Zach  Januse / Fuzzed Drones

Fuzzed Drones Pedalboard 

Jeff O'Connor

Paying homage to the sacred bass rig embodied by Al Cisneros in the early days of OM, GIZA is a JFET emulation of a modified Green Matamp GT120 preamp combined with the hypnotic pairing of DOD 250 Overdrive and Boss DS-1 Distortion.

Does It Doom

Facebook Page

Product Page

Review by Doomed & Stoned

Official Product Video

Demo by Fuzzed Drones

Giza

David Graves

Der Witchfinder ist eine stark modifizierte Version der Boss FZ-2 Hyperfuzz. Im Vergleich zum Original wurde der 3-Wege-Mode-Schalter entfernt, ebenso der Boost-Modus. Fuzz 1 und Fuzz 2 wurden vereinfacht – statt eines festen Mitten-Cuts gibt es jetzt eine aktive Mittenregelung mit einem 3-fach umschaltbaren Mittenfrequenz-Schalter.

The Witchfinder is a highly modified version of the Boss FZ-2 Hyperfuzz. Compared to the original, the 3 way mode switch has been removed along with the Boost mode. Fuzz 1 and Fuzz 2 have been simplified where instead of a fixed mid-cut there is now an active mid range control with a 3-way center frequency toggle.

Magic Pedals

Demo by Dirty Demos

Demo by Does it Doom?

Witchfinder

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tester

One of the best versions of the Ram's Head is the "Violet" version.

The overall tone of the pedal is very balanced from low to high and it has a ton of warm, smooth fuzz that make chords full while retaining string clarity. 
Lead tones are very smooth, punchy and warm. Harmonics jump out with very little effort.

Stomp Under Foot

Vintage 1975 Violet Ram's Head

ch ray

The Seabee is a multi-chorus pedal that delivers the finest analog bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.
Three Chorus modes provide the classic, lush chorus and vibee sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.
Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

Beetronics

Review by bonedo

Review by Guitar.com

Manual

Official Product Video 1

Official Product Video 2

Seabee Harmochorus

Esben Dyrhovden

If there were a Venn Diagram showing the overlap between ‘90s British shoegaze and ‘90s Swedish death metal, Jugendstil would feel right at home in the middle. The circuit starts with a simple, high-gain silicon fuzz section which cleans up extremely well and can even be used as a clean boost at low settings. That’s all well and good, but Jugendstil’s secret weapon is a fully maxed out HM-2 style EQ, labelled “loud” and wired as a parallel blend — use the loud control to blend in as much or as little of the HM-2 sound as you like!  The sweep control (labelled "focus" on these blemished units) controls the center frequency of the mid boost.  Set it around 1 o'clock for the classic HM-2 sound.  

God City Instruments

Official Website

Review by reddit /guitarpedals

Demo by AlphaDelta Recording Studios

Jugendstil

Deforming is a PT2399 based delay with an envelope controlled warp function.

We've all played a show where you get to the end of your set, click on your delay pedal, crank the feedback knob and manically twist the time knob for walls of time bending chaos.

The concept behind Deforming was to make that time knob manipulation possible without having to drop to your knees and put your hands on the pedal. Meaning you can keep playing while the delay signal bends and warps around your playing.

Deforming features an input preamp which can be driven hard to saturate the unit and emulate the preamps of old tape machines. This preamp control also helps you reduce the input volume to balance out the signal when driving the unit with loud dirt pedals.

The warping effect can range from subtle pitch wobbles for shoegazey chord movement through to all out warped chaos at the most extreme settings.

Holy Island Audio

Review by delicious audio

Demo by Fuzz Eater Gear Demos

Demo by Tunnel of Reverb

Deforming

EarthQuaker Devices

Time Shadows II DBA Edition

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Paulo  Duarte

The M-EQ DRIVER is a Mid Booster & Drive pedal, based on a vintage Pultec® studio EQ. Still sought after today, these legendary passive EQs from the 1950s can be heard on thousands of hit records thanks to their highly musical, versatile EQ curves and the ability to overdrive their push-pull output stage. Rather than making an exact replica, we have chosen to reimagine this classic piece of studio gear as a guitar-oriented, compact pedal.

Craft the perfect mid boost, add some studio-inspired saturation or push the pedal’s valve-like output stage into fierce “cocked wah” distortion. With the addition of our Adaptive Circuitry, the M-EQ DRIVER is always responsive and precise, with a character all of its own.

Origin Effects

Demo by JayLeonardJ

Review by The Gear Page

Review by AMAZONA

Review by guitar pedal X

M-EQ DRIVER BLACK

RockBoard

ISO Power Block V10

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Machen Sie sich bereit für eine neue Phase. Die Morphing-Phase.
Lernen Sie den LARVA Morphing Phaser kennen.
Ein analoger 6-stufiger Phaser, Vibee und Vorverstärker mit Morphing-Funktionen.
Er verfügt über zwei unabhängige Phaser-Einstellungen, mit denen Sie einzigartige Sounds und Übergänge erzeugen können. Sie können ihn als einfachen Phaser verwenden, zwei verschiedene Phaser-Presets einrichten oder zwischen ihnen morphen, um kreative Klanglandschaften zu schaffen.

Inspiriert von der klassischen Moogerfooger-Reihe, verstärkt der Larva-Vorverstärker Phaser- und Vibe-Sounds mit subtiler Wärme oder kraftvollem Lead-Sound – und er ist so gut, dass wir ihn so konzipiert haben, dass du ihn auch eigenständig nutzen kannst.

Bee ready to enter a new phase. The Morphing Phase.
Meet the LARVA Morphing Phaser.
A 6-stage analog phaser, vibee and preamp with morphing capabilities.
It features two independent phaser settings, allowing you to create unique sounds and transitions. You can use it as a straightforward phaser, set up two different phaser presets, or morph between them for creative soundscapes.

Inspired by the classic Moogerfooger line, the Larva preamp enhances phase and vibe tones with subtle warmth or bold lead power—and it’s so good, that we made it so you can use it on its own.

Review by gearnews

Review by Stompbox Steals

Demo by Kris Barocsi

Larva Morphing Phaser

Der Overhive ist ein extrem vielseitiger Overdrive mit mittlerer Verstärkung. Sein runder und warmer Ton respektiert Ihren Verstärker, verstärkt seine besten Eigenschaften und reagiert dynamisch auf Ihr Spiel.
Dieses Pedal erreicht den schwer fassbaren Overdrive mit mittlerer Verstärkung, ohne dass Sie eine Trennung zwischen Ihnen und Ihrem Verstärker spüren. Ihr Sound bleibt druckvoll und direkt mit einem warmen, musikalischen Break-up und singendem Sustain.
Die Bedienelemente bieten Ihnen nahezu unbegrenzte Möglichkeiten. Während der „Body“-Schalter großartig ist, wenn Sie die Gitarren in einem Set wechseln oder einfach nur einen Bass-Boost hinzufügen möchten, können Sie mit dem „Hive“-Schalter Ihren Sound größer und fetter oder straffer und dünner klingen lassen. Der „Honey“-Regler fügt nur das Zuckerstück hinzu. Drehen Sie ihn herunter für ein schönes und sanftes Knirschen oder drehen Sie ihn hoch für ein sanftes und dynamisches Drive, bei dem Ihre Hände das Break-up bestimmen. Sie haben auch einen Klangregler und eine Master-Lautstärke.
Bei so vielen Möglichkeiten ist es schwer, keinen Platz dafür auf Ihrem Board zu finden. Es ist wirklich ein Bienenstock süßer Töne.

The Overhive is an extremely versatile medium gain overdrive. It’s round and warm tone respects your amp, enhancing it’s best qualities while dynamically reacting to your playing.
This pedal achieves the elusive mid-gain overdrive without making you feel a disconnect between you and your amp. Your sound remains punchy and direct with a warm musical break up and singing sustain.
The controls give you nearly infinite possibilities. While the "Body" switch it's great for when you are switching guitars on a set or just feel like adding a low end boost, the "Hive" switch can make you sound bigger and fatter, or tighter and thinner. The "Honey" control just adds the sugar. Roll it down for a nice and smooth crunch, or roll it up for a smooth and dynamic drive, where your hands dictate the breakup. You also got a tone control and master volume.
With so many possibilities, it's hard to not find a place for it on your board. It's truly a hive of sweet tones.

Demo by Shawn Tubbs

Overhive

The Royal Jelly is an overdrive/fuzz blender like no other pedal. It can cover any ground from overdrive to fuzz, running two circuits in parallel and giving you the possibility of blending it or having them separately. It also has two presets of the blend, called Queen and King. The presets allow you not only to have two different sounds on the fly, but also make for a very natural transition between them, since instead of switching pedals, you are mixing the levels between your overdrive and fuzz.
It’s also possible to blend in your dry signal, a great feature for bass, drums and synths or any studio use. On the guitar the DRY control is great to create unique clean tones with a fuzzy background.

Demo by Eric Merrow

Royal Jelly

The WANNABEE "BEELATERAL BUZZ" is a dual-drive pedal like no other.
It combines two classic circuits, each offering three distinct FLAVORS, and lets you weave them together however you like. You can run them side by side or have one flow into the other, unlocking a world of tonal possibilities, as sweet as a jar of honey.
Circuit #0, our hive's Bluesbreaker-inspired creation, harmonizes vintage amp tones with crystal-clear crispness, all while preserving that beloved tube-like warmth. Plus, its three flavors give you control over the low-end oomph.
Circuit #1 is our hive's take on the legendary Klon. All those iconic transparent overdrive tones are here, with a sweet honey twist. Unlike any other Klon, our Circuit #1 offers a unique trio of flavors that grant you control over your clean blend level.

Demo by TheGuitarGeek

Wannabee

Seabee Harmochorus von Beetronics