Anthony Gachomo

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

P&W Rig 2.0

Romain Deflandre

Twin-Channel Guitar Preamp Faithfully Recreates the Sound of Legendary Dual Rectifier Tube Amp in a Pedal with Independent Channel Controls, Pre/Post Boost, Optional Cab Sim and Dedicated Outputs for DI and Headphones

TC Electronic

Demo by Death Metal Devin 

Official Product Video

Product Page

Review by Pedal of the Day

Review by gearnews.de

Review by reddit /guitarpedals

Manual

Dual Wreck Ampworx

Arnold Hablewitz

Die Radial Engineering Pro DI ist eine kompakte, passive DI-Box, welche sich sehr gut für Keyboards, Drumcomputer und Digitalpianos eignet. Die eigens dafür entwickelten Audioüberträger entsprechen dem außergewöhnlichen Qualitätsmaßstab, der durch den Industriestandard Radial Engineering JDI etabliert wurde.

The ProDI is a passive direct box designed for use on stage or in home recording studios, with the ability to handle high output instruments without distortion, and a transformer-isolated output to eliminate noise from ground loops

Radial Engineering

Review by Guitar Gear 

Demo by Audio University

Review by Audiofanzine

ProDI

Tester

Intelligente Direkteingangsbox mit extrem geringer Verzerrung, die den Klang von Gitarre oder Bass leise und direkt an das Audiosystem überträgt
Symmetrischer/unsymmetrischer Ausgang, Gain-Schalter, Boxensimulator und
Ground-Lift-Funktion enthalten
Vollmetallgehäuse
Sehr klein und exquisit

Smart direct input box with ultra low distortion, it quietly transfers
the sound of guitar or bass directly to the audio system
Balanced/unbalanced output, gain switch, cabinet simulator and
ground lift function included
Full metal shell
Very small and exquisite

MOOER

Official Product Page

Review by The Gear Page

Review by Talk Bass.com

Demo by Matt Trojak 

Demo by Daniel Chermont 

Review by Reza Nasseri, themusic.com.au

Micro DI

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

David Litaba

Der Magnum DI vereint eine beeindruckende Anzahl nützlicher Funktionen für Gitarristen und Bassisten in einem winzigen Metallgehäuse und ist ein Schweizer Taschenmesser für Ihre DI-Anforderungen. Leiten Sie Ihr Gitarrensignal mit optionaler Kabinensimulation vom symmetrischen Ausgang direkt an ein PA-System oder einen Mixer weiter; eliminieren Sie Brummen mit der Ground-Lift-Funktion; verstärken oder dämpfen Sie Ihr Signal um 20 dB … Und das alles auf einem winzigen Pedal mit einem Gewicht von nur 133 Gramm! Magnum DI: ein winziger, supergünstiger Werkzeugkasten für alle Arten von Auftrittsszenarien.

Compressing an impressive tally of useful features for guitarists and bassists into a tiny metal enclosure, Magnum DI is a Swiss Army knife for your DI needs. Run your guitar signal direct to a PA system or mixer from the balanced output with optional cab simulation; eliminate ground hum with the ground lift feature; boost or cut your signal by 20 dB… And all this on a tiny pedal weighing only 133 grams! Magnum DI: a micro-sized, super-affordable toolbox for all kinds of gigging scenarios.

Harley Benton

Demo by Gregor Fris

Demo by  Emil's Audio Channel

Demo by  Guitar Bonedo

Review by bonedo.de

MiniStomp Magnum D.I.

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

The OmniCabSim Mini is a compact, stompbox-sized cabinet simulator pedal designed by DSM Noisemaker. It features a user-friendly layout and a range of controls to emulate various speaker cabinet tones.

DSM Noisemaker

Demo by Medins Make Music

Demo by Patrick Hunter

Website

Review by Guitar.com

Review by Premier Guitar

OmniCabSim Mini

Headphone DI AMP, suitable for practice and live show. It includes XLR and headphone outlet. You can adjust the volume of the headphone through the VOL control.

Caline

Demo by DanMusicPartner

CP-64 DI Box

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

David Graves

The Messenger Jr captures the high quality features of its predecessors in the smallest format yet. The Messenger Jr is a high fidelity instrument preamplifier that is perfect for the studio and live performances. The preamp offers a wide array of features in a compact, easy to use format.

Up to 20 dB of clean gain
Shelving bass and treble EQ
Variable low pass and high pass filters
Middle EQ with adjustable frequency
Unbalanced line out and balanced XLR out with ground lift
Volume control for the balanced out signal
Foot switch function can be assigned to either bypass the EQ or mute the signal 

Broughton Audio

Review by Basschat

Review by reddit /basspedals

Messenger Jr

Zixton Han

Hey there pedalboard wizard! Ready to supercharge your rig? Say hello to the DirectAmp, the ultimate stereo amp and cab simulator that's here to make your tonal dreams a reality! Not just another gadget - it's your ticket to tonal paradise, straight into the PA or through your headphones in glorious stereo! 

Quilter

Demo by Leon Todd

Demo by EytschPi42

Review by Gearnews

DirectAmp

Elod Bajrami

The LANEY IRONHEART FOUNDRY series LOUDPEDAL is a powerhouse 60-Watt twin channel amplifier in a pedal format. You are now part of our crusade to deliver crushingly powerful amplification. A journey that began in 1967 in The Black Country, in the heart of England.

Laney Amplification

Review by Andertons

Demo by Pete Thorn

Review by Guitar Interactive Magazine

Ironheart Loudpedal

Joshua Sisk

Twin-Channel Guitar Preamp Faithfully Recreates the Sound of Legendary JCM800 in a Pedal with Independent Channel Controls, Pre/Post Boost, Optional Cab Sim and Dedicated Outputs for DI and Headphones

Demo by Mike Hermans 

Demo by Pedal of the Day 

Demo by TC Electronic 

Review by SOUND ON SOUND 

JIMS 800

Mark Boton

Die Nux Amp Academy verfügt über den NUX TSAC-2K (White-box Amp Modeling) Algorithmus um den Sound und das Feeling von Weltklasse-Röhrenverstärkern in einem Effektpedal unterzubringen. Dank riesigem Headroom und Dynamikbereich ergibt sich ein realistisches Amp-Feeling und hervorragende Spielbarkeit. Amp Academy bietet 6 legendäre Verstärkermodelle wie Vintage (Fender Twin Reverb), Classic (Fender Vibro King), Modern (Mesa Boogie Mark I), Brown (Friedman HBE), Red (Mesa Boogie Dual Rectifier) und Iridium (Bogner Uberschall).

WORLD-CLASS STOMP-BOX AMP MODELER.
Nowadays the Amp-less approach is quickly becoming a trend for modern musicians—like guitarists who appreciate a variety of pedals and amps, but don’t have the luxury of a roadie crew to lug all of them around
Amp Academy inherits NUX TSAC-2K (White-box Amp Modeling) algorithm which delivers the sound and feel of world-class tube amplifiers in a super-portable stomp-box enclosure. And, its huge headroom and dynamic range is a pedal friendly platform.

Review by Gearnews 

Demo by John Nathan Cordy

Demo by  AshCreekStudios

Demo by CSGuitars 

Amp Academy

Rama Adhiguna

Preamp House is the newly released pedal from JOYO R series, delivering 9 amps’ preamps in one pedal! It has 65Twin / JCM900 / AC30 / LONESTAR / DUAL RECTIFIER / 5150Ⅲ / POWERBALL / TH200 / BE100 and more, each amp features clean channel and distortion channel and can be switched by Footswitches( 18 tones in all)! Due to the 2 channel design, you can switch easily between Fender’s Clean and Marshall’s Distortion! One built-in cabinet simulation facilitates stage performance. FX LOOP interface for external FX pedal, balanced Output. Preamp House is an user-friendly and stable tone solution for musicians who perform and record frequently.

JOYO

Demo by woodsnstrings

Review by Johannes Krayer, amazona.de

R-15 Preamp House

Mit dem TC Electronic Plethora X3 setzt die dänische Effektschmiede zum Nachschlag an und bietet neben dem 2020 erschienen Plethora X5 eine kompaktere und minimal reduzierte Form dieses Pedalboards. Die grundlegende Konzeption bleibt dabei bestehen und so wartet die X3-Version ebenfalls mit der Möglichkeit auf, ein eigenes, individuelles Floorboard mit sämtlichen Toneprint-Pedalen zusammenzustellen und damit das Beste aus der Funktionsweise von klassischem Pedalboard und Multieffektpedal zu vereinen.

TonePrint Pedalboard with up to 127 Boards, 3 Pedal Slots, All Your Favorite TC Effects, 75 TonePrint Slots Per Effect, 3 MASH Footswitches and Tape Deck Looper

Review by GEARNEWS 

Review by AMAZONA 

Review by bonedo 

Demo by SweetWater 

Demo by Andertons 

Plethora X3

Das TC Electronic Sentry nimmt sich als Noisegate-Pedal den Problemen an, von denen vor allem Singlecoil-Spieler sowie Hard- und Heavy-Gitarristen ein Lied singen können. Die Rede ist natürlich von unerwünschten Nebengeräuschen, die gern in Form von Einstreuungen oder stärkerem Rauschen auftreten und uns das Leben schwer machen.

The TC Electronic Sentry is a noisegate pedal that addresses the problems that single-coil players and hard and heavy guitarists in particular can tell you a thing or two about. Of course, we're talking about unwanted noise, which often occurs in the form of interference or stronger noise and makes life difficult for us.

Review by Gitarre & Bass

Review by Bonedo 

Demo by Science of Loud

Sentry Noise Gate

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Der JHS Pedals 3 Series Compressor ist ein einfacher, intuitiver und leistungsstarker Kompressor, der von subtiler Kompression über eine smoothe Glättung bis hin zu einem super 'gequetschten' Sound eine Vielzahl an Möglichkeiten bietet. Mit den Attack- und Sustain-Reglern lassen sich die Ansprache und die Stärke der Kompression einstellen, während der Volume-Regler wahlweise Unity Level oder sogar einen Lautstärke-Boost ermöglicht. Der Bright-Schalter aktiviert ein helleres EQ Voicing und verhindert so, dass der Tone in bestimmten Situationen verloren geht. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series Compressor - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

3 Series Compressor

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

ch ray

NUX B-8 ist ein neu definiertes Drahtlossystem mit automatischer Einrichtung, störungsfreier 2,4-GHz-Rundfunkfrequenz und hochwertiger 24-Bit-48-kHz-Audioübertragung. Die Latenzzeit bei der Signalübertragung beträgt nur 2,5 ms bei bester Leistung. Die Betriebsreichweite beträgt bis zu 50 Meter (160 Fuß). 

Das drahtlose B-8-System eignet sich für alle Arten von E-Gitarren, E-Akustikgitarren, Bässe und verschiedene Instrumente mit elektronischen Tonabnehmern. Unabhängig davon, welches Instrument Sie spielen, können Sie die Bequemlichkeit mit B-8 Wireless genießen.

NUX B-8 is a redefined wireless system with automatic setup, 2.4 GHz interference-free broadcasting frequency, and 24-bit 48 kHz high-quality audio transmitting. The signal transmitting latency is as low as 2.5ms at the best performance. The operation range is up to 50 meters (160-feet). 

B-8 wireless system fits all types of electric guitar, electric-acoustic guitar, bass guitar, and various instruments with electronic pickups. No matter what instrument you play, you can enjoy the convenience with B-8 wireless.

Review by AMAZONA

Review by gearnews

Demo by Scott Uhl

Demo by Andrew Siemon

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tyson Edwards

Introducing the Lion, a 100% all analog signal path, programmable distortion pedal with onboard presets and full midi control.

The Lion is an op amp based distortion with hard clipping diodes placed after the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Boss DS-1, Pro Co Rat, and JHS Angry Charlie, etc. The Lion features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

JET Pedals

Demo by Nobes Music

Review by delicious audio

Manuals Page

Lion Distortion (In black)

Caleb Harding

The Lamb is an op amp based overdrive circuit with soft clipping diodes placed inside the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Marshall BluesBreaker, Analog Man King of Tone, and JHS Morning Glory, etc. 

Review by Worship Guitar Skills

Demo by gearfever

Demo by Hey Worship Leader

Demo by Ambient Endeavors

Demo by Home Studio Simplified

LAMB

Gas Giant ist ein High-Gain Analog-Fuzz-Pedal mit wählbaren Voicing-Optionen für die Tonregelung und einem integrierten Noise Gate. Inspiriert von den legendären transistorbasierten Fuzz-Pedalen, die Anfang der 1970er-Jahre in New York City gebaut wurden, verwendet der Gas Giant vierfach gematchte Transistorensätze, um sicherzustellen, dass jedes einzelne Pedal perfekt auf den schwer zu findenden "Sweet Spot" klassischer Vintage-Pedale abgestimmt ist.

Neben den Gain- und Volume-Reglern verfügt das Pedal über eine doppelt funktionale Tonregelung, die sowohl den typischen satten Bass, schneidende Höhen und den klassischen Mid-Scoop alter Fuzz-Pedale liefert als auch eine Pigtronix-eigene Midrange-Bump-Einstellung für mehr Präsenz im Mittenbereich. Diese zwei Voicing-Optionen verändern die Frequenzansprache der Tonregelung im gesamten Regelweg erheblich und bieten eine Vielzahl massiver Fuzz-Sounds im kompakten 3-Regler-Format.


Gas Giant is a high-gain analog jumbo fuzz pedal with switchable voicing options for the tone control and a built-in noise gate. Inspired by the iconic transistor-based fuzz pedals built in NYC in the early 1970’s, the Gas Giant uses quad-matched transistor sets to ensure that each and every unit is perfectly dialed in to the “sweet spot” that can be so elusive to find in vintage pedals.

In addition to the Gain and Volume knobs, there is also a dual-function Tone control that delivers the traditional heavy bass, searing top-end and midrange Scoop found in vintage pedals, as well as a signature Pigtronix midrange-forward Bump setting. These two voicing options drastically change the frequency response of the Tone control throughout its entire range, providing a bevy of gargantuan fuzz tones in a compact 3-knob stompbox.

Pigtronix

Demo by R. J. Ronquillo

Review by Guitar Pedal X

Review by Music Radar

Gas Giant

Jackson Okun

Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

Review by musicradar

Review by bonedo

Demo by Chord of Orion

Echolution 3

Florian LE CORRE

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Demo by Pigtronix

Review by

Cosmosis

Hiu Fung Hui

The Hotone Tuner Press is not just your average tuner pedal; it's the epitome of versatility. Weighing in at a mere 600g, this pedal isn't just a tuner; it's a volume pedal, an expression pedal, and a buffer pedal all rolled into one. The footswitch provides tactile feedback, allowing you to seamlessly switch between expression and volume control. Elevating the pedal in volume mode activates silent tuning automatically. The HD LCD screen, complemented by the switching indicator, ensures an intuitive, accurate, and rapid user experience. Furthermore, the Hotone Tuner Press inherits the classic design of the popular Ampero Press series, seamlessly blending Hotone aesthetics with portability and practicality. 

HOTONE

Demo by Chris Ma的Dark Horse Lab

Tuner Press

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Sub Atomic

Von warmen Cleans bis hin zu hochfliegenden High-Gain-Leads.
Von Vintage Octave Fuzz bis hin zu modernen, gescoopten, klobigen Riffs.
Vom cremigsten Blues Overdrive bis hin zum fiesesten Noise Fuzz.
Seine Flexibilität ermöglicht es dem Benutzer, nahezu jeden erdenklichen Drive-Ton zu erreichen, seine eigene Stimme zu finden oder die klassischen zu erhalten, indem er einfach die sorgfältig entworfenen Parameter anpasst, die die Art und Weise konfigurieren, wie Voicing, Clipping, Gain-Struktur, Symmetrie und EQ die Schlüsselelemente sind, die jeden Drive-Ton ausmachen.

Wir wissen, dass es überall Pedale mit vielen Optionen gibt. Aber wir sind mit dem Schaltungsdesign noch einen Schritt weiter gegangen. Es ist nicht nur eine Verzerrungsmaschine. Es bildet die Interaktion zwischen einem Röhrenverstärker und einem Dirt/Boost-Pedal nach. Sie spüren es an Ihren Fingern, die Anschlagdynamik, das Sustain und die Klarheit sind einfach beispiellos.
Darüber hinaus verfügt es über einen internen FX-Loop, der der Boost-Funktion zugewiesen werden kann, und darüber hinaus über einen internen Schalter, der den EQ für den Einsatz mit BASS-Gitarren (oder auch für diese besonders tiefen, kräftigen Metal-Töne) konfiguriert.

From Warm Cleans to soaring high gain leads..
From Vintage Octave fuzz to modern scooped chunky riffs.
From the creamiest Blues Overdrive to the nastiest noise Fuzz.
Its flexibility allows the user to reach almost any drive tone imaginable, finding his own voice or getting the classic ones, just by tweaking the carefully designed parameters that configure the way that voicing, clipping, gain structure, symmetry and EQ are the key elements that conform any drive tone.

Option-laden pedals are everywhere, we know.. But we took it a step further with the circuit design..it is not just a distortion engine. It recreates the interaction between a tube amp and a dirt/boost pedal. You feel it on your fingers, the touch response, sustain and clarity is just unparalleled.
In addition, it features an internal FX loop assignable to the boost function, and even more, an internal switch that configures the EQ for BASS guitar use (or, those extra low-end chunky metal tones, too)

Drive Maker

OmniCabSim Mini von DSM Noisemaker