Pilgrim Lunatic

Jaguar

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

majestic but spooky

HT-5 Mk II Head

Tester

A living dream.

Gilamondo is an 8-stage phase shifter at heart, but it's a little more going on than you'd expect from its three simple controls. And its Cobra Tone Capable.

Coast up and glide down slow in the airy, swirling haze eight stages of phase shifting bring you.

Organically grown in Portland, Oregon.
Keep it natural, man.

Mr. Black

Manual

Review by reddit /guitarpedals

Review by The Gear Page

Review by musicradar

Official Product Video

Product Page

Demo by Curtis Kent

Gilamondo

Jose Carlos Núñez Hernández

Der intuitivste und erstaunlichste Looper, den die Musikwelt kennt, ist zurück. Mit einer Fülle von coolen kreativen Funktionen, mit denen du über die innovative StarJam-Funktion mit den besten Musikern von heute jammen kannst, während du in Sekundenschnelle mehrschichtige Meisterwerke erstellst. Vor allem aber bietet DITTO STEREO LOOPER allen Loop-Liebhabern das, wonach sie sich am meisten gesehnt haben - dreckiges, einfaches Looping in Stereo!

The most intuitive and amazing looper known to musickind is back. Packing a wealth of cool creative features that’ll see you jam along with the cream of the crop in music today via the innovative StarJam feature, while creating multi-layered masterpieces in seconds flat. But first and foremost, DITTO STEREO LOOPER is here to give all you loop lovers what you’ve been craving the most – dirt simple looping in stereo!

TC Electronic

Demo by Chris Benton

Demo by Simon Smith

Review by looperpedalreviews.com

Ditto Stereo Looper

ch ray

This amazing pedal is for classic fuzz freaks and newcomers alike. The Barber Trifecta employs a three way toggle switch to seamlessly navigate three incredible classic vintage fuzz circuits producing a plethora of great tones, that go from trippy to squishy, through heavy and beyond. The Barber exclusive "Sludge" control allows players to easily dial in the Trifecta to work perfectly with all types of pickups (humbuckers, single coils even active!).  The Sludge control is a pre-fuzz bass control circuit to allow you to adjust exactly how much bass gets pushed through the fuzz circuit. The Trifecta's variable tone control is also a push/pull type switch which lets you go from classic scooped to an audiophile strong-fundamental flat EQ.

Barber Electronics

Demo by Tom Surace

Demo by TheToneShack

Review by Joe Bonamassa Forum

Trifecta

Das Chime von Pettyjohn Electronics ist ein Overdrive- und Preamp-Pedal in Studioqualität, das darauf ausgelegt ist, den anschlagdynamischen harmonischen Reichtum klassischer britischer Verstärker an der Breakup-Grenze zu liefern. Es verfügt über eine vielseitige Schaltung, die als Clean-Boost, als grundlegender „Always-on“-Klangveredeler oder als gesättigter Drive mit markantem britischem Charakter fungieren kann. Das Pedal ist bekannt für seinen enormen internen Headroom, der durch ein proprietäres Netzteil erreicht wird, das einen Standardeingang auf 36V umwandelt, was für 3D-Klarheit und Offenheit sorgt. Die Ausstattung umfasst einen einzigartigen Tilt-EQ, ein regelbares Hochpassfilter und einen Clipping-Mix-Regler zum Mischen zwischen Germanium- und LED-Dioden. Das Chime stammt ursprünglich vom rechten Kanal des Flaggschiffs PettyDrive ab und hat sich seitdem zu eigenständigen Versionen der Foundry-Serie und MKII weiterentwickelt. Es wird im pazifischen Nordwesten der USA handgefertigt, wobei audiophile Komponenten wie Orange-Drop-Kondensatoren und Burr-Brown-Operationsverstärker zum Einsatz kommen.

The Chime by Pettyjohn Electronics is a studio-grade overdrive and preamp pedal designed to provide the touch-sensitive harmonic richness associated with vintage English amplifiers on the edge of breakup. It features a versatile circuit that can function as a clean boost, a foundational "always-on" sweetener, or a saturated drive with a distinctive British character. The pedal is renowned for its high internal headroom, achieved through a proprietary power supply that converts a standard input to 36V, ensuring 3D clarity and openness. Its control set includes a unique Tilt EQ, a sweepable High Pass Filter, and a clipping mix knob for blending between Germanium and LED diodes. The Chime originally derived from the right channel of the flagship PettyDrive and has since evolved into the standalone Foundry Series and MKII versions. It is handmade in the Pacific Northwest, USA, utilizing audiophile-grade components such as Orange Drop capacitors and Burr-Brown op-amps.

Pettyjohn

Demo by Pete Thorn

Demo by Lorenzo Passarella

Review by Delicious Audio

Review by Guitar Pedal X

Chime

Das Wren and Cuff White Elk ist eine weitere Muff-Variante, die speziell auf Nachfrage eines großen japanischen Vertriebs entwickelt wurde. Das White Elk ist eine Nachbildung der Elk 'Super Fuzz Sustainar' Effektpedale aus den 1970er Jahren - einer billigen japanischen Variante des bekannten 'Triangle' Muffs, die eigentlich überhaupt nicht nach den originalen 'Triangle Knob' Pedalen klang. Die Elks wurden mit unzuverlässigen Bauteilen, günstigen Platinen, dünnen Metallgehäusen und ohne True Bypass gebaut und gingen entsprechend schnell kaputt. Durch die Carbon-Comp-Widerstände und die billigen Kondensatoren bekamen die Pedale aber ein 'dreckiges', Noise-ähnliches Mojo, dass sich im Laufe der Jahre noch weiter verstärkte, da einige Bauteile mit den Jahren um bis zu 50% von den eigentlichen Werten abwichen. Still und heimlich entwickelte sich eine wachsende Fanbase für den einzigartigen Sound dieser Pedale, angeführt von Wata und Takeshi aus der japanischen Noise-Band Boris, die das 'kratzige' Fuzz, die satte Verzerrung, das unregelmäßige Low-End und das 'dreckige' Feedback bei Gitarren-, Bass- und sogar Synthie-Spuren einsetzen. Das Wren and Cuff White Elk fängt diesen wunderbar ungleichmäßigen Sound perfekt ein, bietet mehr Mitten als die meisten Muff Pedale und überzeugt mit einem einzigartigen 'Knurren' und einem besonderen Charakter.

The Wren and Cuff White Elk is another Muff variant, that was specially developed on the request of a large Japanese distributor. The White Elk is a recreation of the famous Elk 'Super Fuzz Sustainar' pedals from the 1970s, a cheap Japanese variant of the very well-known 'Triangle' Muff, that sounded almost nothing like any of the original 'Triangle' knob pedals. The Elks were made with very unreliable components, cheap circuit boards, thin metal enclosures, were not true bypass, and would break if you looked at them wrong. However, the carbon-comp resistors and ultra-cheap caps added a noisy mojo that would increase as the pedals aged. Some components would drift as much as 50% of their stated values! Quietly, there were some musicians who discovered the unique tone of the Elks, most famously, Wata and Takeshi from the Japanese Noise band Boris. It is said that they favored these pedals for their fuzzed-out tones and raunchy feedback on some guitar, bass and synth tracks. The Wren and Cuff White Elk provides a wonderfully uneven rumbling low-end, an odd feeling Tone knob with more mids than most Muffs, and a unique snarl unlike any other Muffer made.

Wren and Cuff

Official Product Page

Wren and Cuff White Elk (Small Foot) - Official Demo Video

Wren and Cuff White Elk (Small Foot) - Demo / Review Video - Reverb

Wren and Cuff White Elk (Small Foot) - Demo / Review Video - Guitarsenal

White Elk

Giue Bur

Reverb is evocative of space – a note contains pitch, but reverb contains place. Without reverb you have no idea where you are. Every note has been played it is what happens between the notes that is special. The Secret Path is a beautiful pedal – crafted reverbs for Spring and Plate, reminiscent of the heyday of classic amp and studio tones combined with modern day sound quality and reliability. Plus - The Secret Path – a deep, dark, mesmerising ambience with a sublime, brooding, dynamically evolving shimmer.

Laney Amplification

Review by Sound on Sound

Review by Musiker-Board

Demo by  Lari Basilio

Demo by Peter Honoré

BCC Secret Path

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Willkommen zum Kafka Reverb!
Im Kafka Reverb, dessen Parallelwelten-Konzept von dem oft unerklärlichen Werk Franz Kafkas inspiriert wurde, treffen in der Tat mehrere Dimensionen aufeinander. So sind sowohl die Lautstärken des DIREKT- als auch des REVERB-Signals parallel individuell einstellbar – ein unverfänglicher Begleit-Hall ist ebenso realisierbar wie die wahre Natur dieses Pedals: Tiefgründige Hallräume ohne Grenzen.

Welcome to the Kafka Reverb!
Several dimensions collide in the Kafka Reverb, whose parallel world concept was inspired by the often inexplicable work of the writer Franz Kafka. Both the volume of the dry (DIREKT) and the wet REVERB signal are individually adjustable in parallel.
An innocuous accompanying reverb is just as realizable as the true nature of this pedal: deep reverberation without limits.

Orion Effekte

Review by gearnews.de

Review by delicious audio

Demo by Reverb

Kafka Reverb

David Graves

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Catalinbread

Demo by Reverb 

Review by Amazona 

Review by Bonedo 

Belle Epoch (Gray)

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Der Voodoo Lab Analog Chorus ist mit seinem markanten, organischen Klang und seiner auffallenden Stimme die einzige echte klangliche Nachbildung des begehrtesten Chorus aller Zeiten – des CE-1 von 1976. Sein satter, fokussierter Ton ist der Maßstab, an dem sich alle anderen Chorus-Effekte messen lassen müssen.

Der Analog Chorus ist in der Lage, eine breite Palette von Klängen zu erzeugen, von einer satten analogen Verdoppelung über einen ultrasatten Chorus bis hin zu einem rotierenden Leslie-Lautsprecher.

Strikingly vocal with a distinctive organic tone, the Voodoo Lab Analog Chorus is the only true sonic replica of the most sought after chorus of all time– the 1976 CE-1. Its lush, focused tone is the standard by which all other chorus effects are measured.

The Analog Chorus is capable of a wide range of sounds from a thick analog doubling, to an ultra-lush chorus, and even a Leslie rotating speaker.

Voodoo Lab

Demo by  MSMWorkshop

Demo by BouGear

Review by Rig-Talk

Analog Chorus

Der BE-OD Overdrive/Distortion wird in USA zusammengeschraubt und soll den sahnigen Sound des BE-100 auf Knopfdruck generieren.

The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken up overdrives to straight up gain nirvana. Built in the USA and designed to withstand decades of abuse the BE-OD is a must have pedal for any tone enthusiast.

Friedman

Demo by SweetWater 

Demo by Pete Thorn 

BE-OD

KORG

Website 

Pitchblack

If you’re reading this, you must be getting ready to party like it’s 1983.

We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES!

This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.

Caroline Guitar Company

Review by effectsdatabase

Demo by Pedal of the Day

Demo by The Pedal Zone

Kilobyte Lo-Fi Delay

Imagine taking the ice bucket challenge, but you’re dunking yourself in dreams! 

Inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.

We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…

Review by Medium 

Demo by Knobs 

Demo by The pedal Zone 

Demo by Brett Kingman 

Meteore Lo-Fi Reverb

thuy nguyen

PARABOLA™ is the sonic equivalent of riding your space mammoth through giant puddles in the astral plane while feeding it caffeinated energy drinks.

Think of this as your rig’s new “tremolo channel”. We’ve adapted the deliciously sloshy, transistor-based LFO and distinctive waveform from our favorite “West German” device, modified its speed and depth to match and go beyond those from your favorite classic amps, and then added pre and post effect gain stages for both overdrive and volume boost. Then we offer the classic, dramatic amplitude modulation (AM) you might expect, or a filtered modulation (FM) that is subtle, beautiful, and less invasive on your playing.

Your pedal was dreamed, designed and created at our small batch distortery™ in Columbia, S.C. Thank you for supporting our work and putting it to use.

Parabola Solid State Tremolo

Jérôme RAPP

EarthQuaker Devices

Disaster transport (v. 2007-2015)

Giordano Rivolta

Dark Star is a lo-fi reverb aimed at slow attack and pad generation. Three modes introduce pitch shifting, delay, and bit crushing to the core voice of long, dark reverb. A hold switch allows infinite trails while the pedal is on. This is a reverb to go first in your signal chain, and almost an instrument of its own.

Old Blood Noise Endeavors

Review by Tomorrow Started @MusikerBoard

Demo by Old Blood Noise Endeavors

Dark Star V1

Truetone

1 Spot Pro CS6

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

built around the option to have reverb into fuzz, and deploy the

AS93

Stratocaster

ZLS100-CFS

post-rock and shoegaze setup

HT 1R Mk 1

1Spot Pro CS7

nspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.

We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…

Demo by Telluride Music Co.

Demo by Knobs

Meteore Black

From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy sounding stuff was actually the easy part for us. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie sounds you can make with this thing, we encourage you to explore the subtleties of how each control interacts with the others, and the remarkable range of sounds that you can quickly and intuitively dial in. Gentle, lagging vibrato, 1980s style choruses, and even some doubling effects are possible…and then, turn up & go wild again.

SOMERSAULT™ applies a similar framework as our popular KILOBYTE™ and MÉTÉORE™ pedals. While the digital chip sets the delayed wet signal, the initial gain stage, dry signal, LFO, control set and output mixing stage are entirely analog. The end result sounds rich and fat, with the same robust feel and power our customers have come to expect from our work.

Demo by Megan L

Somersault Lo-Fi Modulator

The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units.

It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off.

Review by Pedal of the Day

Wave Cannon MKII

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.