Featuring a plethora of useful options, the Giygas gives you everything you’ve ever wanted in a fuzz box, along with some stuff you never knew you wanted (but deep down, you totally knew).  The core of the fuzz circuit is brawny and fierce, yet with plenty of violin-like sustain and articulation on tap, and the entire thing is wrapped in a clean blend circuit. From there, the fuzz gets catapulted into a gyrator-based mids boost, and then into a tilt EQ circuit. With the blend rolled all the way back, you can use just the powerful high-headroom EQ to sculpt your clean tone. A horde of options await you under the hood, ones that will make our four-stringed friends extremely happy. 

Product Page

Demo by Demos in The Dark 

Demo by AndyDemos

Demo by Does It Doom?

Demo by JayLeonardJ

Manual

GIYGAS

Varioboost Preamplifier: The tone scalpel. Boost or cut any frequency from 70Hz to 1400Hz. You can cut out the "mid hump" of OD's, scoop the mids of distortions, boost bass, boost treble, cut bass for radio sounds, cut treble for dark sounds, simulate out of phase pickups, coax single coil sound from humbuckers, or the opposite, cop half cocked wah tones. Much more effective than a graphic EQ because you don't have to reference a chart or book for great sounds.

Official Website

VariOboost

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

Demo by Pedalboard of the Day

Demo by HarryAndAGuitar

Demo by Get Offset

Demo by 60 Cycle Hum

Demo by Let's Play All

Demo by Demos In The Dark

Demo by Mike Hermans

Demo by R.J.Ronquillo 

Demo by Brett Kingmann

Many Worlds Phaser

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.

Review by reddit /guitarpedals

Review by TDPRI

Demo by The Pedal Zone

Official Product Video

Adineko

Classic gnarly garage fuzz. From The Ventures' "2,000 Pound Bee", and Iron Butterfly's "In-A-Gada-Da-Vida", to the Black Keys, the Fuzzrite has a rich history of taking guitar tones to new levels. We've brought the classic silicon circuit back, and added a 9v power supply. 

RockBoard Artists

Aktivitäten Übersicht

News

Fuzzrite

Media

Videos

Handbücher

Reviews

Links

Technische Daten

Weitere Pedals von Catalinbread

Catalinbread

GIYGAS

Catalinbread

VariOboost

Catalinbread

Many Worlds Phaser

Catalinbread

Adineko

Produkte

Bau dein Board

Services

Community