Jacob Jacob

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Final Board 3

Bassbreaker 30R

Manuel K.

Der TC Electronic Ditto+ Looper ist ein kompakter digitaler Looper, der für eine einfache und intuitive Loop-Aufnahme entwickelt wurde. Er ermöglicht das Aufnehmen, Overdubben, Rückgängigmachen und Wiederherstellen von Loops über eine einzelne Fußtaste. Das Pedal verfügt über einen internen Speicher für mehrere Loops sowie über eine USB-Verbindung zum Sichern und Importieren von Audiodateien. Die hochwertige, unkomprimierte Audioverarbeitung erhält den Originalklang ohne Klangverfärbung. Der Ditto+ Looper richtet sich an Gitarristen, die eine unkomplizierte Loop-Lösung ohne komplexe Menüs suchen. Das robuste Metallgehäuse eignet sich ideal für den Einsatz auf dem Pedalboard.

The TC Electronic Ditto+ Looper is a compact digital looper pedal designed for simple and intuitive loop recording. It allows players to record, overdub, undo, and redo loops with a single footswitch interface. The pedal features internal loop storage that can hold multiple loops and enables transferring audio via USB for backup or import. Its high-quality uncompressed audio preserves the original signal without coloration. The Ditto+ Looper is designed for guitarists who want straightforward looping without complex menus. It is housed in a compact metal enclosure suitable for pedalboards.

TC Electronic

Review by Guitar World

Official Product Video

Demo by Andertons

Demo by Aaron Short Music

Product Page

Review by musicradar

Review by Looper Pedal Reviews

Quick Start Guide

Manual

DITTO+ LOOPER

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

BOSS

Review by bonedo

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Tester

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

Review by reddit /guitarpedals

Review by The Gear Page

BD-2 Blues Driver

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.

Wampler

Review by The Gear Check 

Demo by Pete Thorn

Demo by Tone Factory

Tumnus

Niclas Wego

Basierend auf dem gleichen Konzept und den Möglichkeiten des Flaggschiffs BOSS ES-8, ist der BOSS ES-5 eine minimal abgespeckte Version, die im deutlich kleineren Gehäuse daher kommt und somit ohne Mühe auch auf kleinere Pedalboards passt. Alle wesentlichen Bedürfnisse von Gitarristen und Bassisten werden auch hier bedient. Die kreativen Möglichkeiten für Pedalboard-Systeme, die der ES-8 ermöglicht, sind jetzt auch für kleinere Anwendungen erschwinglich. Erweitere dein Pedalboard mit dem kleinen ES-5 und du spielst in einer völlig neuen Liga. Von jetzt an wirst Du deine Effektpedale völlig anders einsetzen.

Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

Review by Paul White, soundonsound.com

Review by Thomas Dill, bonedo.de

Demo by GUITARGUITAR

ES-5 Effects Switching System

Eons is a five-state fuzz capable of massively thick sounds ready to test the limits of any amp's grill cloth. Use the Voltage (lightning bolt) knob to crank up to 18 volts into the pedal's circuit for massive, open fuzz sounds, or choose to starve it down to 3 volts for spatty, gated fuzz.

Walrus Audio

Demo by Higher HZ

Demo by The Studio Rats

Review by Josh Gardner, guitar.com

Review by Simon Schneid, amazona.de

Review by Haiko Heinz, bonedo.de

Eons Five-State Fuzz

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Mit dem OC-2 Octave-Pedal kannst du deinen Sound durch Hinzufügen von zwei zusätzlichen Tönen aufpeppen - eine und zwei Oktaven unterhalb der ursprünglichen Note. Jeder Ton hat einen separaten Lautstärkeregler und wird mit hervorragender Klarheit wiedergegeben.

The OC-2 Octave pedal lets users fatten up their sound by adding two additional tones--one and two octaves below the original note. Each tone has a separate volume control and plays back with outstanding clarity.

Review by Reddit /guitarpedals

Review by TalkBass

Demo by Middle Aged Gear Junkie

Demo by Nick Granville

OC-2 Octaver

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Sound on Sound

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus

Neue Dimensionen in Raum und Zeit – Das RV-500 ist der leistungsstärkste und vielseitigste BOSS-Hallprozessor aller Zeiten. Das flexible Effektgerät basiert auf einer 32 Bit AD/DA-Wandlung mit 32 Bit Fließkommaberechnung und 96 kHz Samplingrate und bietet höchste Programmierbarkeit für die internen, professionellen Hallprogramme in Studioqualität.

Today’s stompbox market already caters for more adventurous reverb tastes with devices such as Eventide’s H9 and Black Hole, Strymon’s Big Sky, the Source Audio Ventris and the more affordable (but mono‑only) Electro‑Harmonix Oceans 11 — and that’s just scratching the surface! Boss might not be the first name to spring to mind if you were seeking a really esoteric reverb, but the new Boss RV‑500 not only bears comparison with its aforementioned rivals in terms of sound quality and effect variety, but it also offers a number of useful functions that most of its rivals can’t.

Review by Stephan Güte, amazona.de

Demo by Reverb 

Demo by Rabea Massaad 

RV-500 Reverb

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Official Website

Review by Audiofanzine

Review by Guitar Gear

Manual's All

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

GE-7 Equalizer

Das weiße Gehäuse des Spark Booster besteht vollständig aus Metall und die Beschriftung in Gold verleiht dem Pedal ein durchaus edles Erscheinungsbild. Die Verarbeitung ist vorbildlich, genau wie bei allen anderen Pedalen, die wir bereits getestet haben. Auch dieses Gerät ist absolut roadtauglich, aber das war nicht anders zu erwarten, denn rund um den Globus findet man unzählige Pedale von TC, die sich seit Jahrzehnten klaglos im Dauereinsatz befinden.

Kick your playing into high gear with Spark Booster, a pedal rocking a completely clean boost and heaps of extra features for a world of tone. With a full 26 dB of boost, Spark Booster delivers the juice you need for highlighting solos and nailing that killer lick or riff.

Review by mylespaul

Demo by The Tone Lounge 

Spark Booster

Das Monument Tremolo vereint harmonisches und klassisches Tremolo in einem Pedal und erzeugt eine satte, warme und schimmernde Modulation. Die pulsierenden Wellen können so sanft oder kantig sein wie die echten Hügel und Täler, die unsere liebe Mutter Natur vor langer Zeit geformt hat.

The Monument Tremolo is both a harmonic, and standard tremolo that produces a rich, luscious, warm pulsating modulation capable of peaks and valleys as smooth or as jagged as the real ones that our dear mother nature created long ago.

Demo by Mike Hermans

Review by Music Radar

Monument Harmonic Tap Tremolo

PedalSafe Type B2

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

teerapat srisang

my tour board

Der Bass Synth Wah ist eine aufregende Kombination aus sieben verschiedenen Synth- und Wah-Effekten, darunter Envelope Filter, Synth-Töne, Filtergeneratoren und Oktavverschiebung. Der Bass Synth Wah kann entweder in Reihe mit deinen aktuellen Pedalen oder parallel zu deinem Bass-Signal betrieben werden, um einzigartige Kombinationen aus Bass- und Synthesizer-Sounds zu erzeugen.


The Bass Synth Wah is an exciting combination of seven different
synth and wah effects including envelope filter, synth tones, filter
generators, and octave shift. The Bass Synth Wah can be run inline
with your current pedals, or parallel with your bass tone to create
unique combinations of both bass and synth sounds.

DigiTech

Demo by BassTheWorld.com

Demo by Dan Leggat

Demo by Bass Stuff

Demo by Gnarly Murphy

Review by Talk Bass

Review by Musiker Board

Bass Synth Wah Envelope Filter

David Litaba

Das neue Skysurfer-Mini-Reverb-Pedal bietet TC Electronics beliebten und erschwinglichen Effekt in einem wesentlich kleineren Gehäuse. Es ist mit drei Reverb-Algorithmen in Studioqualität ausgestattet.

SKYSURFER MINI REVERB brings you a premium – yet affordable, reverb solution armed with 3 studio-grade algorithms created by TC Electronic and housed in a compact, rugged metal box. Skim effortlessly across a deep-blue, churning ocean; swim in a cavernous grotto; or soar through the ambient spray of the surf.

Review by Premier Guitar

Review by Gitarre & Bass 

Demo by Music Bliss Malaysia

Skysurfer Mini Reverb

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by Bass Musician Mag

Review by Compressor Pedal Reviews

Demo by Benn Jordan

Demo by Fireghosting

Bass Compressor Silver Sparkle

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Aguilar

Review by Awkward sound

Demo by  IvanBassist 

Tone Hammer

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

mini board for work on stage bar tonglor

Anfang 1984 veröffentlichte BOSS zwei seltsame neue Geräte unter dem Namen "The Pocket Series". Eines dieser Geräte war der FA-1 FET Preamp, der schnell seinen rechtmäßigen Platz unter den Klanglegenden fand, als The Edge of U2 ihn bei der Aufnahme von "Unforgettable Fire" verwendete und ihn in seine nachfolgenden Touring-Rigs stellte. Der Clover Preamp / Boost ist eine JHS Interpretation des FA-1, jedoch mit einigen zusätzlichen Funktionen, die diese erstaunliche Schaltung noch besser machen. Du wirst bei deinen Gigs  nicht auf diesen glücklichen Tonformer verzichten wollen! Der Clover ist eine End-All-Preamp / Boost für akustische und E-Gitarren und Bässe. Der EQ ist einfach, kraftvoll und lässt keinen schlechten Klang zu. Während der Clover sich als Vorstufe / Boost für Dirt-Pedale auszeichnet, liegt sein Zauber darin, deinen Tube-Amp in den natürlichen Overdrive zu treiben. Mit dem EQ kannst du deinen persönlichen Sweet Spot einstellen, an dem dein Verstärker nachgibt. Schiebe deinen kleinen Low-Watt Amp in natürlichen Overdrive und Distortion oder finde Sounds in stärkeren Amps, die du noch nie gehört hast. Strat- und Tele-Spieler können mit dem Clover mehr Schlagkraft, Tiefe und Dynamik erreichen, wie sie mit Single Coil Pickups normalerweise nicht möglich sind, während Les Pauls und Humbucker Klarheit, Biss und Definition in Hülle und Fülle erlangen! Von Country, Rock, Metal bis hin zu Akustik… Der Clover deckt alles  ab. Finde deinen unvergesslichen Tone mit dem Glück des Klees!

In early 1984 BOSS released two strange new devices under the name "The Pocket Series". One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of "Unforgettable Fire" as well as placing it in his following touring rigs. The Clover Preamp/Boost is JHS' faithful interpretation of the FA-1 but with several additional features that they believe make this amazing circuit even better. You won't want to be without your lucky tone-shaper at any gig! The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn't allow a bad sound. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can't normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!

Official Product Page

JHS Clover - Demo by Mike Hermans

JHS Clover - Demo by Living Room Gear Demos

JHS The Clover - Review by Muzikus [CZ], [06-2019]

JHS The Clover - Review by Gitarzysta [PL], [05-2019]

JHS The Clover - Review by Gearphoria [EN], [05-2019]

Clover

The 280 is an optical compressor that can go from light sustain to utterly smashed with the turn of a knob. Unlike faster non-optical circuits the 280 retains your high frequencies until you get into the more extreme settings. The 280 is ideal for chicken-pickin’, added sustain for leads, or snappy-slappy funk rhythm. The 280 also has enough output to be used as a lead boost with added compressor sustain. And like all of the updated DOD pedal, it has a modern power jack, LED, light but strong aluminum chassis, and true bypass switching.

Users Manual 

Product Page 

Product Demo 

Compressor 280

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

p yod borad

Juan Fernandez

The RNDI’s signature sound is the product of new custom Rupert Neve-designed transformers and class-A biased, discrete FET amplifiers. The carefully orchestrated union of these two elements is key to the RNDI’s unique response, delivering a powerful and vibrant direct sound capable of reproducing the full harmonic depth of basses, guitars, acoustic instruments, and professional line level sources. 

With portable, powerful, larger-than-life tone for your instrument and amplifier signals, the RNDI is truly the first standalone DI worthy of the Rupert Neve name.

Rupert Neve Designs

Review by bondeo

RNDI

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

Universal Audio

Demo by EytschPi42

1176 Studio Compressor Pedal

Das moogerfooger MF-102 ist ein robustes, professionelles analoges Effektmodul, das von Bob Moog entwickelt wurde und ein direkter Nachfahre der originalen modularen Moog-Synthesizer ist. Es enthält drei komplette modulare Funktionen: einen Ringmodulator, einen spannungsgesteuerten Trägeroszillator und einen spannungsgesteuerten Dual-Wellenform-Niederfrequenzoszillator. Alle Leistungsparameter sind spannungssteuerbar, sodass Sie Expression-Pedale oder andere Steuerspannungen verwenden können, um das Gerät zu spielen. Es bietet eine große Klangvielfalt, von sanftem Tremolo und satter Verzerrung bis hin zu klassischen "Weltraum"- und klangvollen Ringmodulationsklängen.

The moogerfooger MF-102 is a rugged, professional-quality analog effects module, designed by Bob Moog, and is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and a voltage-controlled dual-waveform low-frequency oscillator. All performance parameters are voltage-controllable, allowing you to use expression pedals or other control voltages to play the unit. It offers a wide variety of sounds, from soft tremolo and rich distortion to classic "outer space" and clangorous ring modulation tones.

Moog

Demo by murderousmaths

MF-102 Ring Modulator

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