Pedro Almeida

Stratocaster AM

New modulation effect

Ac15c2 

Tristan NDinga

Ampero multi-effects processor proved itself to be a game changer for its huge tone, great versatility and tiny size. Since first launched, it quickly become popular among both starters and pro musicians. For the best possible portability, the footswitch amount on Ampero is limited – however for the players who want more flexibility on this unit, that's not enough…So here it comes the Ampero Switch, Ampero's best pal!

The Ampero Switch is an ultra compact momentary footswitch controller designed not only for Ampero, but also for other devices with momentary footswitch controller support. Featuring the same Aluminum casing and appearance theme design, Ampero Switch definitely matches your Ampero's vibe perfectly. Carefully selected footswitches and other components ensure comfortable switching and excellent endurance.

It's quite simple: connect the TRS jack to Ampero's EXP 2/FS jack with the attached TRS cable, then enter Global menu, find EXP 2/FS sub menu, set MODE to Dual FS. After this, you can assign any function you need to the footswitches.

HOTONE

Manual

Demo by HotoneAudio

Product Page

FS-1 Ampero Switch

Jay Jay

Der 1312 begann sein Leben als physische Verkörperung einer der Grundüberzeugungen von Black Mass Electronic: Black Lives Matter. Es bot uns auch eine umsetzbare Möglichkeit, unsere Unterstützung finanziell zu demonstrieren. Diese neue Version des 1312 verkörpert ein weiteres wichtiges Gefühl: Trans-Rechte sind Menschenrechte. 50 % der Gewinne aus diesen Pedalen werden zwischen mehreren Organisationen aufgeteilt, deren Anliegen wir unterstützen – No More Dysphoria, Transgender Emergency Fund, Asian American Resource Workshop, Black & Pink – Boston und Solidarity North Shore.

The 1312 began its life as a physical embodiment of one of Black Mass Electronic’s fundamental beliefs: Black Lives Matter. It also provided an actionable avenue for us to demonstrate our support monetarily. This new iteration of the 1312 embodies another important sentiment: Trans Rights are Human Rights. 50% of the profits from these pedals will be split between several organizations whose causes we support - No More Dysphoria, Transgender Emergency Fund, Asian American Resource Workshop, Black & Pink - Boston, and Solidarity North Shore.

Black Mass Electronics

Review by guitar.com

Demo by Megan L

Demo by collector//emitter

Demo by TUNNEL OF REVERB

Demo by ambienttrash

1312 Distortion V3 (Pink)

Tester

Die Effektprozessoren der M-Serie bieten eine große Auswahl an gemodelten klassischen und modernen Effektgeräten sowie Original-Effekte von Line 6.

The M-Series effects processors offer a wide range of modelled classic and modern effects units as well as original effects from Line 6.

LINE 6

Demo by Andrew Reviews Everything

Demo by  The Guitar Effect

Demo by  Reverb

Demo by  musikmachen.de

Review by Gitarre&Bass

Review by Amazona

Review by Reddit /guitarpedals

Review by Tape Op

David Litaba

Seit Mitte der sechziger Jahre wird der Großvater unter den Wah-Wah Pedalen in nahezu unveränderter Weise gebaut. Ein Cry Baby hat fast jeder Gitarrist schon einmal unter seinen Füßen gehabt.

The Cry Baby Classic Wah is a modern take on a classic sound. Dunlop's engineers re-tuned the Cry Baby Standard Wah circuit to have a lower frequency center and a more subtle effect while adding the legendary Fasel® Inductor to create the gorgeous tone, voice, and sweep of early Cry Baby pedals. For tonal purists, the Cry Baby Classic Wah also features true bypass switching.

Dunlop

Demo by SweetWater 

Demo by jimdunlopusa

Review by bonedo

GCB-95F Cry Baby Classic Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Kamil Adamík

Speichere zwei Versionen deiner Sounds
Speichere zwei Versionen deiner Sounds –eine für die Fersen-, eine zweite für die Zehenposition– und morphe anschließend zwischen diesen beiden hin und her. Beispiel: Schließe ein EX-1 Expression-Pedal an deinen DL4™ Delay Modeler an, um von einem kurzen Analog-Delay ohne Modulation zu langen Echos mit atmosphäreschwangerem Chorus und wieder zurück gehen zu können.

Steuere Tonhöheneffekte.
Wirf ab und zu eine Tauchbombe in den Laden! Der M9 oder M13 Stompbox Modeler bietet z.B. einen “Pitch Glide”-Effekt (mit einem Bereich von 4 Oktaven), der mit einem EX-1 Expression-Pedal gesteuert werden kann.

Bereite deine ganz persönlichen Wah-Effekte vor.
Mit einem EX-1 Schwellpedal kannst du maßgeschneiderte Wah-Effekte erzeugen. Das funktioniert u.a. mit dem “Q-Filter”-Modell des FM4 Filter Modeler sowie mit anderen Stompbox Modelern. Der M9 und M13 Stompbox Modeler bieten ferner gleich mehrere “Vintage”- und neuzeitliche Wah-Modelle.

Steuern des Pegels.
Erzeuge expressive Schwelleffekte, die an ein Streichinstrument erinnern. Schließe ein EX-1 Expression-Pedal an deinen M9 oder M13 Stompbox Modeler an und schwelle, was das Zeug hält – wie auf einer Pedal-Steel!

Add an EX-1™ Expression Pedal to your Line 6 gear to control of a dizzying array of possibilities. Control volume and wah, modify the length of your delay time, dial up the reverb mix, change the depth of your tremolo, and much more.

Save two versions of your presets.
Save two versions of your presets – heel and toe – and morph effortlessly between each one. For example, connect an EX-1 Expression Pedal to a DL4™ Delay Modeler and morph from short analog delays with no modulation to long echoes with a vibey chorus.

Control pitch effects.
Drop some dive bombs! M9 and M13 Stompbox Modelers feature pitch effects like Pitch Glide (which boasts a four-octave range), that can be controlled via an EX-1 Expression Pedal.

Create custom wahs.
Use an EX-1 Expression Pedal to create your own custom wahs. Try it with the Q-Filter model in FM4 Filter Modeler, and other stompbox modelers. Plus, take full advantage of the variety of vintage and modern wah models in M9 and M13 Stompbox Modelers.

Volume control.
Create expressive fade-in and fade-out volume swells. Connect an EX-1 Expression Pedal to an M9 or M13 Stompbox Modeler, and check out the Volume Pedal model for sweet, pedal steel-style swells.

Demo by budgetguitarist.com

Official Product Video

Review by zZounds

Review by Sweetwater

Review by Budget Guitarist

EX-1

David Graves

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Walrus Audio

Demo by Rabea Massaad

ARP-87 Multi-function Delay Kamakura Series

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Das EQD Arrows ist ein diskret (ohne ICs bzw. OP-Amps) aufgebauter Booster, der den Mittenbereich verstärkt, die Bässe strafft und den Höhenbereich stärker schimmern lässt. Das Arrows bietet sich beispielsweise zum Aufhellen dunkel klingender Hals-Pickups an. Außerdem lässt das Arrows basslastige Fuzz-Pedale straffer klingen. Trotz seines einen Reglers also ein sehr vielseitiger und vor allem nützlicher Booster, der super auch als zusätzlicher Lead-Kanal benutzt werden kann, indem er Pegel, Mitten und Sustain anhebt bzw. fördert. Der Arrows verfügt über True Bypass und eine geräuschlose relais-basierte Soft-Touch Schaltung. Er ist mit stirnseitigen Buchsen und einem neuen ausgestattet und wird in Ohio, USA hand-gefertigt.

The EQD Arrows its a discrete (no ICs or OP-amps) tone sculpting booster, it boosts the midrange, tightens up the low end and makes the top end shine. The Arrows can be used for example to brighten up neck pickups, you can also use the Arrows to tighten up the sound of bass heavy fuzz pedals. Despite its single knob it is a very versatile and useful booster which can be used as well as an additional lead channel, increasing and/or improving Level, Mids and Sustain. The Arrow is true bypass with a silent relay-based switch, equipped with top-mounted jacks and a new enclosure and is hand made in Ohio, USA.

EarthQuaker Devices

Official Product Page

Arrows V2

Das Walrus Audio Fathom ist ein Reverb-Pedal mit vier unterschiedlichen Algorithmen, das ganz eindeutig in die Richtung eines “Effekt-Reverbs” zielt. Natürlich sind auch Brot-und-Butter-Sounds wie Hall und Plate an Bord, aber das Kerngeschäft liegt beim Fathom mit seinen saftigen Ambient-Sounds eher in der experimentellen Ecke.

The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine tune the tone of the reverb's decay.

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Fathom Multi-function Reverb

PedalSafe Type B1

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

ch ray

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

Julia analog chorus and vibrato from WalrusAudio.com. Julia offers a unique blend knob to blend your dry signal with chorus or blend between chorus and vibrato.

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by Nobel Music 

JULIA

Der EarthQuaker Devices Plumes basiert auf dem legendären grünen Overdrive Pedal, das seit Jahrzehnten als Industriestandard gilt. Im Zusammenspiel mit einem guten Röhrenverstärker erzeugt der Plumes eine warme, transparente Sättigung. EarthQuaker verzichtet auf den bewährten JRC4558 OpAmp und die BJT Buffer und ersetzt sie in der Schaltung durch Low Noise JFET OpAmps für einen präziseren Sound mit deutlich geringerem Grundrauschen. Mit 10 Megaohm Eingangsimpedanz bietet das Pedal einen wunderbar klaren, detaillierten Sound. Der Arbeitsbereich des Tone-Reglers wurde ebenfalls angepasst um mit einem satteren Low End ein breiteres Spektrum an möglichen Sounds zu bieten. 

Zusätzlich bietet der Plumes drei wählbare Clipping-Modi um den Sound des Pedals an möglichst viele Stilrichtungen und unterschiedlichstes Equipment anpassen zu können. Mode 1 bietet symmetrisches Clipping, basierend auf einem Paar LEDs. Das Setting bietet den sattesten Crunch und den klassischen Sound eines übersteuerten Röhrenverstärkers. Mode 2 ist ein Clean Boost ohne Soft Clipping, perfekt um den Clean Sound im Mix nach vorne zu bringen oder den Preamp eines Verstärkers in die Sättigung zu fahren. Mode 3 nutzt asymmetrisches Clipping mit Silizium Dioden und klingt am ehesten nach einem originalen Screamer. Im direkten Vergleich liefert das Setting aber mehr Output und klarere Clean Sounds.

Darüber hinaus verfügt der Plumes auch über EarthQuaker Devices 'Soft Touch' Flexi-Switch-Funktion, mit der du im Handumdrehen zwischen Momentary Modus und traditionellem Latching wählen kannst.

The EarthQuaker Devices Plumes is based on the legendary green overdrive pedal, which has been the industry standard for decades. In combination with a good tube amp, the Plumes creates a warm, transparent saturation. EarthQuaker Devices relinquishes the trusted JRC4558 OpAmp and BJT Buffers and replaces them with low noise JFET OpAmps for a more robust and precise signal with a significantly lower noise floor. With 10 megohms of input impedance, the pedal provides a stronger signal with more clarity and chime. EarthQuaker Devices adjusted the cutoff of the tone control to deliver a more useful range of travel with more booming bass on the low end without sacrificing the cutting midrange and bright top end.

In addition, the Plumes offers three selectable clipping modes to ensure that it will work with a wide variety of gear and playing styles. Mode 1 is symmetrical clipping based on a pair of LEDs. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it will deliver that classic crunchy valve amp tone. Mode 2 is a clean boost without soft clipping and with straight OpAmp drive, perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into breakup saturation. Mode 3 is an asymmetrical silicon diode arrangement like an original screamer but with more output and clean clarity.

The Plumes features EarthQuaker Devices relay-based 'soft touch' Flexi-Switch Technology for both momentary and latching footswitch operation.

EarthQuaker Devices Plumes - Official Video Manual

EarthQuaker Devices Plumes - Official Bass Demo

EarthQuaker Devices Plumes - Official Synth Demo

EarthQuaker Devices Plumes - Official Guitar Demo

EarthQuaker Devices Plumes - Demo Video - Guitar Bonedo

EarthQuaker Devices Plumes - Demo / Review Video - Musiker TV

EarthQuaker Devices Plumes - Demo Video - Musiker TV

EarthQuaker Devices Plumes - Guitar, Synth, Bass Demo Video - ThePedalZone

EarthQuaker Devices Plumes - Tone Report Demo Video - Reverb

EarthQuaker Devices Plumes - Demo Video - Sweetwater

EarthQuaker Devices Plumes - Review by Gitarist [NL], [12-2020]

EarthQuaker Devices Plumes - Review by Muzikus [CZ], [12-2019]

EarthQuaker Devices Plumes - Review by Gitarre&Bass [DE], [11-2019]

EarthQuaker Devices Plumes - Review by GuitarWorld [EN], [11-2019]

EarthQuaker Devices Plumes - Review by PremierGuitar [EN], [10-2019]

EarthQuaker Devices Plumes - Review by GuitarPlayer [EN], [10-2019]

EarthQuaker Devices Plumes - Review by Bonedo [DE], [09-2019]

EarthQuaker Devices Plumes - Review by Amazona [DE], [09-2019]

Plumes Small Signal Shredder

PedalSafe Type B

Schutzabdeckung & RockBoard-Montageplatte für Standard-Einzelpedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard-Einzelpedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Der Wardenclyffe Deluxe ist ein Lo-Fi-Modulationseffekt, der Tonhöhenmodulation, Chorus und atmosphärische Rausch-Elemente in einem vielseitigen Gerät verbindet. Er erweitert das ursprüngliche Wardenclyffe-Design mit zusätzlichen Reglern wie Tap-Tempo, einem DSP-Uhrwerk für erweiterte Geschwindigkeitsbereiche und einer unabhängigen Steuerung des Ambient-Pad-Levels. Die Detune-Funktion teilt und leicht verstimmt das Signal für Chorus-artige Texturen, und die Crush-Option liefert bit-crush-artig verzerrte Klänge. Integrierte Vinyl-Geräusch-Simulatoren fügen gefiltertes Rauschen, Knistern und zufällige Pop-Effekte hinzu, was sowohl subtile Bewegung als auch aggressive Lo-Fi-Sounds ermöglicht. Insgesamt reicht das Klangspektrum von üppiger Modulation bis zu chaotischen Texturen.

The Wardenclyffe Deluxe is a lo-fi modulation effect that combines pitch modulation, chorus, and atmospheric noise elements into one versatile unit. It expands the original Wardenclyffe design with additional controls including tap tempo, a DSP clock for rate range, and independent ambient pad level. A detune feature splits and subtly detunes the signal for chorus-like texture, and a crush option introduces bit-crushed character. Integrated vinyl noise simulators add filtered white noise, crackle, and random pop effects, allowing for both subtle movement and aggressive lo-fi expression. Overall, the sound palette ranges from lush modulation to chaotic textures.

Hungry Robot Pedals

Demo by aBunchOfPedals

Demo by Tri Pedal Reviews

Review by Guitar World

Review by Gear News

Wardenclyffe Deluxe

Jackson Okun

Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

Pigtronix

Review by reddit /guitarpedals

Review by musicradar

Demo by Chord of Orion

Echolution 3

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Ein diskretes Overdrive-Pedal, das weder Operationsverstärker noch Dioden-Clipping verwendet. Stattdessen setzt es auf hintereinandergeschaltete Transistor-Verstärkerstufen, um einen satten und nuancenreichen Overdrive-Sound zu erzeugen. Dieses Pedal wurde entwickelt, um Musikern zu helfen, ihren idealen Overdrive-Ton zu erreichen – egal, ob sie einen cleanen oder verzerrten Verstärker verwenden.

A discrete overdrive pedal that does not use opamps or diode clipping. Instead, it relies on cascading transistor gain stages to create a rich and textured overdrive sound. This pedal is designed to help musicians achieve their ideal overdrive tone, whether they are using a clean or dirty amplifier.
Key Features
Analog Design: The pedal is entirely analog, providing a warm and natural sound that many musicians prefer over digital alternatives.
Cascading Transistor Gain Stages: This design allows for a wide range of overdrive tones, from vintage pushed clean sounds to modern, saturated overdrive.
Controls:
Level: Adjusts the overall output volume. Start low and increase to taste.
Drive: Controls the amount of overdrive and saturation; interacts with other controls for a customized sound.
Tone: Balances the EQ, allowing for more treble or bass depending on the setting.
Body: Adjusts the low-end presence, tightening or thickening the tone as needed.
Bias: Controls the internal bias voltage, affecting the gain and texture of the sound. Low bias offers a vintage feel, while high bias provides a thicker, modern tone.
True Bypass Relay Switching: Ensures that the pedal does not color the tone when not in use.
Overvoltage Protection: Safeguards the pedal from power surges, enhancing durability.
Usage
The CSOF is versatile enough for various musical styles, making it suitable for guitarists and bassists alike. It can be used to create everything from subtle overdrive to heavy distortion, depending on the settings and the amplifier used.
For more detailed specifications and to purchase the pedal, you can visit the official Black Mass Electronics website here. Additionally, a comprehensive overview of its features can be found on Delicious Audio. 


Review by Delicious Audio

Ceremonial Show of Force

Growing up learning how to play guitar, my house had one pedal: my dad’s ’73 Rams Head. This sound is ingrained in my psyche. Black Mass started its life with me trying to clone this pedal. When I started working on The First Herald, I decided to start fresh. I scrutinized every component value, and spent months finalizing it. While the topology remains similar, the sound is modern, decisive, and unmistakably malicious.

Review by delicious audio

Review by guitar pedal X

The First Herald

The First Herald features two independent and reversible circuits. The Fuzz takes advantage of a modernized tone stack and three distinct clipping modes.  An added Scoop control allows you to dial in exactly where you want to sit in the mix. All the way down, you have a full and present fuzz, but turn it up to add some of that signature midrange scoop. The clipping section is extra special. With the toggle to the left, both soft-clipping stages utilize a hybrid MOSFET/LED combo for a huge, open, cutting fuzz. To the right, the two clipping stages use traditional silicon diodes for extra compression and that smooth, squashed, vintage sound.
The Boost side is a simple discrete boost circuit. The magic here comes from the order reverse switch that allows you to run the boost before or after the fuzz. Run Boost before for extra thick Fuzz saturation, or run it after to drive the amp harder or for a solo level boost. This is not a clean boost, it adds some color, grit, and tons of volume, making it the perfect accompaniment for the Fuzz side.

The First Herald Big Box

The Kill Chain is a pedal designed to accomplish a specific set of goals. First, I wanted a fuzz full of aggression, and raunchy raucousness. Second, I wanted a simple feature set that was easy to understand and dial in—nothing to obsess over or fiddle with. Plug it in and rip. And third, I wanted a pedal that felt worth more than the price of admission, both in dollar value, and versatility of the feature set.

I decided to forego the traditional EQ tools. No tone knob, no active tone stacks, no adjustable high pass filters. I chose a fixed filter towards the end that gave me what I felt was perfect for how I play, while still feeling natural across multiple pickup, amp, and music styles. I implemented the Depth toggle to give me control at the front of how much bass entered the circuit. This toggle provides a wide range of heft, and helps you make easy adjustments between different guitars and pickups. The Level control also adjusts treble frequencies as you adjust the volume. I found when I was playing at lower fuzz volumes I liked more treble, but as I turned up the volume they could get out of control. As you increase the level control treble is attenuated, which keeps everything balanced. The final EQ tool to the party was the Bleed toggle. This toggle does a few things. First, it adjusts the cutoff frequency down for less prominent treble across the Level sweep. It reduces the overall compression for a more open and aggressive sound. Finally, it gives a massive volume boost.

Demo by Noise Generator

Kill Chain

1312 Distortion V3 (Pink) von Black Mass Electronics