Reed-like attack with a roar from a mixture of sounds, the Foxes Talking of Dreamy Fuzz (FTODF) brings glory and grit and has a unique place among many fuzz pedals. The Octave-up style fuzz became a hit attraction in the late 60s with certain legendary guitarists and evolved more in the 70s with the “velvet” style octave fuzzes born on the West Coast USA. The Foxes talking of dreamy Fuzz was born based on that intense and unique sounding design.

It is easy to recreate the exact designs of the 60s and 70s, but the character and tones can be extremely rough and abrasive and were designed for the darker and less gainey amplifiers from that time. Animals Pedal did not change the basic sound of the octave fuzz, just slightly refined it with improved operability. You can also make some wild shrieking sounds that is unique to this style of fuzz, as well as have access to a great standard fuzz sound that is organic and authentic. Not only can you get drunk with the former psychedelic tone, but you can also have the freedom to incorporate it into modern music and create new sounds. The standard fuzz tone (with octave switch set to “OFF”) is a flavor of 70s silicon-based fuzz that is immediately memorable.

When you turn on the octave, the pedal overflows with madness – especially when you select the front pickup and play single note lines above the tenth fret with the tone rolled off – a cry with intense octave will flow from your fingers. The FtodF has an overall sense of stability with the textures of the classic fuzzes, and it is an Animals Pedal that can be stepped on confidently by any guitarist who seeks new fields of tone.

Animals Pedal

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In Oct, 3 Foxes talking of dreamy Fuzz

There are legendary pedals that were born in the 1970s, and the auto wah/auto filter style of pedal was one of the funkiest. At first it was red, later became the very famous green, and later blue (from various companies that we can’t mention due to copyright). Many guitarists and bassists used these pedals as the staple of their funk sound. In particular, many bassists in the USA and UK began to use these pedals to forge new basslines that would resonate around the world. The funk was born, the sounds were legendary, and the people danced.

Animals Pedal feels the funk and brings you the Double Spy Mission is Impossible Filter, an easy-to-use update of the original auto-wah style of sound.

Demo by A.G.O x Shin Sakiura LAB

Demo by  John McNicholas Guitar

Review by delicious audio

Review by Pedal of the Day

Double Spy Mission is Impossible Filter

Der Animals Pedal 1927 Home Run King Comp ist ein beliebter Kompressor mit einem natürlichen Klang, einfach zu bedienen und hat eine Echtzeitanzeige der Kompressorwirkung mit der LED-Anzeige. Diese neueste Ausgabe hat sowohl ein größeres Gehäuse und mehr schöne Kunst. Er ist ein „natürlicher“ Kompressor, den moderne Gitarristen brauchen und der einfach zu verstehen und zu bedienen ist. Für viele Gitarristen sind Kompressoren oft schwer zu bedienen und zu verstehen. Der Effekt kann schwerer zu hören sein als „auffälligere“ Effekte, und da es sich um einen Effekt handelt, der dazu beiträgt, Pegelspitzen zu begrenzen und leisere Passagen zu verstärken, kann er als ein Effekt angesehen werden, der für das Ohr trügerisch ist. Aber der Kompressor ist ein unverzichtbarer Effekt für Gitarristen, vor allem für diejenigen, die schöne saubere Töne und müheloses Sustain lieben. Der 1927 HRKC ist der richtige Kompressor für dich!

The Animals Pedal 1927 Home Run King Comp is a popular compressor with a natural sound, easy to operate, and has real-time display of the compressor action with the LED indicator. This latest edition has both a bigger housing and more beautiful art. It is a “natural” compressor that modern players need and is easy to understand and use. For many guitarists, compressors can seem difficult to use and understand. The effect can be harder to hear than more “flashy” effects, and since it is an effect that helps to limit peaks and amplify quieter passages, can be seen to be an effect that is deceptive to the ear. But the compressor is an indispensable effect for guitarists, especially those who love beautiful clean tones and effortless sustain. The 1927 HRKC is the right compressor for you!

Review by Reddit /guitarpedals

Demo by JAM's Factory 1996

Demo by maruhachi08

Demo by Jeffrey Slape

Demo by くぼあつし

1927 Home Run King Comp.

Everyone needs reverb, and Animals Pedal brings the Bath Time Reverb to add the color and depth to your tone that you seek. This pedal features two of the most popular reverb sounds (SPRING and HALL) and you can set them to fit your vibe.

Adjust the balance between the dry (original) sound and the wet (effect) sound with the REVERB knob. The more you turn this knob clockwise, the stronger the wet signal becomes and your signal will be almost all reverb decay. If you set it to the maximum, the sound will continue to decay from a small note, and you can make beautiful sustaining tones like strings. The DECAY knob will make the reverb extend from a short reverb (sounds like a bathroom) to a much longer reverb (sounds like a church). If you set it for a long decay, you will be transported to an outer space cathedral that is vast and fantastic.

Demo by  Jeffrey Slape

Demo by Jake Cloudchair

Review by reddit /guitarpedals

Bath Time Reverb

I Was A Wolf In The Forest Distortion is an effects pedal that makes the classic distortion that all rock guitarists crave. This wolf brings back the large black amplifier stacks from the UK that gives the thick, warm, and edgy sound of those large amplifiers and 4x12 cabinets.

Many distortion pedals always have a strong distortion sound when you turn them on, but don’t allow you to set them nearly “clean” or just with a little edge – to get those crisp distortions with light crunch to creamy overdrive tones. Bump up the gain and you get into typical medium to high gain distortion with searing sustain and crunchy intensity. You can also control the amount of distortion present in your sound by using your playing dynamics and fingers or simply roll back your volume knob on the guitar. The choice is yours.