Saulo Silveira

One Strip

Tester

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.

Catalinbread

Review by reddit /guitarpedals

Review by TDPRI

Demo by The Pedal Zone

Official Product Video

Product Page

Manual

Adineko

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

GREGORY GUENEAU

Das Universal Audio UAFX Brigade Chorus & Vibrato ist ein kompaktes digitales Pedal, das den legendären Boss CE-1 Chorus Ensemble von 1976 authentisch emuliert. Es bietet warme, analog klingende Modulationseffekte, darunter üppigen Chorus und reichhaltiges Vibrato, sowie die charakteristische Vorverstärkerfärbung des Originals. Das Pedal verfügt über einfache Bedienelemente – Rate, Depth und Level – und bietet Schalter zur Auswahl zwischen Chorus- und Vibrato-Modus, True- oder Buffered-Bypass sowie zur Aktivierung des Vorverstärkers. Entwickelt für Mono-Ein- und -Ausgänge, ist das Brigade mit der renommierten Handwerkskunst von Universal Audio für zuverlässige Leistung gebaut.

Way back in 1976, the first commercially available chorus pedal was released. The massive tank-like piece of hardware is still touted by many guitarists as the finest chorus ever crafted due to its thick, watery, and rippling chorus (and vibrato) tones. The UAFX Brigade is Universal Audio’s ultra-precise sonic tribute to that long-discontinued pedal, sporting an immaculate bucket brigade chorus/vibrato digital emulation that builds off of UA’s modern-classic Astra Modulation Machine algorithms. However, unlike the pedal of Brigade’s inspiration (or even the Astra), this pedal comes equipped with a supremely straightforward setup of three simple knobs and a 2-way switch to swap between chorus and vibrato. Furthermore, the Brigade features spot-on modeling of an analog preamp modeling section to impart your signal with a touch of old-school character and potent vintage-style punch. Capture the chorus tone that started it all with Universal Audio’s UAFX Brigade!

Universal Audio

Review by Sound on Sound

Demo by Sweetwater

Demo by Guitar Center

Demo by Peach Guitars

Demo by BUZZBEE TV

Review by Gearnews

Quick Start Guide

Brigade Chorus & Vibrato

David Litaba

Den 'perfekten' Sound einzustellen sollte keine entmutigende Aufgabe sein. Der Neunaber Wet Reverb V5 wurde spezielle für eine kompakte Flexibilität entwickelt und bietet Musikern die Möglichkeit, den Reverb Effekt mit drei einfachen, intuitiven Regelmöglichkeiten zu gestalten. Egal, ob man nach einem riesigen und endlosen Hall sucht, der warm und organisch sein kann oder einfach nur ein dezentes Funkeln im Sound ergänzen möchte, der Wet Reverb bietet Musikern dafür alle Möglichkeiten und genügt mit einem Studio-tauglichen Sound selbst allerhöchsten Ansprüchen. Der Wet Reverb V5 ist ein Update des bekannten und beliebten Neunaber Wet Reverb, der alles bietet, was so viele Musiker an den Vorgänger-Versionen liebten - und ein bisschen mehr!

Dialing in a great tone shouldn't be a daunting task. Designed for compact flexibility, the Neunaber Wet Reverb V5 gives you the power to craft your reverb sound with three straightforward controls. You want a reverb that can be huge and endless, warm and organic, or simply add a subtle sparkle? You set high standards for yourself and your tone, so add something special to your sound that doesn't get in the way. Introducing the Wet Reverb V5 - an update to the fan-favorite reverb pedal. The new Wet Reverb has everything so many musicians loved about its predecessor, plus a little more.

Neunaber

Official Product Page

Neunaber Wet Reverb V5 - Official Demo Video

Neunaber Wet Reverb V5 - Demo / Review Video - Music Bliss Malaysia

Neunaber Wet Reverb V5 - Demo Video - Ponderer Sounds

Review by bonedo

Wet Reverb V5

The Timmy pedal has always been known for it's ability to provide a transparent overdrive to your amplifier while retaining the amps original tone. It's a fairly common thing for an overdrive to color tone, so why invest in a $1500 plus amp only to change it's inherent sound, right?

At low settings you will be able to effortlessly achieve a sound that is simply "more" of what your amp already offers. As the gain is turned up, and the pedal's EQ adjusted accordingly, smooth, singing, round and reedy tones are at your fingertips.

The Timmy pedal's responsiveness is exactly like that of a great, tube amplifier in that it responds immediately to your right hand's attack.

The Paul Cochrane Timmy is absolutely a legend in the world of overdrive pedals, and has been copied to a large degree over the years by several knock offs. 

Paul Cochrane

Demo by Mass Street Music

Demo by Living Room GD

Timmy v3

Say "hello" to the 1979! An evolution of the now discontinued Mojo Hand FX 1978, the 1979 is based on the notoriously high gain Big Muffs that were manufactured during the late 70s. Favored by many players for it’s outrageous grungy distortion (most notably Billy Corgan), it features op-amps instead of the traditional transistors found in every other Big Muff variant.

The 1979 features a footswitch to bypass the tone knob, so you get ALL the bass, ALL the treble, and a HUGE helping of extra mids and volume. Perfect for slamming your amp into a ripping solo, or doom/stoner mode. But most importantly, the tone bypass has it’s own volume knob so you can set it to unity or boost! We also adjusted the taper of the original gain pot to have a more usable sweep.

This peculiar Muff uses an IC, instead of the traditional transistor set, resulting in something that’s both familiar and different at the same time. The sound is more raw and aggressive than a typical BMP. Please do not expect subtlety. This pedal does not “clean up well” with your volume knob. It doesn’t sound pretty. It’s probably not appropriate for waltzes or jazz standards. It’s not supposed to be. It smashes you in the face.

Mojo Hand Fx

Demo by 60 Cycle Hum

Demo by Reverb

Review by Premier Guitar

Review by The Gear Page

1979

Gaun Cochran

Das UAFX Woodrow '55 Instrument Amplifier Pedal liefert Dir die legendären amerikanischen Tweed Röhren Amp Sounds, die von Künstlern und Produzenten seit Jahrzehnten verwendet werden, von den Eagles über Chuck Berry bis zu Neil Young.

The Woodrow ’55 feels more like an amp than a drive pedal, which is how most lesser, analog amp-in-a-box pedals feel at the end of the day. It’s not inexpensive. This is a high-quality pedal with a lot of research and development behind it. But if you thirst for the sonic sensations, thrills, and expressiveness of a tweed Deluxe and are reticent to pay the price in dollars or space, the Woodrow’s ability to span the expanse between a pedal solution that comes up short and the real deal makes the price look, in practical terms, like a real bargain.

Review by PREMIER Guitar 

Review by Gitarre & Bass 

Review by AMAZONA 

Demo by Vintage King 

Demo by Universal Audio 

Woodrow

Caleb Chandler

My take on the classic VCA buss compressor. I love running it at the very end of my mono signal chain, right before stereo effects to glue my gain stage. It’s also fantastic after mono delay, reverb, and modulation. I’ve added a parallel gain stage that interacts with the compressor to give you a pretty unique sub layer of saturation. I would describe it as having a top boost AC30 in parallel with your compressed signal. Add a little to give your leads a boost, or crank it to add another overdrive to your gain stage.

Collaboration Devices

Demo by Maik

Demo by BASSED.

Collaboration Devices THE COMPRESSOR Product Page 

Review by Pedal of the Day

Review by reddit /basspedals

Review by Compressor Pedal Reviews

The Compressor

Für 7-11 FX-Pedale - **722 x 142 mm / 28.43" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 11 FX pedals - **722 x 142 mm / 28.43" x 5.59"** - available with Gig Bag or Flight Case

Wir freuen uns sehr, die Markteinführung des Belle Epoch + bekannt zu geben, unseres ersten kompakten Delays mit vollständigen Tap-Tempo-Funktionen und einer Reihe weiterer Verbesserungen unseres Flaggschiff-Band-Echo-Simulators. Es wurde viel Forschungs- und Entwicklungsarbeit investiert, um das Belle Epoch + zur bestmöglichen Version seiner selbst zu machen. Das Einstellen des Beats könnte nicht einfacher sein: Halten Sie einfach den Fußschalter gedrückt, um den Tap-Modus zu aktivieren, und halten Sie ihn erneut gedrückt, um den Tap-Bypass-Modus zu aktivieren. Abgesehen vom Tap-Tempo-Schaltkreis bietet Ihnen der Belle Epoch + noch mehr: mehr Headroom, einen neu gestalteten Mix-Regler, einen verbesserten gepufferten Bypass, einen Hauch von Noise Gating und bessere Impedanzspezifikationen für die Integration in Ihr Rig. Der Vorverstärker wurde optimiert, um einen höheren Dynamikbereich bei gleichem Gefühl und gleicher Ansprache wie beim originalen Echoplex-Vorverstärker zu bieten, sodass Sie einen noch brillanteren Hi-Fi-Klang erhalten, den Sie von dem klassischen Schaltkreis erwarten. Wir haben außerdem den Funktionsumfang um drei Modi erweitert, die der Abnutzung des virtuellen Bandes entsprechen, vom makellosen „frisch aus der Produktion“ Echoplex bis hin zu einem staubigen Gerät, das 40 Jahre lang auf dem Dachboden gelegen hat. Steigen Sie ein (und auf) in die nächste Generation unseres klassischen Echo-Geräts!

Übersetzt mit DeepL.com (kostenlose Version)

We are extremely pleased to announce the launch of the Belle Epoch +, our first compact delay with full tap tempo capabilities and a slew of other upgrades to our flagship tape echo simulator. Much R&D was implemented to make the Belle Epoch + the best version of itself that it could possibly be. Tapping in a beat couldn’t be easier; simply hold the footswitch to enter tap mode and hold it again to enter tap bypass mode. Apart from the tap tempo circuit, the Belle Epoch + just gives you more, more headroom, a redesigned Mix control, improved buffered bypass, a touch of noise gating and better impedance specs for rig integration. The preamp has been tweaked to provide a higher dynamic range with the same feel and response of the original Echoplex pre, giving you a more hi-fi sparkling tone that you’ve come to expect from the classic circuit. We’ve also expanded the feature set by offering three modes that correspond to wear on the virtual tape, from a pristine “fresh off the line” Echoplex to a dusty unit that’s been sitting in an attic for 40 years. Step into (and onto) the next generation of our classic echo unit!

Demo by AndyDemos

Demo by MIke Hermans

Belle Epoch +

Our Soft Focus wrote a new volume of all-in-one shoegaze tone, but we’ve gone above and beyond to bring you the final word in shoegaze, the Soft Focus Deluxe. The Deluxe model installs the missing delay function from the original FX500 patch, giving you exacting control over every parameter across six different programs. Dip your toes into a vast array of shoegaze textures and soundscapes with an integrated footswitchable distortion circuit, giving you the option to run it in series with or in parallel with the Soft Focus patch. We’ve also upped the stakes with a multi-function jack capable of expression control or tap tempo. Your shoes will never look the same again.

Demo by  Demos In The Dark

Review by delicious audio

Soft Focus DLX

Ever modest, Catalinbread describes their Tribute Low-gain Overdrive / VariOboost as “a pedal that literally every guitarist needs.” While we get the sense they might be being somewhat facetious, after testing the Tribute out at Sweetwater, we discovered that it’s a stunningly touch-sensitive dirt pedal that’s worthy of a home on any OD fanatic’s board! The Tribute’s all-analog design is modeled after an earlier Catalinbread favorite, the VariOboost, to offer an exceptionally high-headroom drive engine coupled with a one-band parametric EQ for incredible tone-shaping possibilities. From powerful low-end rhythm crunch to sparkly boosted leads on the cusp of breaking up, the Catalinbread Tribute is a uniquely simple-yet-powerful spin on the OD formula.

Official Website

Demo by JayLeonardJ

Demo by Pedal Empire

Tribute

Featuring a plethora of useful options, the Giygas gives you everything you’ve ever wanted in a fuzz box, along with some stuff you never knew you wanted (but deep down, you totally knew).  The core of the fuzz circuit is brawny and fierce, yet with plenty of violin-like sustain and articulation on tap, and the entire thing is wrapped in a clean blend circuit. From there, the fuzz gets catapulted into a gyrator-based mids boost, and then into a tilt EQ circuit. With the blend rolled all the way back, you can use just the powerful high-headroom EQ to sculpt your clean tone. A horde of options await you under the hood, ones that will make our four-stringed friends extremely happy. 

Demo by Demos in The Dark 

Demo by Does It Doom?

GIYGAS

Adineko von Catalinbread