Thomas & Simone RhPf Electronics

Coco’s board is a meticulous blend of brute force and atmospheric finesse — the kind of rig built not just to be heard, but to be felt. At the core is the RhPf Capharnaüm, a crushing fuzz designed for tectonic riffs, glowing red with midrange aggression and guttural doom muscle. It’s paired with the glitchy madness of the Stone Deaf Fig Fumb, a fuzz/filter hybrid with parametric EQ that Coco uses for mutant textures and synthy sweeps.

Dirt duties are deep and diverse: from the biting JHS PackRat for classic Rat-style snarl, to the saturated roar of the JAM Rattler mk.2, to the harmonic trem textures of the JAM Harmonious Monk mk.2. The Spark Mini Booster sits at the end of the chain, serving as a clean boost to lift the whole signal with clarity and presence when needed.

For modulation and ambience, Coco goes full spectrum — the Palmer Pocket Flanger brings vintage swirl, and the Thorpy ER-2 provides lush chorus and vibe. Reverb is a key ingredient in Coco’s atmosphere: the EarthQuaker Avalanche Run V2 and Walrus Audio SLO create immersive landscapes, with the AMT expression pedal cleverly wired to control the mix of the Avalanche Run, giving Coco real-time dynamic control over how far the tone floats into the abyss.

Add in the MXR Poly Blue Octave for sub-growl and shimmer, a BOSS GE-7 for sculpting the mids, and essentials like the BOSS TU-3 tuner and AMT Wah, and this board becomes a fully armed vehicle for sonic exploration.

Gavial Haze - Coco

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

RhPf Electronics

3D Viewer and AR tool

Interactive Frequency Response

Product Page

Review by KAHFA

Manual

Demo by Philomena Music and Demo

Capharnaüm

Tester

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by bonedo

Review by Daniel Rettberg

Demo by Reverb

Official Product Video

Spark Mini Booster

David Litaba

The MXR M306 Poly Blue Octave Pedal is a colossal box of tone. There's a staggering array of effects to explore in a single pedal that'll keep you experimenting all night. With no less than four separate octave divisions available you can send your tone plummeting down the registers for some unctuous bass or soar up through the pitches to reach dizzying high notes. Combine all those octaves together or separately and mix in the fuzz, mono, dry/wet and expression pedal options and you have an almost unlimited palette of sonic creation. Whatever sound is in your head, you can bring it to life it on the MXR Poly Blue.

It simply can't be overstated just how versatile and varied this delightful stomp box is. Offering dual-mode modulation, your effects are boosted with phaser like momentum, be that a thick, undulating slow swirls or a frenzied, frantic dash. Set into the polyphonic mode you have access to textures resembling the famous rotary Leslie effect, while the monophonic switch evokes the swooshes and dips of MXR's celebrated Phase 90 pedal. And for those times you don't want to draw on the considerable power of the M306, it's default off bypass mode will ensure your signal is unaffected no matter where you place this on your pedalboard.

Poly Blue Octave M306 Product Page 

Poly Blue Octave M306 Manual

Review by Premier Guitar

Demo by abienttrash

Demo by Guitar Bonedo

M306 POLY BLUE OCTAVE

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

BOSS

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Demo by Law of the Riff

Demo by New Music Academy

Demo by Musicmaker

GE-7 Equalizer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Sean Sheppard

Our love for harmonic and amplitude tremolo deepens ever further with Harmonious Monk mk.2!

WHAT'S NEW:

TAP tempo

Ramp function: holding the TAP switch will ramp to a second speed. You candetermine the second speed, as well as the rate of the ramp between the two tremolo speeds.

There is a second mode of operation called the Legacy mode which retains and expands on the mk.1’s functionality since now you can choose to have x2 (double) or x1.5 (dotted eighth) speed multiplying options!

New LFOwaveform added: Reverse Sawtooth

CHOP (kill dry) function

In addition to the mk.1's 3 internal EQ trimmers, the mk.2 features a newinternal trimmer to adjustinput gain control to optimise Harmonious Monk mk.2 for use with guitar, bass, keys, or anything else you might want to throw at it!

You can now specify the startup state of the mk.2, to ON or OFF upon receiving power!

Jam Pedals

Review by Premierguitar

Demo by JayLeonardJ

Harmonious Monk Mk.2

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

MFer

 The JAM Pedals Rattler MK2 is a distortion pedal that builds upon the legacy of the original Rattler, a renowned Rat-style overdrive/distortion pedal. The MK2 version features a comprehensive circuit redesign, adding a mid boost and switchable clipping options, along with a custom-designed discrete component op-amp.

Demo by The Guitar Geek

Review by reddit /guitarpedals

Review by Guitar World

Review byThe Gear Page

Rattler mk.2

Palmer

Manual download

Review by adam hall Blog

Pocket Flanger

The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. Want these sounds but need presets? Check out the Slötvå.

Walrus Audio

Tech Demo by Walrus Audio

SLÖ

PedalSafe Type B1

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

ch ray

Hey Kumpel! Willkommen zum neuen Avalanche Run™ Stereo Reverb und Delay mit Tap Tempo! Der Avalanche Run wurde mit dem Ziel entwickelt, die schwebenden Ambient-Töne des Dispatch Masters auf das nächste Level zu heben und dabei benutzerfreundlich und raffiniert zu halten. Der Avalanche Run ist ein verträumtes Sonic Discovery-Device mit bis zu 2 Sekunden Delay-Zeit und einem üppigen Stereo-Reverb. Es bietet vollständige Kontrolle über die Verzögerungszeit, Wiederholungen, Mix und Voice (mit dem Tone Regler), sowie Kontrolle über die Hallfahnen-Länge und Reverb Mix. Es kann in einem von 3 verschiedenen Modi betrieben werden: Normal, Reverse und Swell. Im "Normal" -Modus fungiert der Avalanche-Run als direktes Delay und Reverb. Im "Reverse" -Modus ist die Delay Spur umgekehrt und der Reverb bleibt im normalen Modus. Im "Swell" -Modus reagiert der Avalanche Run auf deine Picking-Dynamik und fügt dem gesamten Signalweg einen Volume Swell hinzu, ähnlich wie beim manuellen Auf- und Zudrehen des Volume Reglers deiner Gitarre. Ausgestattet mit einer Kombination aus True Bypass und Buffered Bypass mit Trails-Funktion wird auch das Avalanche Run in Handarbeit in Ohio/USA hergestellt. Das Avalanche V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

Hey buddy! Welcome to your new Avalanche Run™Stereo Reverb and Delay with Tap Tempo! The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush stereo reverb. It features complete control over delay time, repeats, mixand voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal”mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse”mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell”mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar. Equipped with True or Buffered with trails Bypass, the Avalanche Run is hand made in Ohio, USA. The Avalanche Run V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Avalanche Run v2 Stereo Reverb & Delay - EarthQuakerDevices

EarthQuaker Devices Avalanche Run V2 - Review by Amazona [DE], [11-2020]

Review by Mod Wiggler

EarthQuaker Devices Avalanche Run V2 - Official Demo

Demo by Knobs

Avalanche Run V2

QuickMount Type I

Pedal-Montageplatte für Eventide H9

Pedal Mounting Plate For Eventide H9

The Fig Fumb is a versatile muff-style pedal that breaks boundaries with its parametric EQ and bandwidth knobs, offering unparalleled tone-shaping capabilities. It delivers a wide range of gain for powerful sonic exploration and incorporates a musical noise gate for precise sound control. As a variant of the renowned Big Muff, it's a go-to choice for classic Muff-style fuzz enthusiasts and bass players seeking heavy fuzz tones with additional control. Additionally, when paired with the EP-1 expression pedal, it opens up creative possibilities for fuzzy wah and phaser effects, making it a versatile tool for musicians and sonic explorers alike.

Stone Deaf Effects

Review by Guitar.com

Review by The Gear Page

Demo by Verdilac Sound

Fig Fumb

1978 wurde in Kalamazoo, MI, eines der vielseitigsten und einflussreichsten Distortion-Pedale aller Zeiten erfunden. Die JHS Pedals PackRat ist die ultimative Hommage an die über 40-jährige Entwicklung der Proco RAT und deren Einfluss auf den Klang der Gitarre. Künstler aller Genres haben die ikonischen Klänge in dieser bescheidenen Blackbox verwendet, um ihre Sounds zu kreieren, darunter Nirvana, John Scofield, Pink Floyd, Metallica, REM, die Eagles, Jeff Beck und Radiohead. Das JHS Pedals PackRat verwendet das gleiche einzigartige digitale Switching-System wie das Muffuletta und das Bonsai, um den Signalweg über 40 einzelne Schalter durch insgesamt 261 Komponenten zu lenken. Das bedeutet, dass in jedem der insgesamt neun wählbaren legendären oder extrem seltenen Modi (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode) vollständig analoge Schaltungen genutzt werden, die die Original-Vorlage bis hin zu den alternden Komponenten perfekt replizieren. 

In 1978, one of the most versatile and influential distortion pedals of all time was invented in Kalamazoo, MI. The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. The JHS Pedals PackRat uses the same unique digital runway system as the Muffuletta and the Bonsai to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes (OG V1, White Face V3, Turbo V5, BRAT V6, Dirty V7, LA, Landgraff MO'D, Caroline, JHS Mode), you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). The operation of the PackRat is about as simple as it gets. 

JHS Pedals PackRat - Official Demo Video

JHS Pedals PackRat - Demo Video - Guitar Bonedo

JHS Pedals PackRat - Demo Video - Musiker TV

JHS Pedals PackRat - Demo / Review Video - Living Room Gear Demos

JHS Pedals PackRat - Demo / Review Video -  Sweetwater

JHS Pedals PackRat - Demo / Review Video - Shawn Tubbs

JHS Pedals PackRat - Demo Video - R.J. Ronquillo

Review by Russo Music

PackRat

Connor Dukovic

The ER-2 was designed from the ground up to be Univibe perfection. We wanted to deliver decade spanning classic Univibe modulation that enables you to sound like as many of the classic records that use the effect, as possible. We decided to take it much further and create our dream Univibe, shrinking it and retaining a simplicity of use that belies the pure analog complexity within.

With just 4 rotary controls and two footswitches, this analog pedal has fairly simple parameters but so much to offer. Aside from the usual Univibe controls, the ER-2 has an Offset control, allowing you to tailor your Uni-vibe sound to your preference by subtly changing the way the lamp inside ramps up. Our version of the classic Univibe we believe is improved in scope, quality and fun-to-use factor. The premium sound is enhanced through the use of premium components all wrapped in a beautiful custom engineered enclosure.

ThorpyFX

Demo by collector//emitter

Demo by Buddy Blues

Review by gearnews.de

Review by guitar pedal X

ER-2

john limebrook

AMT WH-1 is an optical version of a classic “WAH-WAH” effect with bandpass filter range selection (3-way switch). Optical frequency control increases the service life of the effect eliminating frequent replacements of maintenance and replacement of the control potentiometer.

AMT WH-1 features low noise and expanded frequency tuning range due to the use of original JFET-based circuit design. AMT WH-1 boasts great versatile sound and processes both clean guitar sound and Ultra high gain overdrive equally well. 

AMT Electronics

Review by Berklee Online

Demo by Prymaxe

WH1 Japanese Girl Wah

Review by Kemper Forum

EF-10F-II

Jonathan James

Demo by 

TU-3 Chromatic Tuner

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

TS-2

Das AMT Electronics British Sound Distortion Combo Emulator ist ein kompaktes Verzerrer-/Preamp-Pedal für Gitarre, das den crunchigen, harmonisch reichen Overdrive und das Zerreißen klassischer britischer Röhren-Kombi-Verstärker nachbildet. Es verwendet analoge Schaltungen mit eingebauter Combo-Emulation, so dass du direkt in ein Mischpult, Audio-Interface oder PA-System mit verstärkerähnlichem Charakter spielen kannst. Die Regler umfassen typischerweise Level, Low (Bass), High (Höhen) und Dist (Gain), um Lautstärke, Klangfarbe und Verzerrungsgrad zu steuern. Es soll kräftige Rhythmussounds, singende Leads und das dynamische Spielgefühl klassischer britischer Rock-Sounds liefern.

The AMT Electronics British Sound Distortion Combo Emulator is a compact guitar distortion/preamp pedal designed to emulate the crunchy, harmonically rich overdrive and breakup of classic British-style tube combo amplifiers. It uses analog circuitry with a built-in combo emulator so you can plug directly into a mixer, audio interface, or PA with amp-like character. The controls usually include Level, Low (bass), High (treble), and Dist (gain) to shape overall volume, tone, and amount of distortion. It aims to deliver punchy rhythms, singing leads, and the dynamic feel associated with classic British rock tones.

British Sound Distortion Combo Emulator

Der Bass Packer ist ein vollständig analoges Gerät, das Kompression und aktive Tonregelung in einem Pedal vereint. Es wurde speziell für Bassgitarre entwickelt und verfügt über eine eingebaute Rauschunterdrückung, welche Hintergrundgeräusche des Pickups vom Nutzsignal trennt. Individuelle Parameterregelungen erlauben es, die Klangformel je nach Geschmack und Spielweise zu wählen. Die Kompression kann bis auf Minimum reduziert werden und das Gerät allein als aktive Tonregelung werden, um Frequenzanteile hervorzuheben.

The Bass Packer is a completely analog device combining a compressor and active tone regulator in one convenient pedal. It is developed specifically for bass guitar and has a built-in noise-reduction device that cuts pickup background noises from the useful signal. Individual parameter controls allow selecting the sound formula which suits your taste and playing style. You can reduce compression down to minimum and use it purely as an active tone regulator to enhance the frequency signal.

Product Page B-Packer

Review by Ovniab

bass packer

EF-10F-II von AMT Electronics