andronik supersonik

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Vu Board fat

Tester

The Empress Tremolo2 is an original design built from the ground up to include innovative features without sacrificing tone. The audio signal path is analog, but the tremolo effect is controlled digitally via opto technology.

Tap tempo, selectable waveforms, a choice of 8 rhythms and a full preset system capable of storing up to 8 presets are all at your fingertips. The control port allows control over the Tremolo2 via external tap tempo, expression pedal, control voltage and MIDI, making the tremolo2 more powerful than ever!

Empress Effects

Demo by Knobs

Official Product Video

Product Page

Review by reddit /guitarpedals

Review by musicradar

Manual download

Tremolo2

Als der Echoplex® EP-3 auf den Markt kam, waren die Gitarristen begeistert von der Art und Weise, wie sein Vorverstärker ihren Sound aufpeppte. Schon bald fand der EP-3 seinen Weg auf die Platten der besten Gitarristen - von Jimmy Page bis Eddie Van Halen und Eric Johnson -, und zwar sowohl wegen seiner Tonbearbeitungsfähigkeiten als auch wegen seines Bandecho-Effekts. Jetzt kannst du die legendäre geheime Soße des EP-3 direkt auf dein Pedalboard bringen.

Dunlops EP101 Echoplex Preamp stellt die Magie des EP-3 Frontends nach, mit einem Feldeffekttransistor (FET) genau wie das Original und mit dem exakt gleichen Signalweg. Mit dem Gain-Regler können Sie Ihr Signal um bis zu +11 dB anheben, mit leichtem asymmetrischen Clipping bei höheren Einstellungen für ein wenig organischen Grind.

When the Echoplex® EP-3 came out, guitar players were hooked by the way its preamp sweetened up their sound. Soon, the EP-3 made its way onto the records of top guitar players—from Jimmy Page to Eddie Van Halen and Eric Johnson—as much for its tone conditioning ability as its tape echo effect. Now, you can put the EP-3's legendary secret sauce right on your pedalboard.

Dunlop's EP101 Echoplex Preamp recreates the magic of the EP-3's front end, featuring a Field-effect Transistor (FET) just like the original and following the exact same signal path. The Gain control allows you to boost your signal by up to +11dB, with light asymmetrical clipping at higher settings for a bit of nice organic grit.

Dunlop

Review by mylespaul

Review by TDPRI

Demo by StompboxTV

EP101 Echoplex Preamp

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Nicolas Wilfer

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

Official Product Page

Manual

JHS Colour Box: A 1073 You Can Take Anywhere - JHS Pedals

Colour Box V2 10 Year Anniversary

The PLASMA Pedal creates heavy distortion by amplifying an audio signal up to 3500 Volts and transforming it into electrical discharges. You are literally playing a bolt of electricity.

Gamechanger Audio

Website

Plasma Pedal

Steven Yon

Ok, so you have eight effects pedals which you use regularly. You use various combinations of these pedals in various songs, but you are not good at tap dancing…or you are just clumsy and have (once or twice) stepped on the ultra tricked out-metalized-distortion pedal for the lead in your one ABBA cover. You have seen the digital effects controllers they use on the big stages, and have secretly yearned for one… even though you may never make the big stage. Enter Thomas Guldmann’s Octa-switch MK3. Your eight effects plug into the eight effects-loops on the back of this unit (all true-bypass, impedance free, gold relays so you can run any of your pedals, new and old without problem), and then by turning on or off the numbered switches in each of eight DIP Bank switches, you determine which effects you wish to use simultaneously in each Bank. There is a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). The Octa-switch MK3 has incorporated a couple new features as well! The ninth switch on the left side of the case is a BYPASS Switch….this allows you to completely bypass all eight pedals and enjoy only the unaffected sound of your amplifier. There are also two External Switching jacks which allow you to use two amplifiers and/or switch channels on those amps. Once you have all the Banks programmed, we recommend placing a piece of scotch or electrical tape over each DIP (….just to protect the switch from accidental switching, damage or floods….like beer). There is a buffered (or not….switchable) Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply…like the PowerJack or the Pro Power (both by Carl Martin).

Carl Martin

Review by bonedo

Demo by ukguitarnoddle

Demo by EytschPi42

Octa-Switch MK3

BOSS

TU-3S Tuner

The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making
Tape delays.
it is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.

T-Rex

Demo by Martin Klaja's Guitarchannel

Demo by Duskmos

Demo by T-Rex Effects

Review by The Gear Page

Review by GEOFF KING, mixdownmag.com.au

Replicator D'LUXE

Cited as a major influence by wah masters such as Hendrix, Clapton, and Vaughn, Buddy Guy helped establish the effect as part of the blues vocabulary. To honor his contributions we have created the Buddy Guy Cry Baby Wah, featuring the Fasel Inductor for a sweet and singing top end, and two distinct user selectable wah voices—choose "DEEP" for a big and throaty growl, or "BG" for Buddy's own warm and bell-like wah tone. Convenient side-mounted LEDs indicate which mode you are in, while a separate LED indicates effect on/off. Let your guitar sing the blues in style with the Buddy-approved polka dot graphics and custom signature tread.

Review by Simon Bradley, musicradar.com

Demo by Guitar World

BG95 Buddy Guy Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Was ist also dieses verrückte Pedal? Nun, auf den ersten Blick sieht es aus wie viele andere Carl Martin-Pedale... es gibt einen High Gain-Kanal, der jede Menge Bässe und schöne knackige Höhen hat, einen sehr dynamischen Crunch-Kanal, der die Mitten mit sehr wenig Kompression betont, und natürlich den berühmten 12db Boost-Kanal, den wir alle so gut kennen.

So what is this crazy pedal? Well, at first glance it looks like many other Carl Martin pedals…there is a High Gain channel which has loads of bottom end and nice crisp highs, a very dynamic Crunch channel which emphasises the mids with very little compression, and of course that famous 12db Boost channel that we are all so familiar with.

Demo by Musiker TV

Demo by  Victor Hugo Targino

Demo by  The Tone Lounge

Demo by  Six String Alliance (Six String Alliance)

Review by PremierGuitar

Review by Musicradar

Review by Harmony Central

Review by Bonedo

Greg Hoew's Lick Box

James Squire

Der Echo Fix EF-P5 FET Compressor ist ein erstklassiger, vollständig analoger Dynamikprozessor, der sowohl für den Studio- als auch für den Pedalboard-Einsatz konzipiert ist. Inspiriert von klassischen FET-Kompressoren wie dem 1176, verfügt er über hochwertige Eingangs- und Ausgangstransformatoren für einen reichen, warmen Klang. Das Pedal bietet eine breite Palette von Funktionen, darunter schaltbare Kompressionsverhältnisse (4:1, 8:1, 12:1 und 20:1, einschließlich des "All Buttons In"-Modus), einen Mix-Regler für Parallelkompression, einen Hochpassfilter für frequenzselektive Kompression und einen rückseitigen Schalter für einen +20-dB-Gain-Boost. Es verfügt außerdem über unsymmetrische 1/4"-TS-Buchsen und symmetrische XLR-I/O, wodurch es für eine Vielzahl von professionellen Anwendungen geeignet ist.

 The Echo Fix EF-P5 FET Compressor is a premium, all-analog dynamics processor built for both studio and pedalboard use. Inspired by classic FET compressors like the 1176, it features high-quality input and output transformers for a rich, warm tone. The pedal offers a wide range of features including switchable compression ratios (4:1, 8:1, 12:1, and 20:1, including "all buttons in" mode), a mix control for parallel compression, a high-pass filter for frequency-selective compression, and a rear-panel switch for a +20dB gain boost. It also includes both unbalanced 1/4" TS jacks and balanced XLR I/O, making it suitable for a variety of professional applications.

Echo Fix

Demo by Emily Hopkins (Harp Lady)

Demo by Andy Demos

EF-P5 FET Compressor Pedal

Alexander Göbel

The Echo Fix EF-P3 Chorus Vibrato pedal is an analog BBD Chorus pedal with a rich and extended feature set.

Designed to be the ultimate chorus pedal, each control has been extended in range for sonic flexibility. From subtle pitch glides to fast Leslie-style wobbles, the wide range of controls makes this pedal extremely versatile and creative.

Demo by Ponderer Sounds

Demo by  R.J. Ronquillo

Review by Pedal of the Day

Review by delicious audio

Review by SINESQUARES

EF-P3 Chorus/Vibrato

Tom Gumley

The Echo Fix EF-P2 is a real Spring Reverb pedal that packs a huge sound into a small enclosure. The EF-P2 features a three-spring reverb tank, adjustable Spring Drive, Bass / Treble EQ controls, and Reverb Volume control. With a footswitch for reverb bypass and also a direct signal mute footswitch, the EF-P2 can also be used as an outboard effect in recording studios. The EF-P2 can accept audio signal from synths and other audio devices, not just guitar.

Demo by Demos in the Dark

Demo by R.J. Ronquillo

Review by AMAZONA

EF-P2 Spring Reverb

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Guitar 

Die StageBug SB-2 ist eine kompakte passive Direktbox, die sich perfekt für aktive Bässe und Keyboards eignet. Sie ist klein genug, um in einem Instrumentenkoffer Platz zu finden, und verfügt über eine Stereo-Mono-Mischfunktion, um Mischpultkanäle einzusparen.

The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.

Radial Engineering

Demo by Want 2 Check

Demo by Chris Lang Music

Review by TalkBass

Quick Start Guide

Stagebug SB-2

The Fulltone MDV-3 pedal is about as close as you can get to the sound of an authentic, vintage Univibe pedal. That’s because Fulltone went above and beyond to use components as close to the originals as possible, right down to cloning 1960s photocells to get the right rise and fall times. But when you plug your favorite guitar into the MDV-3 and crank up your amplifier with a bit of overdrive, all technical thoughts will quickly fade away with the pulsating, undulating modulations the Univibe was legendary for. Call Sweetwater to add the Fulltone MDV-3 to your pedalboard today.

Fulltone

Demo by Nocaster7

Demo by Sweetwater

MDV-3 Mini Dejá Vibe Mk III

Das Voodoolab Giggity Overdrive/Distortion Pedal verfügt über eine Vielzahl von Regelmöglichkeiten, welche die Feinabstimmung des Overdrive/Distorition Sounds erlauben. Die einzigartige Klangregelung mit Bass (Body), Höhen (Air) und einem 4-Weg Tone/Gain Schalter ermöglichen ein sehr gutes Angleichen des Klangspektrums an den gewünschten Amp Sound.

Wie jedes Voodoo Lab Pedal verfügt das Giggity über einen True Bypass Fußschalter sowie eine Status LED Anzeige.

The Voodoolab Giggity overdrive/distortion pedal has a wide range of control options that allow you to fine-tune the overdrive/distortion sound. The unique tone control with bass (body), treble (air) and a 4-way tone/gain switch allow the sound spectrum to be adjusted very well to the desired amp sound.

Like every Voodoo Lab pedal, the Giggity has a true bypass footswitch and a status LED display.

Voodoo Lab

Review by Premier Guitar

Demo by Brett Kingman

Demo by John Nathan Cody

Demo by Premier Guitar

Demo by Sean Pierce Johnson

Giggity

Now in an MXR mini housing, the Classic 108 Fuzz gives you all the same vintage fuzz tones in a much smaller footprint. Like its larger predecessor, it's loaded with the silicon BC-108 transistor for a round and dirty crunch. This Classic 108 Fuzz also has the same no-nonsense control interface—just crank the Volume and Fuzz controls to your liking and start riffing. Use the Buffer switch on the side to make the fuzz play nice with wah pedals.

Demo by Eric Merrow

Demo byGuitarristas

Review by Six String Sensei

Review by Guitar.com

M296 Classic 108 Fuzz Mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Red Repeat V1

Das Carl Martin Boost Kick ist ein 9V-Batterie-Pedal, das bis zu 12dB Boost liefert, um den extra „Kick“ für ein großartiges Solo zu geben.

Der Pegelregler bestimmt den Boost-Pegel. Die Band 3 EQ-Sektion besteht aus Punch (Bass), Attack (E) und Edge (Treble). Dies ermöglicht eine praktisch unbegrenzte Auswahl an Soloklängen, ohne die Klangqualität zu beeinträchtigen.

Es kann schwierig sein, die Solos aus der Kakophonie der Band herauszuhören. Mit einem maximalen Boost von 12 dB und dem Band 3 EQ ist es ein Kinderspiel, den richtigen Sound zu treffen. Der Carl Martin Boost Shot ist ein echtes Bridge-Alter und verfügt über eine Sektadapter-Buchse.

The Carl Martin Boost Kick is a 9V-battery pedal designed to provide up to 12dB of boost to give that extra “kick” required for a great solo.

The level control determines the boost level. The Band 3 EQ section consists of Punch (bass), Attack (E) and Edge (treble). This allows a virtually unlimited range of solo sounds without compromising sound quality.

Getting your solos to cut through the cacophony of the band can be a handful. With a maximum 12 dB boost and Band 3 EQ at your feet, hitting the right level sound is a breeze. The Carl Martin Boost shot is true bridge age and features a sect adapter jack.

Demo by Selane Productions

Demo by  Goldmusicsrl

Review by audiofanzine

Review by Guitariste

Boost Kick

Mit dem Tone Tweaker kannst du deinen Ton formen, dein Signal verstärken und dein Equipment noch besser zur Geltung bringen.

Mit dem Tone Tweaker, einem 12-dB-Boost-Pedal für alle, die einen perfekten Sound wollen, kannst du das volle Potenzial deiner Lieblingsgeräte ausschöpfen. Dieses unauffällige, aber leistungsstarke Pedal verfügt über einen internen Spannungsbooster, der dir zusätzlichen Headroom bietet und deinen geliebten Röhrenverstärker noch besser klingen lässt. Er ist perfekt geeignet, um bei Soli durch den Mix zu schneiden und deinem Rhythmus-Spiel zusätzlichen Punch zu verleihen.

Der Tone Tweaker verfügt über einen effizienten 3-Band-Equalizer, mit dem du deinen Sound mit speziellen Reglern für Mitten, Höhen und Bässe feinabstimmen kannst. Ganz gleich, ob du den Mitten mehr Wärme, den Höhen mehr Schärfe oder den Bässen mehr Tiefe verleihen möchtest, Tone Tweaker gibt dir die Werkzeuge an die Hand, um deinen Sound mit außergewöhnlichen Effekten zu formen - subtil und doch kraftvoll.

Shape your tone, boost your signal, and let your gear shine even more with the Tone Tweaker.

​Unleash the full potential of your favorite gear with Tone Tweaker, a 12dB boost pedal designed for those who demand perfection in their sound. This subtle yet powerful pedal is built with an internal voltage booster that gives you that extra headroom and makes your beloved tube amp sound even better. It is perfect for cutting through the mix during solos and adding extra punch to your rhythm playing.

 Tone Tweaker features an efficient 3-band equalizer, allowing you to fine-tune your sound with dedicated controls for Mid, Treble, and Bass. Whether you want to add warmth to your midrange, more sharpness to your treble, or extra depth to the low end, Tone Tweaker gives you the tools to shape your sound with exceptional effect – subtle yet powerful.