William W

Dream Board

Thomas & Simone RhPf Electronics

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

RhPf Electronics

3D Viewer and AR tool

Interactive Frequency Response

Product Page

Review by KAHFA

Manual

Demo by Philomena Music and Demo

Capharnaüm

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

Demo by We As A Company

Interactive Demo

Mo(s)ghoul

Sylvain Puysegur

Dark Star ist ein charaktervoller Lo-Fi-Reverb – ideal für langsame Anschläge und die Erzeugung atmosphärischer Pads. Rund um den Kernklang bieten zahlreiche Regler Möglichkeiten zur Klangverfremdung: Signalabbau, Filterung, Pitch-Shifting, zusätzlicher Delay sowie nützliche Parameter wie Mix und Volume.

Für maximale Integration in verschiedenste Setups verfügt der Dark Star über Stereo-Ein- und Ausgänge, analoges Dry-Through sowie wahlweise Trails- oder True-Bypass-Schaltung. Presets, Expression-Steuerung für jeden einzelnen Regler und vollständige MIDI-Kontrolle über sämtliche Parameter runden das leistungsstarke Feature-Set ab.

Ein Reverb für jede Position in deiner Signalkette – fast schon ein eigenes Instrument.

Dark Star is a characterful lo-fi reverb, ideal for slow attack and pad generation. Around the core voice are a number of controls for signal degradation, filtering, pitch shifting, added delay, and utilities like mix and volume. For integration into many different rigs, Dark Star has stereo in and out with analog dry through and trails or true bypass switching. Presets, expression control over every knob, and MIDI control over every element round out the robust feature set.  This is a reverb for anywhere in your signal chain, and almost an instrument of its own.

Old Blood Noise Endeavors

Review by delicious audio

Review by guitar pedal X

Review by reddit /guitarpedals

Review by AMAZONA

Demo by Harp Lady

Demo by The Pedal Zone

Dark Star V3

Stephen Walton

Chase Bliss

Video Manuel

MOOD MKII

Tester

Shallow water
K-Field Modulator

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.

Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.

K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours.

The water is shallow on this side of the pool. Do not dive and you will not drown.

Fairfield Circuitry

Product Video by FairfieldCircuitry

Shallow Water

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Demo 

Old Blood Noise Black Fountain Product Page 

Black Fountain-copy

GREGORY GUENEAU

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

KMA Machines

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

Official Product Video

Manual Page

ENDGAME - Duality Calibrator

ch ray

The Gravity Well analog tremolo/wavefolder/refractor is your sonic submersible for exploring subaquatic psychedelic netherworlds of sound. It's a dual pedal featuring a tremolo on one side and a wavefolder on the other. When both sides are active a third effect emerges, a refractor, a first-of-its-kind style of modulation effect produced by integrating the tremolo and wavefolder to rhythmically and fluidly warp and un-warp your signal, producing a dazzling variety of never-before-heard sounds and textures.

Possibilities are endless, but include analog synthesizer sounds, touch sensitive envelope filter-esque sweeps, heavy cinematic pulsing rhythms, splatty gnarly alien fuzz, ring mod like bell tones, science fiction sound fx and textures, and surfy tremolo warbles, just to name a few!

Cosmodio Instruments

Review by Pedal of the Day

Demo by rob. robn

Gravity Well

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Walrus Audio

Review by Guitar.com

Demo by Rabea Massaad

Demo by Knobs

Demo by Walrus Audio

Julianna

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Ein paralleler 3-Band-Enhancer mit unabhängigem Gain- und Level-Setup für Bässe, Mitten und Höhen. Der Tri-Hormonic Phalanx formt jede Frequenz separat – mit Klarheit und Kontrolle. Verleihe deinem Sound Druck im Bass, Präsenz in den Mitten oder Glanz in den Höhen, ohne Überschneidungen. Für transparente Klangformung oder gezielte Sättigung – immer phasenstabil, immer musikalisch.

A parallel 3-band enhancer with independent gain and level controls for lows, mids, and highs. The Tri-Hormonic Phalanx lets you shape each frequency band separately—add grit to the mids, shimmer to the highs, or body to the lows, all without overlap. Whether for clean sculpting or stacked harmonic saturation, it delivers clarity, power, and phase-coherent balance.

Tri-Hormonic Phalanx

Fabian Förster

Wenn du Bass auf einem Track spielst, hast du vielleicht das Gefühl, dass der Bass-Sound nicht gut in den Track „passt“. Vor allem bei Songs, die intensiver oder härter klingen. Wenn du mit deinem Bass einen aggressiveren Ton erzeugen willst, kann eine extreme Verzerrung wie ein Fuzz eingesetzt werden - oder du kannst eine leichtere Gain-Lösung verwenden, die den Ton deines Basses beibehält. Dies ist der Surfing Polar Bear Bass OD (MOD BY BJF)

Basierend auf dem beliebten Surfing Bear Overdrive-Pedal von Animals Pedal haben wir mit Hilfe des genialen Effektdesigners Björn Juhl von BJFe den bestmöglichen Bass-Overdrive geschaffen - den IT'S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. Er hilft nicht nur dabei, den übersteuerten Sound klassischer Röhrenbass-Amps aus den 60er und 70er Jahren zu erzeugen, sondern moderne E-Bassisten spielen auch härtere Linien im Einklang mit den Rhythmusgitarren, um massive Riffs zu kreieren.

Probiere den SPBBOD mit deinen Fingern aus und sieh, wie dynamisch er auf jede Note reagiert. Du kannst mit dem Lautstärkeregler oder deiner Spielstärke von Clean auf Overdrive umschalten. Schlage ihn hart an und erhalte die OD-Kante. Spielen Sie sanft und Sie werden mit einem satten, fast cleanen Ton belohnt. Die Wahl liegt bei deinen Fingern. Es ist nicht nur der Rest der Band, sondern auch der Sound und das Gefühl des Overdrive, bei dem du die tiefen und tiefen Töne deutlich hören kannst, mit einer schönen Kante auf deinem Basston, die dich ins Rampenlicht katapultieren kann!

When you’re playing bass on a track, you may feel that the bass sound doesn’t “sit” well within the track sonically. Especially with songs that are more intense or fierce sounding. If you want to make a more aggressive tone with your bass, distortion can be extreme like a fuzz – or you can use a more light-gain solution that retains the tone of your bass. This is the Surfing Polar Bear Bass OD (MOD BY BJF)

Based on Animals Pedal’s popular Surfing Bear Overdrive pedal, we have made the best bass overdrive possible with the help of genius effects designer Björn Juhl from BJFe – the IT’S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. In addition to helping create an overdriven sound from classic tube bass amps from the 60s and 70s, modern electric bassists are also playing heavier lines in unison with the rhythm guitars to create massive riffs.

Try the SPBBOD with your fingers and see how it responds dynamically to every note. You can switch from clean to overdrive with your volume knob or your playing strength. Hit it hard and get the OD edge. Play softly and be rewarded with rich almost clean tone. The choice is up to your fingers. It’s not only the rest of the band, but also the sound and feel of the overdrive where you can clearly hear the low end and root notes with a beautiful edge on top of your bass tone that can propel you into the spotlight!

Animals Pedal

Review by Reddit /guitarpedals

Demo by 【ムツミ】Mutsumi

Demo by LEP INTERNATIONAL

Surfing Polar Bear Bass OD MOD

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

Demo by Philip Czarnecki

News Letter

Mosferatwo

Multi-reverb with preset capability and intuitive control.

Four unique reverb algorithms.

Four programable presets.

Intuitive interface.

Native Audio

Demo by R.J. Ronquillo

Ghost Ridge V1.5

RockBoard

ISO Power Block V12 IEC

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

Die Glitch Witch von Cosmodio Instruments ist ein analoger Auto‑modulierter Logic‑Fuzz, der die klanglichen Grenzen zwischen Ordnung und Chaos, Tonhöhe und Rhythmus erforscht. Im Kern arbeitet eine schnelle CMOS‑Fuzz‑Schaltung, die gated Fuzz mit Suboktaven, Bit‑Crush, rhythmischen Chop‑Effekten, Ringmodulation und Glitches erzeugt und deren Modulation über Frequenzteiler der Eingangstonhöhe folgt. Sie bewegt sich zwischen heftigem Gain‑Chaos und Tone‑Bender‑ähnlichem Röhrenknurr, gesteuert über DIVIDE und VOICE. Smartes Relais‑Schaltsystem ermöglicht Momentary‑ und Latching‑Wechsel. Regler für Fuzz‑Vorverstärkung (Gate), Hi & Lo EQ, Level, Clean‑Pfad, Divide‑Schalter, Voice‑Modi, Divisor‑Rate und Modulationstiefe (Depth) bieten umfangreiche Steuerung. Handgefertigt in Massachusetts mit Artwork von GOLDSUIT, in einem Standard‑1590BB‑Gehäuse mit Top‑Jacks und True‑Bypass. Benötigt 9 V DC (Mitte negativ) mit ca. 25 mA Stromaufnahme.

The Glitch Witch auto‑modulated logic fuzz is your retro‑futurist companion for exploring the sonically aberrant boundaries between order and chaos, pitch and rhythm. At its robotic heart is a fast, all‑analog CMOS fuzz circuit capable of full‑spectrum gated fuzz, sub‑octave sweep, bit crushing, rhythmic chopping, ring modulation, and glitch effects, informed by dynamic frequency dividers locked to the pitch of the input. Conceived as a high‑gain chaos engine, it ranges from wild, unstable modulation to gritty Tone Bender‑style roar depending on DIVIDE and VOICE settings. The pedal offers intuitive smart switching including momentary and latching behavior, with control over fuzz pre‑gain (Gate), dual-band tone (Hi & Lo EQ), Level, Clean blend, Divide toggle, Voice mode selector, Divisor rate, and Depth modulation. Handmade in Massachusetts with striking artwork by GOLDSUIT and packed into a standard 1590BB enclosure with top‑mounted jacks and true‑bypass switching. Requires a standard 9 V DC, center‑negative power supply and draws approximately 25 mA.

Demo by Mac Wright

Demo by Videos In The Dark

Review by Guitar Pedal X

Glitch Witch

Das Cosmodio Instruments Splinter Twin ist ein Time‑Modulation‑Workstation‑Pedal, das kurze Verzögerungslinien manipuliert, um Effekte wie Flanger, Chorus, Vibrato, Doubling, Slapback und Echo sowie experimentelle Texturen zu erzeugen. Es klont das Eingangssignal, verändert den Klon in Zeit, Tonhöhe, Textur, Phase und Feedback und kombiniert es wieder mit dem trockenen Signal, um neue Klänge zu schaffen. Zu den Reglern gehören TIME (0–340 ms Verzögerung), MOD SPEED, MOD DEPTH, MOD SHAPE, PREAMP‑Gain und FEEDBACK mit einem performativen 2× Fußschalter. Das Pedal verfügt über wählbare trockene Signalwege für Through‑Zero‑Effekte, einen vollständig analogen Vorverstärker, true‑bypass‑Relais‑Schaltung und oben montierte Anschlüsse. Es wird in Massachusetts, USA handgefertigt und benötigt ein 9 V DC mit mittlerer Negativpolung Netzteil mit mindestens 200 mA.

The Cosmodio Instruments Splinter Twin is a time modulation workstation pedal that manipulates short delay lines to produce effects ranging from flanger, chorus, vibrato, doubling, slapback, and echo to experimental textures. It clones the input signal, alters the clone in time, pitch, texture, phase, and feedback, and recombines it with the dry signal to create new sounds. Controls include TIME (0–340 ms delay), MOD SPEED, MOD DEPTH, MOD SHAPE, PREAMP gain, and FEEDBACK with a 2× performative footswitch. The pedal includes user‑selectable dry signal routing for through‑zero effects and features an all‑analog preamp, true‑bypass relay switching, and top‑mounted jacks. It is handmade in Massachusetts, USA and requires a 9 V DC center‑negative power supply with at least 200 mA.

Demo by Ambient Trash

Demo by Get Offset

Review by Delicious Audio

splinter twin

The Pet Yeti analog distortion & fuzz pedal is about harnessing and befriending a monstrous force. It delivers extreme, unbridled and sometimes unusual distortion along with the means to scale and sculpt that energy to suit your music and performance. Its gain range, selectable voicing patterns, and analog bit-crushing can move it from clean boost, through crunch, overdrive and fuzz to glitchy madness. Its parallel clean path and tunable wide-spectrum response make it excel at processing not only guitar, but also bass, drum-machines, synthesizers… anything really. It’s omnivorous! 