Alex Main Pedal Board

POG2

Splash MkIII

Orion Tape Echo

M290 Phase 95

Double Dreamer Alex Skolnick

Blue Note Tour

Signal Boost

WaterFall Bass

ISO Power Block V12 IEC

Ein bisschen Backstage-Info... 2016 haben wir einen Custom-Amp gebaut, der zwischen den Sounds eines 5E3 Tweed Deluxe und eines 6G2 Brownface Princeton morphen sollte. Wir mochten den Sound und das Gefühl des Verstärkers so sehr, dass wir beschlossen, ihn in einem Pedalformat einzufangen.

Der Falcon wurde als akribische Emulation der Schaltungen dieser Verstärker entwickelt. Bis ins kleinste Detail haben wir das Verhalten, den Sound und das Gefühl des Vorverstärkers, des Phasenumkehrers und der Endstufe dieser beiden Designs kopiert. Durch den Einsatz der JFET-Technologie ist es uns gelungen, nicht nur die übersteuerten Sounds, sondern auch die Low-Gain/Clean-Sounds nachzubilden.

Der wichtigste Teil war die Emulation der Kompression und der Ansprache, die von der Endstufe bzw. dem Röhrengleichrichter ausgehen. Dieser Effekt verbessert das dynamische, musikalische Gefühl des Pedals und macht es sehr reaktionsfreudig auf Ihren Picking-Angriff. Je nach Einstellung des Verstärkermodus und der Leistung der Gitarre bzw. des Tonabnehmers kann dieser Effekt mehr oder weniger stark ausgeprägt sein.

A bit of backstage info… back in 2016 we built a custom amp that was designed to morph between the sounds of a 5E3 Tweed Deluxe and a 6G2 Brownface Princeton. We liked the sound and feel of the amp so much that we decided to capture it in a pedal format.

     Falcon was designed as a painstakingly close emulation of the circuits found in these amps. With every detail in mind we copied the behavior, sound and feel of the preamp, phase inverter and power amp of both these designs. Applying JFET technology we managed to recreate not only the overdriven sounds but the lower gain / clean sounds as well.

     The most important part was emulating the compression and sag coming out of the power amp and tube rectifier respectively. This effect enhances the pedal’s dynamic, musical feel and makes it very responsive to your picking attack. Depending on amp mode setting and your guitar / pickup’s output this effect can be more or less pronounced.

Review by GuitarPlayer

Product Page

Review by bonedo

Manual

Demo by Pete Thorn

Demo by Guitar Bonedo

Review by The Gear Page

Falcon

We are proud to announce Echotopia , a retro tape echo style delay with 4 heads, each with its own mix/feedback control for the ultimate control of rhythmic patterns. 

Features controls for delay time (40ms up to 1200ms), echo feedback, mood â€“ tone of the repeats, rate and depth for sine wave modulation.

Tap tempo/hold footswitch adds extra flexibility making the effect ideal for live situations

Set the pedal in mono or stereo ping pong output operation (internal switch sets which head goes left or right)

Create the soundscapes of your dreams!

Official Website

Official Product Video

Demo by Shawn Tubbs

Review by delicious audio

Review by Delay Dude

Echotopia

Voiced after a 70s high wattage guitar tube amp that was also used on bass guitar in rock, doom, sludge and stoner bands. 

Gain control provides a wide range of sounds, from big bold clean to heavy overdrive that retains clarity even at maximum settings. Use the blend control to mix the clean signal and preserve all of your precious low frequencies. The tone control only affects the overdrive signal and volume control sets the master volume of your pedal (post blend).

A voicing toggle switch boosts mid frequencies (in supersonic mode) to make sure you’ll be heard light years away.

Demo by Patrick Hunter

Demo by Chris Kollias

Review by musicradar

Review by No Treble

Review by Premier Guitar

Planet B

The left side is voiced after the blackface amps that defined clean electric guitar sounds. All analog and following the circuit path to the exact detail we managed to include all the essential sonic ingredients. From the big bold lows, sparkly highs and slightly scooped mids, to the powerful sound of a solid state rectified 4x 6L6GC power amp or the sponginess of a tube rectified 2x 6L6GC power amp selectable through the headroom switch.

Match that to the green mid-hump overdrive we’ve all grown to love, upon its inception in the late 70s, found on the right side. We chose to accurately recreate the circuit of this classic overdrive but with the addition of some of the most common modifications the pedal has seen throughout the years of its mass production or boutique variations. A clipping toggle switch selects between symmetrical (original) or asymmetrical clipping for enhanced touch-sensitive drive characteristics while a gain toggle adds more gain and alters the low frequency response making it reminiscent of placing two of the same overdrive pedals in series. An internal switch offers additional headroom by providing 18V DC to the overdrive circuit. 

Demo by JayLeonardJ

Demo by Buddy Blues

Crossfire Overdrive

A versatile studio quality reverb in a small pedal format and user friendly design, utilizing our proven technique of paralleling analog with digital to get best of both worlds.

Features 3 different reverb algorithms fully customizable via decay and excite controls. A kill dry function is included via a push/pull knob that is great for volume swells without the need of your volume knob/pedal.

Algorithm I: The “exciter”. From a touch of ambience to spacious pad effect, especially on extreme settings.
Algorithm II: Moderate sized reverb. From a spring style reverb up to room and hall
Algorithm III : Large reverb. From hall to ambience

Demo by sonicstate

Demo by MrExcane

Splash MkIII by Crazy Tube Circuits

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