Fred Petit

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Carl Martin

Tester

The Carl Martin Headroom is the most simple to operate reverb pedal on the market…with a couple extras. This purely analogue ‘real spring’ reverb has two identical identical channels, each with tone and level controls to select the depth and tone of your reverb. This allows you to have a soft, small room reverb on Channel A and a much more dramatic and dark large-room reverb on Channel B (or vise versa) The two foot-controlled switches control which channel you are in, and whether you wish to bypass the effect completely. It is like having two separate reverbs in your amp!

Product Page

Review by musicradar

Review by bonedo

Manual

Demo by Pete Thorn

Demo by VintageandRare

Headroom

Das Carl Martin Two Faze Pedal verbindet den Charme der Vintage-Phasenverschiebung mit moderner Technik. Das von Holm Malmquist entworfene Pedal verfügt über zwei unabhängige Geschwindigkeitsstufen, die jeweils mit LED-Anzeigen für Aktivierung und Tempo versehen sind. Es eignet sich perfekt für Gitarre, Bass oder Keyboards und verbessert Ihren Sound, ohne den Klang zu beeinträchtigen.

Mit einem 6,3-mm-Mono-Eingang/-Ausgang und einem „Select“-Schalter für nahtlose Geschwindigkeitswechsel ist er einfach zu bedienen. Die eingebaute geregelte Stromversorgung (+-12V) sorgt für eine hervorragende Klangqualität, einen hohen Headroom und ein klares Signal, auch bei hohen Lautstärken.

The Carl Martin Two Faze pedal blends vintage phase-shifting charm with modern tech. Designed by Holm Malmquist, it features two independent speed settings, each with LED indicators to show activation and tempo. Perfect for guitar, bass, or keyboards, it enhances your sound without compromising tone.

With a mono 6.3mm input/output and a "select" switch for seamless speed changes, it's easy to use. The built-in regulated power supply (+-12V) ensures superior sound quality, high headroom, and a clear signal, even at high volumes.

Demo by  DMTR Pedal Shop

Demo by Rick Graham

Demo by  DanGuitarDK

Demo by  James Mulvaney

Review by Equipboard

Review by Harmony Central

Two Faze

PedalSafe Type C2

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Schutzabdeckung & universelle Montageplatte Für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & Universal Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

The Carl Martin TremO´vibe is an analog “two in one” effect pedal consisting of a tremolo and a real vibrato, both with independent sets of speed and depth controls.
The tremolo effect works like a change in volume. The vibrato, which works as a change in tone (pitch modulation), is carefully designed to imitate the sound of a real tube vibrato.
Featuring two switches, The “on” switch allows you to engage or bypass the unit. The “select” switch allows you to switch between Tremolo and Vibrato.
The Carl Martin TremO´vibe is an excellent choice for Guitar, Bass, Keyboard, or any other electronic instrument, that requires the highest sonic clarity, maximum dynamic range and noise free performance.
The unit has a built in regulated power supply which enables us to design circuitry of the highest quality with maximum headroom.

Demo by Tim Pierce Guitar

TremO'vibe

Carl Martin The FUZZ setzt mit seinem revolutionären Waveguide neue Maßstäbe in Sachen Verzerrung.
Durch die Verwendung der Tiefen- und Höhenregler des Wave Guides in Verbindung mit dem 3-Band-EQ ist es möglich, die Verzerrung zu säubern und den Sound in jeder gewünschten Weise zu formen, so dass Klänge von einem alten Blues-Fuzz über einen Hard-Rock-Sound aus den mittleren 80ern bis hin zu einem Hardcore-Metal-Sound erzielt werden können.
Das Fuzz hat eine eingebaute regulierte (+-12V) Stromversorgung. Dies ermöglicht es uns, eine Schaltung von höchster Qualität mit maximalem Headroom zu entwickeln.

Carl Martin The FUZZ Sets new standards for distortion with it´s revolutionary wave guide.
By using the wave guide’s deep and high controls in conjunction with the 3 band EQ, it is possible to clean up the distortion and shape the sound in any way needed thus making it possible to achieve sounds ranging from an old blues fuzz, to a mid 80’s hard rock tone, to a hard core metal sound.
The Fuzz has a built in regulated (+-12V) power supply. This enables us to design circuitry of the highest quality with maximum headroom.

Demo by  Guitarworks1000

Demo by  We As A Company

Demo by The Guitar Show

Demo by  Jack Fossett

The Fuzz

PedalSafe Type C

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Der Jubiläums-Hot Drive'n Boost MK3, mit einem komplett neuen Overdrive-Design, das einen noch authentischeren „Röhren“-simulierenden Overdrive liefert als der originale HDB, der als einer der besten bekannt ist.
Der neue HDB MK3 klingt wie ein aufgemotzter Qualitäts-Röhrenverstärker, und im Gegensatz zu fast allen anderen Overdrive-Pedalen verändert er nicht den Originalton, hat keine Mittenausprägung, kein Abschneiden der Bässe, kein Abschneiden der Höhen, all das gibt ihm den Klang eines klaren, brillanten Röhren-Drives, der ihm eigen ist.
Mit der BOOST-Funktion ist der Hot Drive'n Boost MK3 ein „TWO IN ONE“-Pedal. Damit kannst du den extra „Kick“ (bis zu 20db) für Soli bekommen, um wirklich hervorzustechen.
Der Hot Drive'n Boost MK3 hat eine eingebaute regulierte (+-12V) Stromversorgung. Dies ermöglicht es uns, Schaltungen von höchster Qualität mit maximalem Headroom zu entwickeln.
Die niedrige Ausgangsimpedanz sorgt für eine rauscharme Verbindung und verbessert die Arbeitsbedingungen für den Gitarrenverstärker.

The anniversary Hot Drive’n Boost MK3, featuring a complete new overdrive design that gives a even more authentic “tube” simulating overdrive than the original HDB, which is know to be one of the best.
The new HDB MK3 sound like a tweaked up quality tube amp, and on contrary nearly every other overdrive pedal does it not change the original tone, has no midrange pronouncement, no low end cut of, no high end cut of, all that gives a tone of a clear brilliant tube drive of it’s own.
With the BOOST feature the Hot Drive’n Boost MK3 is a “TWO IN ONE” pedal. That allows you to get that extra “kick” (up to 20db) for solos to really stand out.
The Hot Drive’n Boost MK3 has a built in regulated (+-12V) power supply. This enables us to design circuitry of the highest quality with maximum headroom.
The low output impedance insures a lo noise connection, and gives improved working conditions for the guitar amp.

Review by Seymour Duncan Forum

Review by The Les Paul Forum

Review by Music Radar

Review by Zikinf

Demo by Pedalmakers

Demo by EytschPi42

Demo by Simon Gotthelf Gear Demos (Simon Gotthelf Music)

Demo by Alberto Barrero

Hot Drive 'n Boost mk3

Carl Martin Compressor-Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.
General Guidelines on the use of the Compressor/Limiter:
Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.
Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.
Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.
Gain: Working clockwise, sets the overall gain.Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.You can find more detailed information under manuals.

Carl Martin Compressor Limiter Manuel

Carl Martin Compressor Limiter Product Page

Carl Martin Compressor Limiter Demo 

Compressor/Limiter

Der Carl Martin Chorus XII ist ein vielseitiger Stereo-Chorus mit beeindruckendem Sound und robustem Design. Dank zwei separater Reglerpaare für Speed und Depth lassen sich zwei völlig unterschiedliche Chorus-Sounds einstellen. Per Fußschalter kannst du mühelos zwischen sanften, langsamen Modulationen und lebhaften, intensiven Effekten wechseln – ideal für dynamische Performances.

The Carl Martin Chorus XII is a versatile stereo chorus with an impressive sound and robust design. Thanks to two separate pairs of controls for speed and depth, two completely different chorus sounds can be set. A footswitch lets you switch effortlessly between smooth, slow modulations and lively, intense effects - ideal for dynamic performances.

Demo by James Mulvaney

Demo by  Eduardo Escobar

Demo by Goldmusicsrl

Demo by Victor Hugo Targino

Review by Fractalaudio

Review by Gearspace

Review by The Gear Page

Chorus XII

The Carl Martin PlexiTone, is as the name might indicate an unusual high gain three step rocket of an overdrive.
The PlexiTone offers two step overdrive, the crunch channel and the high gain channel, on top of that it gives you an up to 20dB clean boost channel.
The crunch channel goes from subtle overdrive to hard rock gain stage, the high gain channel goes from rock gain stages to absolutely meltdown, with loads of gain and low end, and all in a tone that brings the memory back to the early 80’s high gain guitar hero’s.

Demo by  Johan Segeborn

Review by Ultimate Guitar

Review by RigTalk

Review by Houston Music Reviews

PlexiTone

Das Carl Martin DeLayla XL wurde mit einem Ziel vor Augen entworfen und entwickelt: Ein überragendes Echo-Pedal zu schaffen, mit der gleichen Klangqualität wie das ursprüngliche DeLayla, aber mit neuen, erweiterten Funktionen, aber mit einigen der gleichen Funktionen, die in alten Bandverzögerungsgeräten verwendet werden. Um dies zu erreichen, wurde ein zweiter Delay-Head (Slapback) implementiert (ähnlich der Verwendung von zwei Köpfen gleichzeitig bei einem Tape Delay).

The Carl Martin DeLayla XL is designed and developed with one goal in mind: To create a superior echo pedal, with the same sonic quality as the original DeLayla but with new extended features, yet incorporating some of the same features used in vintage tape delay units. To achieve this, a second delay head (slapback) (similar to using two heads simultaneously on a tape delay) was implemented.

Demo by  Alexis Ruiz

Demo by  Goldmusicsrl

Review by Musiker-Board

Review by Harmony central

Delayla XL

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Christian Conti

This is a board a built to accommodate both my live gigs and my session work. The amp-less set-up allows me to rock up to any studio and get my guitar sound on the fly without relying on the studio's gear. So far, I'm using the Simplifier by DSM and Humboldt because of its versatility and features. It allows me to come out DI stereo, eliminating the need for an external DI box and can emulate Marshall sounds, Deluxe and AC30 tones. 

Another interesting piece is the Kernom Ridge. I love this OD pedal for experimenting and hunting for tones, while I rely on my Full-Drive 2 for my main overdrive sounds.I've had the FD2 for so long, so I know how it reacts to my playing and my board would feel empty without it!

My favourite pedal is the Bluesky. In university I worked as a promoter for a nightclub earning around 20 bucks. a week. I saved up for months to get this guy and it's been on my board ever since!

Stratocaster

Session Board

Scarlett

The Fuzz Face Mini line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments such as a bright status LED, an AC power jack and a convenient battery door. The FFM1 Silicon Fuzz Face Mini is spec’d from a 1970 Fuzz Face in our own collection prized for its bright and aggressive Fuzz Face sound delivered by its matched BC108 silicon transistors.

Dunlop

Demo by Prymaxe

Demo by germanndude

Review by Michael Brown, musicradar.com

FFM1 Silicon Fuzz Face Mini

Der Dyna Comp zählt zu den renommiertesten Pedalkompressoren überhaupt, und mit dem M228 Dyna Comp Deluxe hat MXR eine moderne Neuinterpretation des Klassikers geschaffen. Ein besonderes Feature ist der Clean-Regler, mit dem sich das unbearbeitete Direktsignal stufenlos hinzumischen lässt. So bleibt der Attack des Signals auch bei starker Kompression erhalten. Die Attackzeit kann außerdem zwischen "Slow" und "Fast" umgeschaltet werden. Besonders praktisch ist der Tone-Regler, der den häufigen Nachteil älterer Kompressoren behebt, die oft hohe Frequenzen abschneiden und das Signal dadurch dumpf klingen lassen. Mit dem Tone-Regler kann dies perfekt ausgeglichen werden.

The Dyna Comp is one of the most renowned pedal compressors ever, and with the M228 Dyna Comp Deluxe, MXR has created a modern reinterpretation of the classic. A special feature is the Clean control, which allows the unprocessed direct signal to be mixed in continuously. This means that the attack of the signal is retained even with heavy compression. The attack time can also be switched between “Slow” and “Fast”. The Tone control is particularly practical as it eliminates the common disadvantage of older compressors, which often cut off high frequencies and make the signal sound dull. This can be perfectly compensated for with the Tone control.

Review by 

Review by Squid Guitar Inc

Review by Bonedo

Demo by Sweetwater

Demo by The Bass Channel

M228 Dyna Comp Deluxe

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Roland Schmidt

Die RockBoard QuickMount Pick Box ist ein hilfreiches Zubehör für Musiker, die alles an einem Ort aufbewahren möchten. Nie wieder verlorene Plektren oder verschwundenes Zubehör! Dank des QuickMount-Systems benötigst du kein klebriges Velcro mehr, die Pick Box lässt sich fest und sicher in das RockBoard Slot Grid klemmen.

The RockBoard QuickMount PickBox is a useful accessory for musicians who want to keep everything in one place. No more lost picks or missing accessories! Thanks to the QuickMount system, you no longer need sticky hook & loop tape. The PickBox snaps securely into the RockBoard slot grid.

RockBoard

RockBoard PickBox

PickBox

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

Official Product Video

M169 Carbon Copy Analog Delay

chris wilson

You always wanted to have the perfect, organic drive tone. Jump into the Kernom world and take your creativity to the next level with the RIDGE.
No matter if you are looking for an overdrive to play blues or heavy guitar riffs, the MOOD knob on the RIDGE is an intuitive and unique way to access all clipping flavors : symmetrical, asymmetrical, soft or hard clipping, and everything in between. 

Kernom

Demo by Tone Factory

Demo by Andertons

Ridge

Flavio Salcuni

SIMPLIFIER MK-II ZERO WATT REVERB STEREO AMPLIFIER : The state-of-the-art in analog amp simulation

The Simplifier MK-II takes the analog amp simulation to a new stage of realism. Much more options, while keeping the instant touch and dynamics that only an all analog device can manage.
All, in the same ultra compact footprint...

DSM & Humboldt

Demo by DSM & Humboldt

Demo by Guitar Bonedo

Simplifier MK-II

David Litaba

Das Pedal, das kompakte Reverb-Pedale revolutioniert hat, hat sich weiterentwickelt. Mit blueSky erhalten Sie den üppigsten, majestätischsten Hall, den man sich vorstellen kann. Verwandeln Sie eine einzelne Note oder einen Akkord in eine riesige Klangatmosphäre mit unfassbar schönen, unglaublich langen Hallfahnen. Hören Sie das inspirierende Plätschern eines verbesserten Federhall-Algorithmus, der vor Vintage-Vibe nur so trieft. Verlieren Sie Zeit und Raum aus den Augen, während Sie mit tiefen und weitläufigen neuen Shimmer-Sounds interagieren, die Sie noch nie zuvor gehört haben.

The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.

Strymon

Manuals, FAQ at Strymon

Review by delicious audio

Review by reddit /guitarpedals

Manual as PDF

Strymon blueSky V.2 – Reverberator – Intro

New blueSky Audio Examples | Strymon

blueSky reverberator V2

Housed in a beautiful powder coated Blue 16ga. steel enclosure, the dual-channel Full-Drive 2 Mosfet gives you the best of both worlds. The first channel is the Overdrive Mode, capable of clean boost or non-compressed overdrive or choose light to medium softer overdrives all while retaining your guitar's original tone. The Tone knob is a very effective presence control that can smooth out or add upper harmonics. The second channel is the "Boost Mode" with its own separate distortion control for medium to higher gains with a more singing violin-like sustain!

One mini-toggle lets you choose between a "Vintage" FD2 sound with mid-heavy tones that cut through the mix and "FM (flat-mids)" for a more natural, transparent sound that works awesome with a Strat's neck pickup.
The other mini-toggle lets you choose between Mosfet and Normal clipping modes. Normal mode is even more asymmetrical, sweeter and more open, with no "blanket" over the sound.

Fulltone

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Demo by shnobel

Official Website

Review by absolute music

Review by Awkward Sound

Full-Drive 2 Mosfet

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Red Repeat V1

Das Carl Martin Boost Kick ist ein 9V-Batterie-Pedal, das bis zu 12dB Boost liefert, um den extra „Kick“ für ein großartiges Solo zu geben.

Der Pegelregler bestimmt den Boost-Pegel. Die Band 3 EQ-Sektion besteht aus Punch (Bass), Attack (E) und Edge (Treble). Dies ermöglicht eine praktisch unbegrenzte Auswahl an Soloklängen, ohne die Klangqualität zu beeinträchtigen.

Es kann schwierig sein, die Solos aus der Kakophonie der Band herauszuhören. Mit einem maximalen Boost von 12 dB und dem Band 3 EQ ist es ein Kinderspiel, den richtigen Sound zu treffen. Der Carl Martin Boost Shot ist ein echtes Bridge-Alter und verfügt über eine Sektadapter-Buchse.

The Carl Martin Boost Kick is a 9V-battery pedal designed to provide up to 12dB of boost to give that extra “kick” required for a great solo.

The level control determines the boost level. The Band 3 EQ section consists of Punch (bass), Attack (E) and Edge (treble). This allows a virtually unlimited range of solo sounds without compromising sound quality.

Getting your solos to cut through the cacophony of the band can be a handful. With a maximum 12 dB boost and Band 3 EQ at your feet, hitting the right level sound is a breeze. The Carl Martin Boost shot is true bridge age and features a sect adapter jack.

Demo by Selane Productions

Review by audiofanzine

Review by Guitariste

Boost Kick

Mit dem Tone Tweaker kannst du deinen Ton formen, dein Signal verstärken und dein Equipment noch besser zur Geltung bringen.

Mit dem Tone Tweaker, einem 12-dB-Boost-Pedal für alle, die einen perfekten Sound wollen, kannst du das volle Potenzial deiner Lieblingsgeräte ausschöpfen. Dieses unauffällige, aber leistungsstarke Pedal verfügt über einen internen Spannungsbooster, der dir zusätzlichen Headroom bietet und deinen geliebten Röhrenverstärker noch besser klingen lässt. Er ist perfekt geeignet, um bei Soli durch den Mix zu schneiden und deinem Rhythmus-Spiel zusätzlichen Punch zu verleihen.

Der Tone Tweaker verfügt über einen effizienten 3-Band-Equalizer, mit dem du deinen Sound mit speziellen Reglern für Mitten, Höhen und Bässe feinabstimmen kannst. Ganz gleich, ob du den Mitten mehr Wärme, den Höhen mehr Schärfe oder den Bässen mehr Tiefe verleihen möchtest, Tone Tweaker gibt dir die Werkzeuge an die Hand, um deinen Sound mit außergewöhnlichen Effekten zu formen - subtil und doch kraftvoll.

Shape your tone, boost your signal, and let your gear shine even more with the Tone Tweaker.

​Unleash the full potential of your favorite gear with Tone Tweaker, a 12dB boost pedal designed for those who demand perfection in their sound. This subtle yet powerful pedal is built with an internal voltage booster that gives you that extra headroom and makes your beloved tube amp sound even better. It is perfect for cutting through the mix during solos and adding extra punch to your rhythm playing.

 Tone Tweaker features an efficient 3-band equalizer, allowing you to fine-tune your sound with dedicated controls for Mid, Treble, and Bass. Whether you want to add warmth to your midrange, more sharpness to your treble, or extra depth to the low end, Tone Tweaker gives you the tools to shape your sound with exceptional effect – subtle yet powerful.