atakan germiyanoğlu

GermiyanBass

David Graves

Ausgestattet mit einer bassspezifischen Tuner-Schaltung für präzises Stimmen, selbst bei tiefen Frequenzen  
ULTRA BUFFER-Technologie, optimiert für Bass und umschaltbar auf True Bypass  
Einzigartiges Design mit großem Display in kompakter Größe  
Hohe Sichtbarkeit dank einstellbarer Helligkeit der Meter-LEDs  
Ultrapräzises Stimmen bis auf ±0,1 Cent genau  
Vier verschiedene Anzeigemodi

Equipped with a bass-specific tuner circuit for precise tuning, even at low frequencies
ULTRA BUFFER technology optimized for bass and switchable to true bypass
Unique design with a large display in a compact size
High visibility with meter LEDs which brightness can be adjusted
Ultra-precise tuning down to ±0.1 cents
Four meter display modes

KORG

Product Page

Review by recording.de

Review by bonedo

Manual

Demo by Musiker TV

Pitchblack XS Bass

Ron Bakalik

The Ground & Pound has been designed to combine the two pedals that Justin Chancellor uses to help achieve his signature distorted tone, the Turbo Rat with the Bass EQ, and it successfully combines them into a single box with a very compact and easy to use control layout.

We’ve also added a blend control, labelled ‘Mix‘,  which has a very musical compression ratio (2:1) on the clean signal. This mixes very well with the distorted sound and just adds to the overall playing experience.

Lusithand

Review by No Treble

ground and pound

ch ray

Quad Cortex ist der leistungsstärkste Floor-Modeler der Welt. Mit insgesamt 6 Kernen (4x SHARC+ und 2x ARM Cortex-A5 mit jeweils 500 MHz) eröffnet diese unglaubliche Rechenleistung grenzenlose Möglichkeiten im Bereich des Sounddesigns.

Quad Cortex is the most powerful floor modeler on the planet. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 running at 500MHz each), this ludicrous amount of processing capacity provides limitless sound design possibilities.

Neural DSP

Review by wired

Review by The Gear Page

Review by Fractal Audio Forum

Review by guitarguitar

Quad Cortex 2.0 manual

Demo by EytschPi42

Demo by Neural DSP

Quad Cortex

QuickMount Type NRL 

Pedal-Montageplatte für das NEURAL DSP Quad Cortex Pedale

Pedal Mounting Plate for the NEURAL DSP Quad Cortex pedal

Michael Hodgson

Der EP-25K verfügt über ein 25-kOhm-Potentiometer, das von einigen Geräten benötigt wird, im Gegensatz zum 10-kOhm-Potentiometer des Mission EP-1. Über die beiden isolierten Ausgänge lassen sich zwei Effekte gleichzeitig steuern.

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Tim Rilke

The new DSM & Humboldt SIMPLIFIER BASS STATION is everything you ever needed to go direct to the FOH or recording amazing bass tones without sacrificing anything.  It includes a Bass Preamp with gain, level, and a 3 band EQ with semi-parametric mid control. A parallel signal routing with a selectable LPF, dual FX loop (for preamp and parallel signal), and an amazing analog cabinet simulation, based on the acclaimed Omnicabsim ® by DSM Noisemaker.

DSM & Humboldt

Official Product Video

Demo by benjudbass

Demo by Diego Ibarra

Demo by Bass Bonedo

Simplifier Bass Station

Tester

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Premier Guitar

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

CIOKS

Crux

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Andrés Felipe Garzón Pulido

B5 Element

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

AFGP Bass Ampless pedalboard

Bass Crush 50

David Litaba

Der JHS Pedals Switchback ist eine kleine unscheinbare Box mit umfangreichen Features. Er begann als ein Routing Kästchen, das JHS nur für sich selbst entwickelt hatten, um Pedale in der JHS-Werkstatt zu testen und zu vergleichen, aber schnell wurde ihnen klar, dass es für jedermann auf der Bühne oder im Studio äußerst nützlich sein kann. Der Switchback verfügt über einen Eingang, einen Ausgang und zwei separate auswählbare Effekt-Loops (Send / Return) sowie einen A / B-Schalter, der von JHS Red Remote Schalter ferngesteuert werden kann. Es gibt Millionen von Möglichkeiten, den Switchback zu verwenden. (Naja, vielleicht nicht eine Million, aber ... du weißt was gemeint ist.) Dank dem Red Remote kannst du den Switchback und alle Effekte in seinen Loops völlig außer Sichtweite unter deinem Board verstauen, während nur der winzige Red Remote für jederzeitigen Fernzugriff griffbereit brauchst!!! Der Switchback kann zu einem unverzichtbaren Werkzeug in deinem Touring-Rig oder im Studio werden und hilft dir dabei, viele Schaltdebakel deinem Setup zu lösen. Hol dir also deinen Switchback und lege los!

The JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that JHS designed just for themselves to test and compare pedals in the JHS workshop but they soon realized that it was extremely useful for everyone's guitar rig on stage or in the studio. The Switchback has one input, one output and two separate selectable effects loops (Send/Return), plus an A/B toggle that is controllable by the JHS Red Remote switching system. There are millions of ways to use the Switchback. (Maybe not a million but… You get the idea.) Because of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1" Red Remote accessible!!! The Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!

Official Product Page

JHS Switchback - Review by Muzikus [CZ], [09-2019]

JHS Switchback, Summing Amp, Active ABY - Review by Gitarre & Bass [DE], [05-2019]

Demo by Sound Affects

Demo by PJ and the Beard

Switchback

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Logan Norcliffe

Er ist ein zurückhaltender Zeitgenosse, der so gut wie nie Interviews gibt. Doch stille Wasser sind bekanntlich tief. Und wenn TOOL-Bassist Justin Chancellor seinen exklusiven Wal-Bass umschnallt und seine komplexen Basslines mit diesem einzigartigen Sound anstimmt, dann spricht er Bände.

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Dunlop

Demo by Nate Navarro

Demo by BassTheWorld 

Demo by The Bass Channel

Review by GASS MAGAZINE

Review by GUITAR World 

Review by GEARNEWS 

JCT95 Justin Chancellor Cry Baby Wah

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Walrus Audio

Demo by Rabea Massaad

ARP-87 Multi-function Delay

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

The Microtubes X7 series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

Darkglass Electronics

Review by TalkBass.com

Review by Trey Xavier, geargods.net

Review by Rainer Wind, bonedo.de

Demo by  Trey Xavier


Microtubes X7: Multiband Distortion

Demo by Trey Xavier

Microtubes X7

Electro-Harmonix

Bass Soul Food

Der Studio Bass Compressor ist für den professionellen Bassisten entwickelt worden, der auf der Suche nach verbessertem Sustain, einem akzentuierten Picking-Sound und einem ausgeglichenem Klang beim Einzelnotenspiel keine Kompromisse eingehen möchte. Der Studio Bass Compressor ist sehr flexibel. Er kann von einer dezenten Kompression für leichte Dynamikanpassungen bis hin zum souveränen Ausgleichen von unangenehmen Pegelspitzen beim Slapping eingesetzt werden. Rock-Bassisten verlassen sich auf die durchsetzungsfähigen Mitten des Pedals ohne Volumen im Bassbereich zu verlieren. Bassisten, die klassischere Sounds bevorzugen, können einen hervorragenden, ausgeglichenen Mix im Tief-, Mitten- und Hochtonbereich erzeugen.

The Studio Bass Compressor was designed for professional bassists looking for a compressor that can provide increased sustain, accentuated picking and can even out single-note runs. The Studio Bass Compressor is incredibly versatile: you can easily go from a subtle compression that gently smooths things out all the way to a high compression that balances the dynamics in slap-style playing to keep each note from being too harsh or overbearing. Rock players can effortlessly summon powerful midrange punch while maintaining a fat bottom end. Bassists who prefer a more vintage sound can dial in a nice even mixture of top, mid and bottom frequencies.

Seymour Duncan

Seymour Duncan Studio Bass - Demo Video - Guitar Interactive

Seymour Duncan Studio Bass - Demo Video - ProGuitarShopDemos

Seymour Duncan Studio Bass - Review by Tone Report [EN]

Seymour Duncan Studio Bass - Review by Bonedo [DE]

Seymour Duncan Studio Bass - Review by Bass Quarterly [DE]

Seymour Duncan Studio Bass - Review by Muzikus [CZ]

Seymour Duncan Studio Bass - Review by TopGuitar [PL]

Studio Bass Compressor v2

Michael Badger

Das DB 316 ist ein Midrange-EQ-Pedal, das auf dem Vorverstärker unserer gefeierten Tone Hammer-Serie basiert und Ihren Midrange-Sound perfektioniert. Das DB 316 ist ideal für Bässe mit Zweiband-Vorverstärkern und passive Instrumente, bei denen es darauf ankommt, den Midrange-Bereich zu treffen. Es ist flexibel und intuitiv. Es kann ein ständig eingeschalteter EQ für jede Situation sein oder ein praktisches Werkzeug zum schnellen Umschalten auf eine zweite EQ-Einstellung, wenn Sie den Spielstil ändern möchten. Mit seinem Mikrogehäuse ist das DB 316 die perfekte Ergänzung für Pedalboards jeder Größe.

The DB 316 is a Midrange EQ pedal based on the preamp of our acclaimed Tone Hammer Series to perfect your midrange tone. Ideal for basses with two-band preamps and passive instruments where nailing the midrange is key, the DB 316 is flexible and intuitive. It can be an always-on EQ for every situation or a convenient tool for quickly switching to a second EQ setting when you want to switch up playing styles. With its micro sized housing the DB 316 is the perfect addition to any size pedalboard.

Aguilar

Review by BASSCHAT

Review by Talk Bass.com

DB 316 Mid-EQ

The first POLYTUNE NOIR raised the bar for how über-cool a tuner could be with its compact design and sleek black look. Now POLYTUNE 2 NOIR is here to rock pedalboards around the world! Featuring a super-bright LED display, an insanely-accurate strobe tuner and our groundbreaking polyphonic tuning mode, POLYTUNE 2 NOIR packs the most-innovative tuning technology into a tiny enclosure in the coolest color of all – basic Black. Tuning has simply never been more rock ‘n’ roll!

TC Electronic

Demo by Daniel Seriff

Demo by Nick Rees

Polytune 2 noir

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Truetone

1Spot Pro CS7

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Severinus Benna Adikusuma

BASSIST KAYA TPI ABSURD

Peter van den Enden

The VCA Compressor pedal was born out of our desire to offer a compressor pedal that threads the needle between the transparent and accurate studio compression we love, and the tonal enhancement (aka magic sauce) that we all love in certain vintage compressors or beloved compressor pedals on the market. Our goal was to create a highly flexible, super accurate, and, most importantly, fantastic-sounding compressor pedal. We settled on a VCA (voltage-controlled amplifier) design with a smart and simple set of controls over the crucial compression parameters

TrickFish

Review by Bass Musician

Official Product Demo

Review by Compressor Pedal Reviews

VCA Compressor

András Deodát Györei

The Zoom B1 FOUR and B1X FOUR take your low-end to new heights with over 70 effects and amp models, looper and a built-in rhythm section. Plus, access ZOOM Guitar Lab’s additional library of downloadable effects.

ZOOM

Demo by Gregor Fris

Demo by  JAKUMEISTER

Review by reddit /Bass

Review by Guitar Interactive Mag

B1X Four

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Origin Effects

Review by reddit /basspedals

Review by Gitarre & Bass

Sound Samples w/ Ian Martin Allison

DCX BASS

Vitoos

DD5-SV2

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Emanuel Julio

Bongo 6

Bass Rock and Metal Pedalboard

Einfacher als mit der One-Knob-Lösung des SpectraComp kann man einen Kompressor wohl kaum bedienen. Insofern erreicht der jüngste Spross aus der TC-Familie schon mal im Handumdrehen die höchste Punktzahl im Bereich der Userfreundlichkeit.

Ultra-Compact Multiband Compression Pedal for Bass with Built-In TonePrint Technology

Review by Bonedo 

Demo by SweetWater

Demo by Bass The World 

Spectracomp Bass Compressor

Website 

Pitchblack

Their popular B3K V2 keeps the same grind as the original design and adds the ability to restore the mid frequencies. Now you can send your bass rig into meltdown without losing any clarity. If you're looking to add grind to your tone while maintaining your tonal core, you can't go wrong with the Darkglass B3K V2.

Review by no treble 

Demo by patric hunter 

Demo by the bass channel 

Microtubes B3K v2

The Orbital Modulator is a super-compact, durable, and highly flexible multi-effects pedal with a dynamic collection of precision-engineered phaser, flanger, chorus, and tremolo effects. The Orbital's twelve effect types, nine adjustable parameters, plus internal or external modulation control were designed to send your tone into sonic orbit.

Source Audio

SOUNDBLOX 2 ORBITAL MODULATOR

User Manual 

Source Audio Orbital Modulator

Soundblox 2 Orbital Modulator

Jake Ray Osilla

The Hot Hand 3® Universal Wireless Effects Controller introduce an unprecedented level of expressive capability. Hot Hand translates motion into a dynamic and precise expression output, which can be applied to a range of Source Audio pedals, third-party effects pedals, rack systems. Control filter sweeps, drive levels, modulation, bit crushing, and much more.

Official Website

Demo by z.pex

Review by guitartest.de

Hot Hand 3 Wireless Effects Controller

RockBoard

ISO Power Block V6+

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

Paulo Marques

Can a pedalboard be a all-in-one for practice at home, band rehearsal, gigs, and studio?

- Inputs for 3 bass guitars (4, 5, and 6 strings) into GigRig
- GigRig > Tuner > Compressor
- Signal from Compressor split into Capo and Darkglass
- Signal from Capo and Darkglass merged into switcher
- Switcher > Parametric EQ > Noisegate > Simplifier
- Simplifier Thru output > Thumpinator > Canvas Rehearsal > Ashdown Ant
- Simplifier DI out to FOH/Studio
- Simplifier FX Loop > Polymoon > Ottobit > Ampero > Noise Gate
- Simplifier Parallel FX Loop > Loop Stat

(Thumpinator, Noise Gate and Ashdown Ant hidden under the board)


DIGITAL+ANALOG Bass Pedal Board

Erfahre mehr über das Simplifier Bass Station Di, Cab sim, Preamp-Pedal von DSM & Humboldt auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr

Simplifier Bass Station von DSM & Humboldt | PedalPedia | RockBoard