by Gearnews

Review by Guitar Chalk

Demo by Nobes Music

KO ACS1 Amp & Cab Simulator

David Litaba

Andy Timmons mysteriöser 'Halo' Effekt ist ein modulierter Dual-Echo-Sound, der vom Klangzauberer selbst lange Zeit geheim gehalten wurde, und er verbrachte Jahrzehnte damit, die Sounds zu kombinieren und zu entwickeln, die jetzt ganz einfach mit dem Keeley Halo Effektpedal erzeugt werden können. Gespielte Noten aus dem Halo 'tanzen rhythmisch' und erzeugen fast eine Reverb-ähnliche Diffusion. Diese Noten werden mit Tape-ähnlichen Effekten wie Modulation, Sättigung und Kompression zusammengehalten. Das Pedal bietet neben Andy Timmons Signature Delay Tone die Möglichkeit eigene Sounds zu kreieren und als Preset zu speichern. Der einfache, übergangslose Wechsel zwischen Side A und Side B mit frei regelbaren Settings vereint dabei praktisch zwei separate Delay Effekte in einem Pedal. Zusätzlich zu Andys charakteristischem 'Halo'-Sound bietet das Pedal vier weitere Rhythm-Modes: Viertelnoten, punktierte Achtel, Bucket Brigade (BBD) und ein klassisches Multi-Head Tape Echo. Atemberaubende Stereo-Effekte und eine makellose Klangqualität werden durch Regler für Saturation, Tone und Shelving-Filter weiter verbessert, um das Keeley Halo zum 'ultimativen' Delay Effektpedal zu machen.

Andy Timmons' mysterious sounding 'Halo' effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself and he spent decades combining and crafting the sounds you can get from the Keeley Halo effects pedal. Notes from the Halo dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation, and compression. The pedal comes loaded with Andy Timmons' signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature 'Halo' sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.

Keeley Electronics

Keeley Halo - Official Demo Video

Keeley Halo - Demo Video 2 - Musiker TV

Keeley Halo - Demo Video - Musiker TV

Keeley Halo - Demo Video by Mike Hermans

Keeley Halo - Demo / Review Video - JHS Pedals

Keeley Halo - Demo / Review Video - Reverb

Keeley Halo - Demo / Review Video - Brett Kingman

Keeley Halo - Demo / Review Video - ThePedalZone

Keeley Halo - Demo / Review Video - JayLeonardJ

Keeley Halo - GuB Review 9/22 DE

JHS Pedals Andy Timmons Signature Overdrive_Keeley Halo - Review by Darkstars.de, [03-2023]

Keeley Halo - Auszeichnung Bester Effekt Guitar Magazine

Halo – Andy Timmons Dual Echo

PedalSafe Type B3

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Filippo Rimondi

Der MXR Tap Tempo-Schalter verfügt über eine einstellbare Tip/Ring-Konfiguration, sodass Sie die Verzögerungszeit einer Vielzahl von Delay-Pedaltypen steuern können. Dieser kleine Fußschalter ist robust gebaut und für ein langes Leben auf Tour geeignet.

The MXR Tap Tempo switch features adjustable tip/ring configuration so you can control the delay time of a wide variety of delay pedal types. This pint-sized footswitch is ruggedly built for a lifetime on the road.

MXR M199 TapTempo Switch

Flavio Salcuni

This compact reverb pedal crams seven distinct digital reverb effects in to a sturdy, metal shell and several control features. The various reverb effects aim to simulate different environments from a small room to large, open cave. More niche effects are also included such as studio-style plate reverb, classic spring reverb effect, and the more far-out modulation reverb effect. Each effect can be modified with the Hi-Cut, Lo-Cut, Decay, and Pre-Delay knobs and then saved to their own save slot. An effect trail feature can be toggled on and off to have each effect fade out naturally after being switched off.

Flamma

Demo by Flamma 

Review by GUITAR GEAR FINDER

Review by Rock Guitar Universe 

FS02 Reverb

Nobody does Reverse Delay like this! Invented by ­Danelectro® in 1999, this pedal has achieved cult status. Originals cost a small fortune. Why? Because of its warm violin-like, organ-like tone. It literally flips the phrase you just played and plays it ­backwards. There’s nothing like it! Party like it’s 1999. Because it is!

Danelectro

Review by Charles Saufley, premierguitar.com

Review by Bassel Hallak, bonedo.de

Demo by Andy Demos

Demo by Max Solo Music

Back Talk

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Review by HAPPY MAG

Review by bonedo

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

Harley Benton

Powerplant ISO-12AC Pro Modular

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

In 1999, Danelectro debuted the original Spring King reverb, a pedal that proved to be monstrous in terms of tone and size. Fast-forward 25 years, the Spring King Junior is here to reclaim the throne. While this sibling's sounds are as big as ever, the size of the pedal is far more subtle. Just like the original, the Spring King Junior features a real spring tank to produce its authentic reverb sounds. Danelectro also crafted the Spring King Junior from die-cast casing for extra durability, though it also includes a soft footswitch for gentle activation. Lastly, Sweetwater guitarists have easily accommodated the Spring King Junior on their pedalboards because the Junior — while still able to produce some of the springiest 'verb sounds imaginable — is but a fraction of the size of the original pedal. From tubular surf rock licks to ambient clouds of shoegaze sound, the Danelectro Spring King Junior is the rightful heir to the reverb kingdom.

Review by Premier Guitar

Demo by R.J. Ronquillo

Demo by Sweetwater

Spring King Junior Reverb Pedal

Das Danelectro FAB Delay (D-8) ist ein preiswertes digitales Delay-Pedal, das eine Verzögerungszeit von bis zu 600 Millisekunden bietet. Die Schaltung basiert auf dem PT2399-Chip, einem beliebten integrierten Schaltkreis, der für warme, musikalische Echos bekannt ist und die Lücke zwischen digitaler Präzision und analogem Charakter schließt. Das Bedienfeld verfügt über drei Regler für Delay (Mix), Time und Repeat (Feedback), die eine Klangpalette von knackigem Slapback bis hin zu langen, atmosphärischen Wiederholungen ermöglichen. Untergebracht in einem goldfarbenen Kunststoffgehäuse im „retro-futuristischen“ Design, besitzt es einen großen, oben montierten Fußschalter für eine einfache Bedienung. Das Pedal ist auf Einfachheit und Effizienz ausgelegt, was es zu einem Standard für Anfänger und preisbewusste Musiker macht.

The Danelectro FAB Delay (D-8) is a budget-friendly digital delay pedal designed to provide up to 600 milliseconds of delay time. The circuit is centered around the PT2399 chip, a popular integrated circuit known for producing warm, musical echoes that bridge the gap between digital precision and analog-style character. Its control layout features three knobs for Delay (mix), Time, and Repeat (feedback), allowing for a range of sounds from tight slapback to long, ambient repeats. Housed in a uniquely shaped "retro-futuristic" gold plastic enclosure, it includes a large, top-mounted footswitch for easy engagement. The pedal is designed for simplicity and efficiency, making it a staple for beginners and cost-conscious players.

Demo by Your Home Recording

Demo by The Pedal Junkie

FAB Delay

Demo by EytschPi42

Official Website

Review by TDPRI

Review by Stomp Box Steals

Review by Hometoneblog

BP-1 Pride of Texas

The Danelectro Cool Cat CF-2 Fuzz brings plenty of
touch sensitive fuzzy goodness to your guitar, with loads of sustain, a crunchy top, and a full bottom end. This new version adds two "Under the Hood" features: an Input
Sensitivity control as well as a 3 position DIP switch that lets you add different combinations of LED's for greater dynamic and tonal control.

Demo by Joe Hamilton

Cool Cat Fuzz V1

Back Talk von Danelectro