RockBoard

A Few Pedals I've added to the PedalPedia which are Boutique 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Boutique Board 

The Architect of Reality is a dual channel preamp pedal with the ability to mix the low and high gain channel together in the AOR mode for more tone tweaking ability with both channels on independent footswitches. It’s powered internally at 36v+ (9v boss style used) for more headroom and amp-like sensitivity.

The control panel on the Architect of Reality follows the same layout as most modern amps with and overall Presence, Bass, Mid and Treble, but for build cost and durability the pull boosts (of that 80’s classic amp) for each EQ band have been placed on toggle switches. In the first channel you control the Master Volume and Preamp Gain with a heavy crunch and rock feel like your favorite Heavy Rock classics with the feel of a familiar British build amp. Engaging the 2nd channel on the pedal pulls the AOR channel on the original amp and gives you the option of blending its gain with the first Preamp Gain for an over-the-top beast that can be tight for Thrash and Heavy Metal to the darker side of gain and sitting in the Doom and Stoner Metal territory

Hand made in Texas
Kemet and Nichicon HQ capacitors
Black Powder coat with a Gold Mist overlay
UV printed enclosure
9v+ power (36v+ internally)

Frost Giant Electronics 

Frost Giant Architect of Reality Review

Product Page 

Frost Giant Electronics AOR - Architect of Reality - 𝗚𝗨𝗜𝗧𝗔𝗥 & 𝗕𝗔𝗦𝗦 𝗗𝗲𝗺𝗼

Frost Giant Electronics - Architect of Reality

Frost Giant Architect Of Reality - Sleep's Holy Mountain Tone??!!

Architect Of Reality

Need more lows? Or what about more cut to help your loose amp

Want a boost pedal that wont color your tone but boost your frequencies?

Or how about a way lift your signal up and breathe more life into your tone because you have 8+ pedals? Put this at the end of your chain and just use is as an always on tone shaping tool. It will turn your fuzz’s and distortions into hammers of tone.

Maybe just needing a thicker clean boost for Single Coils and Ambient Drone, try this in front of your modulation pedals for some more tone shaping capabilities.

Yama Boost pedal by Frost Giant + Laboga Mr Hector

The NEW Yama Boost pedal by Frost Giant Electronics in Texas

Yama

Athos V2 is here!

Athos has been redesigned with a smaller footprint but still the same massive tone as before.

– Controls –

Top Row:

• Boost which pushes the signal and adds more volume
• Presence adds more bite to your tone
•Saturation adds more hair and saturation

Bottom Row:

• Volume controls the overall volume of the pedal
• Tone counter clockwise is a deeper softer tone while cranking it adds cut and aggression
• Gain is what we’re here for, at Zero there’s still a nice M*rshall like crunch because if you want a clean tone just turn it off.

Built for Thrash and Sludge, but levels with low tuned Doom as with all of our builds, Athos is a fire breather and now with the smaller footprint will fit on any board large or small.

Frost Giant Electronics ATHOS Distortion - GUITAR Demo

Athos V2

This model combines the best of Purple and Black with more lows and volume plus the added Bias control to manipulate the fuzz saturation and structure of Soma. We’re excited for this new update and now being more pedalboard friendly we hope you can squeeze one on your board soon!

Soma is a tuned version of our Massif Fuzz with custom tonestack similar of the Doom/Sludge Metal giant The Tall Font Russian but with new adjustments for 2022.

The Massif’s circuit was adjusted with more gain and cut but still retains the open mid response to keep you above the mix. An added bonus is we added a the Bias on the in outside you decide you want a more sputtery hellacious fuzz, full clockwise is the stock setting for maximum sustain and gain.

 

Controls:

Volume – Adjusts the level output

Tone – The feel of your standard BMP tone control

Body – Shifts the low/mid low range in conjunction with the Tone knob

Fuzz – Adjusts the Fuzz level

Bias – Controls the fuzz saturation and structure

Frost Giant Soma v2 demo by Buck Nature

Frost Giant Electronics SOMA Fuzz - GUITAR Demo

Soma V2

The Sarcophagus takes two massive circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and LSTR are both present in the entirety with the addition of a toggle to reverse effect order. Pharaoh into LSTR or LSTR into Pharaoh. Built especially for the gain freaks, those who love more. More gain, more low end, more volume.

A pedal of unruly proportions, taking your tone to the underworld.

Black Arts Toneworks 

Black Arts Toneworks Sarcohphagus Fuzz Demo- Csounds

Sarcophagus

The Pharaoh’s unruly brother, LSTR provides the opposite of the Pharaoh. The LSTR is an all-out rock machine tuned and blended to deliver the signature Black Arts low end along with more fuzz than mamma allows , unique tone controls and LSTR’s understated, striking beauty. LSTR is from the same BMP family, but unlike the Pharaoh, which is dialed back a little, LSTR is the action! LSTR is GO! LSTR can deliver fuzz bordering on distortion; tones go from the traditional muff scooped sound to the Pharaohish wide open tones. Point your tone knobs toward each other for the traditional BMP scoop, and away from each other to get into the more wide open Pharaoh tones.

LSTR: Teaching kids to smoke, play games and drink beer.

Product Page

Black Arts Toneworks LSTR

Black Arts LSTR Video Demo

BLACK ARTS TONEWORKS LSTR DEMO

LSTR

You’ve asked me for a dedicated Bass Pedal and I’ve listened. Gain III on The Mountain has been a bassist’s favorite so we took that in mind and tried to make you the perfect Bass Distortion to rival the best that’s already out there.

Frost Giant Electronics Bass Mountain Distortion DEMO

Bass Mountain

This year’s Doomfest Massif is the nastiest one yet. Riding the bias and gain on this pedal it shows a hectic fuzz quality with a ton of gain and low end to fit down tuned guitar and bass in any application a fuzz is required (*all applications)

Loaded with dual BC548 this year instead of the BC108 for a more uniform and quieter build, sometimes the NOS BC108’s and 109’s can catch AM radios and with the amount of gain on this pedal we wanted to curve the noise the best we could. Check out the video below for a clip of this build, keep in mind it’s using an EL84 amp which has more chime than a 6l6, EL34 or KT88 type of amp.

Frost Giant Massif Four Horseman Fuzz

Maryland Doomfest 23′ Massif

The Destroyer V2 combines the Ritual V2 and Oath into one unified assault. PART RITUAL, PART OATH. FULL DESTRUCTION. This goes from a controllable WALL OF FUZZ, to a SAVAGE PREAMP ANNIHILATOR. Use the Ritual or the OATH separately, OR STOMP BOTH AND DESTROY. New V2 version Ritual fuzz has more gain, compression and low mids on tap, roll guitar volume back to 9 for more bite and less compression. The Destroyer will make a hole that few can follow.

Black Arts Toneworks Destroyer Demo Video

Black Arts Toneworks Destroyer Bass Demo

Destroyer

In all of it’s throwback glory, the Black Sheep. Dirty, mean spirited and a blast to hang around with. You can’t help but feeling a bit dirty when you plug in.

Product Review by Guitar FX Direct

Black Arts Toneworks //Black Sheep//SG  Bstandard

Black Arts Toneworks Black Sheep Bass Demo

Black Sheep Fuzz

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

The Year 3042 

Tester

Death By Audio

Ghost Delay

Der Death By Audio Robot ist ein Low-Fidelity 8-Bit Pitch Transposer, der keinerlei Rücksicht auf einen musikalischen oder natürlichen Klang des Effekts nimmt. Der erzeugte Effekt ist komplett synthetisch und verwandelt jedes Eingangs-Signal mit vier wählbaren Modi (Normal Lo-Fi Fuzz / Octave Down / Octave Up / Arpeggiator) in einen wilden Mix abgedrehter Roboter-Sounds. Alle Modi werden über den großen Control Knob kontrolliert, der die Frequenz einstellt, mit der der Chip arbeitet und so die Pitch-Shifting- und Aliasing-Effekte ändert. Dreht man den Regler mit dem Uhrzeigersinn ist der Pitch am höchsten, dreht man den Regler gegen den Uhrzeigersinn verringert sich der Pitch oder die Geschwindigkeit des Arpeggiators.

The Death By Audio Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi fuzz, octave up, octave down, and arpeggiation. All modes are controlled by the large Control knob, which sets the frequency the chip operates at, changing and warping the pitch shifting and aliasing effects. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator.

Official Product Page

Manual

Death By Audio Robot - Demo / Review Video - ProGuitarShopDemos

Death By Audio Robot - Demo / Review Video - Rabea Massaad

Death By Audio Robot - Demo / Review Video - The SuperFunAwesomeHappyTime Pedal Show!

Death By Audio Robot - Demo / Review Video - intheblues

Death By Audio Robot - Demo Video - ShurSoma

Death By Audio Robot - Demo Video (Bass) - The Lo-Fi Bass Junction

Robot

EarthQuaker Devices

Space Spiral

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Romain Gasseau

Einer der beliebtesten Echo-Effekte aller Zeiten - das Roland RE-201 Space Echo - als BOSS RE-20 Twin Pedal wiedergeboren! Roland und BOSS haben jedes klangliche Detail des Originals präzise reproduziert. Erlebe den legendären Band-Echo-Sound des RE-201 in der modernen, kompakten und wartungsfreien Version!

One of the most beloved echo effects ever made, the Roland RE-201 Space Echo, has been reborn as the BOSS RE-20 Twin Pedal! Roland and BOSS have recreated every sonic detail and nuance of the original. Experience the legendary tape-echo sound of the RE-201, and get “lost in space” with this retro-modern marvel.

BOSS

Review by Music Radar Team

Review by Robby Mildenberger, bonedo.de

Review by Max Lorenz, amazona.de

Demo by audiotech vr

Official Product Video

RE-20 Space Echo

Loud. Raw. Thick. Incredible tone shaping.

The Priestess takes the best of the various versions of the BMP and combines them into a
singular sonic assault.

– 1st gain stage – Pharaoh. Higher headroom input results in great stacking possibilities
– 2nd gain stage – Green Russian results in a solid attack and bottom end
– 3rd gain stage – NYC Reissue with Creamy Dreamer Mod gives a high gain stage with a bit of squish
– Tone controls – Violet Ram’s Head for a pleasant vocal midrange
– 4th gain stage – LSTR. High Output

This anthology of circuit stages along with a mids control that goes from deep scoop to slightly
boosted mids and two toggles for control of clipping diodes gives tones from dynamic and open fuzz
to compressed singing sustain.

Tone – Full range tone control. Turn it left for low end emphasis, turn right for high end emphasis.
Mids – Turn left for supa-scooped sounds, right for mid presence.
With Tone full left and Mids full right, you can achieve the mid forward boost settings.
With Tone and Mids pointed towards each other, you’ll get scooped tones.

Left Toggle – controls clipping diodes on the 2nd stage. OFF bypasses the diodes for a Supa
Tonebender style clipping arrangement, Clip 1 for standard Silicon clipping.
Right Toggle – controls clipping diodes on the 3rd stage. OFF bypasses the diodes for an open and
dynamic sound like the Pharaoh bypass option, Clip 2 for standard silicon clipping.

You’ll find the Priestess the perfect counterpart to The Pharaoh.
Equally powerful
Equally adjustable
Equally effective

Product Demo 

Priestess

Mit dem „Cathedral“ erweitert Electro Harmonix deren Angebot an Reverb-Pedalen, welches mit der etablierten „Holy Grail“-Serie bereits ein traditionsreiches Fundament bietet. Auf dieser Basis wurde der „Cathedral“-Reverb entwickelt, welcher insgesamt acht verschiedene Hall-Maschinen in einem Gerät vereint. In Abgrenzung zu den vielen Konkurrenten im Reverb-Bereich sind auch Delays mit an Bord, mit denen sich die Reverbs feedbacken lassen.

Enter the Cathedral and surround your music with the aria of divine presence. True stereo reverbs reveal your inspirations while programmability recalls your spirit of creation. The Cathedral is the performer’s mantra creating the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground.

Electro-Harmonix

Review by Jordan Wagner, premierguitar.com

Review by Tom Gatza, bonedo.de

Demo by Reverb 

Demo by DAVEWEINER

Demo by ProGuitarShopDemos

Cathedral

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Cadran Tulipe

MU-TRON III+® translates the envelope or “volume profile” of every musical passage, …automatically… into an easily-controlled, vowel-like sound, as you play.
Use MU-TRON III+® to create a variety of synthesizer sounds with most electrified instruments: guitar, bass, keyboards, drums, flute, saxophone, brasses, …. even microphone.

The sharper your attack and the more percussive your instrument, the wilder your sound will be.
Besides providing that inverted “snap” (perfect for funky bass), MU-TRON III+®also functions as an automatic “wah” pedal. Full instructions are included, but you decide how far you want to go.

Mu-Tron

Demo by BassTheWorld.com

Demo by James Hood Guitar

Mu-Tron III+

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Loud. Raw. Thick. Incredible tone shaping.

The Priestess takes the best of the various versions of the BMP and combines them into a
singular sonic assault.

This anthology of circuit stages along with a mids control that goes from deep scoop to slightly
boosted mids and two toggles for control of clipping diodes gives tones from dynamic and open fuzz
to compressed singing sustain

Demo by Doctor Fuzz'z Dirt Box

Review by delicious audio

Review by The Gear Page

Review by guitar pedal X

Review by reddit /guitarpedals

Priestess (Limited Copper)

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Pharaoh (Blackout Edition)

Es handelt sich um eine Rückbesinnung auf die glorreichen Tage des Rock'n'Roll, mit einem Hauch von Black Arts.
Der Black Forest nimmt eine berühmte Schaltung und zieht sie durch den Schmutz. Mehr Gain, mehr Fettigkeit. Ein Sechswege-Wahlschalter ermöglicht die Einstellung von Gain/Low End/Voicing zusammen mit Fuzz, Bass, Treble und Volume.
Dieser Wald wuchs mit der helfenden Hand eines Klanggottes. Behandle ihn mit Sorgfalt, damit auch künftige Generationen die Schönheit des Schwarzwaldes bewundern können. Seht die hässliche Schönheit des alten Rock and Roll. Die Schönheit des großen, fetten, knorrigen Tons.
Dieses Pedal wird mit einer Standard-9VDC-Stromversorgung betrieben.
Kein Batterieanschluss.

What you have here is a throwback to the glory days of rock and roll, with a Black Arts twist.
The Black Forest takes a celebrated circuit and drags it through the dirt. More gain, more fatness. A six way selector allows you to set your gain/low end/voicing along with Fuzz, Bass, Treble and Volume.
This forest grew with the helping hand of a tone god. Treat it with care; allow future generations to behold the beauty that is the Black Forest. Behold the ugly beauty of old rock and roll. The beauty of big, fat gnarly tone.