Rob Vasko

I dont own the rockboard, but this is the current setup, going into an Ampeg RB-210 with a Portaflex 1x15 HE 

Currently owned pedals.

RB210

Fabian Förster

LEKATO Guitar Looper Effect Loop Pedal 5 Minutes Looping Time ONE Looper Unlimited Overdubs — dare to adventure!

Solid, 24-bit audio construction, convenient USB to upload/download, single-knob operation, 5 min looping w/unlimited overdubs-- LEKATO Looper Pedal has it all.

Lekato

Product Page

Demo by 57studio

Demo by Photo reviews

Review by consordini.com

Manual

Looper Stage 5 Mins

Tester

DigiTech

Review by Gitarre & Bass 

Demo by A2a - Music Encyclopedia

Demo by Austin Bazaar

X-Series Bass Driver Overdrive/Distortion

Isolated Guitar Pedal Power Supply - 1 SPOT Pro models have outputs that can put out 9Vdc, 12Vdc or 18Vdc. The CS12 even has a variable voltage output for old-style fuzz pedals, and a 9Vac output for certain Line6 and Digitech pedals. And if you need to change the voltage of an output, Truetone also makes inexpensive converter cables to help you. There’s the Voltage Doubler, which does exactly what its name says, and the 18V to 9V Converter... which also does what its name says. 

Truetone

1Spot Pro CS7

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Origin Effects

Official Product Video

Review by Compressor Pedal Reviews

Review by Gearnews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

Danelectro

New Pedal

Bacon N' Eggs

Der gewaltige Bass Big Muff-Sound jetzt in einem Nano-Paket. Die Klangfarbe ist vom tankgrünen Russian Big Muff inspiriert, mit dem klassischen Big Muff Pi-Layout der Sustain-, Ton- und Lautstärkeregler.

Mit den Reglern für Lautstärke, Ton und Sustain können Sie Ihre Verzerrung und Ihren Drive formen, während der Dry-Schalter Ihren trockenen Bass mit der Verzerrung des EHX Nano Bass Big Muff mischt.

The huge Bass Big Muff sound now in a nano-sized package. Voicing inspired by the tank green Russian Big Muff with the classic Big Muff Pi layout of Sustain, Tone and Volume controls.

Controls for Volume, Tone and Sustain let you sculpt your distortion and drive, while the Dry switch mixes your dry bass with the EHX Nano Bass Big Muff’s distortion.

Electro-Harmonix

Review by reddit /guitarpedals

Review by Premier Guitar

Review by Talk Bass.com

Demo by Juanka Trujillo

Nano Bass Big Muff PI

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Badger

R-28 DOUBLE THRUSTER is an Overdrive pedalspecially designed for Bass. It sculpts clear and punchy lows, delivering sharp and grainy mid and high frequencies.Compact and portable.

JOYO

Demo by The Bass Channel

R-28 Double Thruster

Elod Bajrami

Altoids

ju.h_mn

Fender

Demo by Steven twangs

Demo by Mic Sustianevo

1-Button Footswitch

Das MXR Carbon Copy Analog Delay verfügt über einen vollständig analogen Signalweg für einen besonders satten, warmen Delay-Sound – ein Ergebnis, das nur durch die klassische Bucket-Brigade-Technologie möglich ist. Dieses Design bietet eine beeindruckende Delay-Zeit von 600 ms mit optionaler Modulation über einen Schalter auf der Oberseite sowie ein einfaches Layout mit drei Reglern, die Delay-Zeit, Mix (Dry/Wet-Mischung) und Regen (Delay-Wiederholungen) steuern – und das alles in einem Pedal, das nicht größer ist als ein Phase 90. Darüber hinaus bieten zwei interne Trimmpotis eine vom Benutzer einstellbare Breiten- und Geschwindigkeitssteuerung der Modulation für noch mehr Klangoptionen. Das Carbon Copy führt Sie mit einem Dreh am Regler von knackigen „Badezimmer“-Slap-Echos zu epischen, Gilmour-artigen Delays. Ein echter Hardwire-Bypass, der Betrieb mit einer einzigen 9-Volt-Batterie und bühnenreife blaue LEDs runden das Paket ab.

Übersetzt mit DeepL.com (kostenlose Version)

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by Marty Music

Carbon Copy Analog Delay M169 

Der BOSS CH-1 Super Chorus ist ein klassisches Modulationspedal, das seit 1989 ein fester Bestandteil der BOSS Compact-Serie ist. Es wurde entwickelt, um einen sauberen, brillanten Chorus-Sound mit kristallklaren Höhen zu liefern, was ihn vom wärmeren, dunkleren Charakter früherer Analogmodelle unterscheidet. Das Pedal verfügt über eine Schnittstelle mit vier Reglern zur Steuerung von Effektpegel, EQ, Rate und Tiefe, was eine präzise klangliche Gestaltung ermöglicht. Es umfasst einen Mono-Eingang und Stereo-Ausgänge, die bei Verwendung mit einem dualen Verstärker-Setup einen weiten räumlichen Effekt ermöglichen. Während das Design ursprünglich mit analoger Schaltung und Bucket-Brigade-Device (BBD)-Chips gebaut wurde, ging es Anfang der 2000er Jahre zu einer digitalen Schaltung über, wobei sein charakteristisches Klangprofil beibehalten wurde.

The BOSS CH-1 Super Chorus is a classic modulation pedal that has been a staple of the BOSS compact line since 1989. It is designed to deliver a clean, brilliant chorus sound with crystal-clear highs, distinguishing it from the warmer, darker character of earlier analog models. The pedal features a four-knob interface for controlling effect level, EQ, rate, and depth, allowing for precise tonal shaping. It includes a mono input and stereo outputs, enabling a wide spatial effect when used with a dual-amplifier setup. While originally built using analog circuitry with Bucket Brigade Device (BBD) chips, the design transitioned to a digital circuit in the early 2000s while maintaining its signature sonic profile.

BOSS

Demo by Roland UK

Demo by AskAGuitarPro

CH-1 Super Chorus

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Die Darkglass Mircrotubes-Serie hat Familienzuwachs bekommen: Mit dem Microtubes X und seinem größerem Bruder Microtubes X7 ergänzt die finnische Effektschmiede ihr Programm um zwei neue Preamp/Overdrive-Pedale, die erstmals mit Multiband-Technologie arbeiten und den Tieftönern damit noch mehr Flexibilität für verzerrte Sounds bieten. In der Ausstattung unterscheiden sich die beiden Modelle deutlich – wer sich für das kleinere und günstigere Microtubes X entscheidet, muss nämlich auf den D.I.-Ausgang, den 5-Band-Equalizer sowie den Onboard-Kompressor des X7 verzichten. Ob das Microtubes X soundmäßig mit seinem größeren Bruder mithalten kann und für wen die abgespeckte Version vielleicht sogar die bessere Wahl ist, wollen wir in diesem Test herausfinden.

The Microtubes X multiband distortion engine brings into controls producers have been using for years in the studio, allowing you to separate and sculpt the portions of the spectrum that are distorted and remain untouched for ultimate flexibility.

Darkglass Electronics

Demo by  HugoBass

Review by David Abdo, premierguitar.com

Review by Rainer Wind, bonedo.de

Demo by patric hunter 

Demo by darkglass electronics 

Microtubes X

Dave Snippe

DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics.
New for version 2 is the you’re / your switch. You’re is the classic DOOM sound - strong upper harmonics, a mid-focused sound, and octavia / ring modulator effects as you play up the neck. Your is a new mode that has a stronger fundamental, more low end and fewer harmonics. This mode sounds more like a traditional fuzz.

3 Leaf Audio

Review by guitar pedal X

Demo by BAssTheWorld

Doom 2

The OptoStomp is a audio compressor that utilizes an optical  sensor to control signal levels.

Website

Review by audiofanzine

Review by Compressor Pdals Reviews

Demo by Peter S

Demo by Simon Smith

Opto Stomp Optical Compressor

Tuwi Yuwi

Make way for the new heir to the octave fuzz throne, the Lizard King from Electro-Harmonix. Directly inspired by the EHX x JHS collaboration released in 2023, the Lizard King takes the gnarly and responsive octave fuzz circuit from the Lizard Queen and optimizes it for bass and beyond. With updated tone controls and a new Blend knob, the bass’s fundamental tone and low-end is preserved while the top-end of the fuzz tone is shaped to fit or dominate any mix!

The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass’s attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.

Demo by Nate Navarro

Lizard King

KORG

Website 

Pitchblack

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

gabriel garcia

Sandbox Pedal Board

Danielo Olivera

Kontrolliere ein Volumen und FX-Parameter ohne dein Pedalboard mit einem weiteren großen Pedal noch voller zu packen. Platzsparen muss nicht heißen auf Funktionalität zu verzichten – das DVP Volume (X) Pedal macht alles das, was sein großer Bruder das DVP3 kann – bei halber Größe und genauso robust gebaut im leichten Alu-Gehäuse. Wie das DVP3 hat es auch die rutschfeste Pedaloberfläche und den patentierten Low-Friction-Band-Drive, der für einen sanften und gleichmäßigen Regelweg und zuverlässige Performance sorgt. Für maximalen Komfort ist die Leichtgängigkeit des Pedals vollkommen einstellbar.

Der AUX Ausgang vereint Tuner und Expression Funktion in einer Buchse, die per internem Schalter festgelegt werden kann. Über interne Trim-Potis kann das Minimum-Volumen des Pedals eingestellt werden und wenn du willst, kannst du auch die Funktionsrichtung umkehren – ein weiterer interner Schalter macht’s möglich.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. 

The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so.

Dunlop

Demo by Nick Riley

Review by Teh Gear Confessions

Dunlop Volume (X) Mini Pedal Review Premier Guitar EN

VOLUME (X) MINI (DVP4)

With its ultra-bright display, groundbreaking polyphonic tuning mode, insanely fast and accurate strobe tuner, POLYTUNE 2 MINI serves up a massive upgrade for your pedalboard – while claiming very little of your precious pedalboard real estate.
Pure POLYTUNE Win!

TC Electronic

Review by Guitar Gear Finder

Demo by Ryan Kiesshauer

Polytune 2 mini

Das H9 Max Harmonizer®-Effektpedal ist vollgepackt mit Eventides kultigen Reverb-, Chorus-, Delay-, Modulations-, Pitch-Shifting- und Distortion-Effekten. Mit dem H9 Max können Sie die Klanglandschaft legendärer Alben nachempfinden und neue, noch nie gehörte Sounds kreieren. Sie können die legendären Sounds von Künstlern, Tontechnikern und Produzenten wie Steve Vai, Jimmy Page, Frank Zappa, Eddie Van Halen, Richard Devine, Suzanne Ciani und vielen anderen originalgetreu nachbilden.

Das preisgekrönte Design des H9 zeichnet sich durch eine einfache Benutzeroberfläche mit nur einem Knopf aus, die eine einfache Effektbearbeitung und Preset-Auswahl ermöglicht. Zwei integrierte Fußschalter ermöglichen das Ändern von Presets, Tap-Tempo und Bypass mit den Füßen während einer Live-Performance. Der H9 bietet Sound in Studioqualität, Stereo I/O und volle MIDI-Kompatibilität. Mit der kostenlosen H9 Control App können Sie Setlisten erstellen, Presets bearbeiten und verwalten - kabellos über Bluetooth oder USB. Die App ist für iOS, Android, Mac und PC verfügbar.

The H9 Max Harmonizer® effects pedal is full of Eventide’s iconic reverb, chorus, delay, modulation, pitch-shifting, and distortion effects. With the H9 Max, you can evoke the sonic landscape of legendary albums and open the doors to the creation of new sounds never heard before. Faithfully recreate the iconic sounds used by top artists, engineers, and producers such as Steve Vai, Jimmy Page, Frank Zappa, Eddie Van Halen, Richard Devine, Suzanne Ciani, and many more.

The award-winning design of the H9 features a simple, one-knob user interface that allows easy effect editing and preset selection. Two onboard footswitches let you change presets, tap tempo, and bypass with your feet during live performance. The H9 offers studio-quality sound, stereo I/O, and full MIDI compatibility. With the free H9 Control app, you can create setlists, edit and manage presets wirelessly via Bluetooth or USB. The app is available for iOS, Android, Mac, and PC.

Eventide

Product Page 

Review by Recording

Review by bonedo

Review by Equipboard

Manual 

Demo by DJcityTV

Demo by Guitar World

H9 Max

The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+

Teeratai Kaewmanee

Empress Effects

Buffer+

Demo by woodnstrings

Demo by Empress Effects

Review by Soren Reiff

Review by Bass Musician

Der Source Audio C4 Synth kombiniert alle Sound Construction Tools eines klassischen Eurorack Modular-Synthesizers in einem kompakten, einfach zu nutzenden Effektpedal für Gitarre und Bass. Grundlegend handelt es sich bei dem C4 um ein Modular Synth, der vor allem durch ein beispiellos akkurates Tracking, extrem schnelle Reaktionen und fast unendliche Sound-Möglichkeiten überzeugt. 

Für eine einfache Plug-And-Play Anwendung kommt das Pedal mit sechs wählbaren Presets, die sich über den Toggle Switch auswählen lassen. Über einen MIDI-Controller lassen sich außerdem die 128 Factory Presets auswählen. In Kombination mit dem kostenlosen Neuro Desktop Editor oder der ebenfalls kostenlosen Neuro Mobile App erkennt man erst das eigentliche Potential des Pedals. Über die Software hat man Zugriff auf einen Editor, der sich an Euroracks orientiert und 4 parallele Voices, 3 Oszillator-Wellenformen, 11 Envelope Follower, 24 modulierende Filter, Distortion, Tremolo, Pitch Shifting, einen intelligenten Harmonizer, programmierbares Sequencing und mehr bietet. Von klassischen Synthie-Tones bis zu allen Sounds, die du dir jemals vorstellen konntest - der C4 Synth macht es möglich!

The Source Audio C4 Synth unites all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. It is essentially a modular synth in a box with unprecedented tracking abilities, lightning-fast response, and vast universe of easy-to-access sound options.

The C4 offers multiple methods of preset storage and recall. For a straightforward plug-and-play experience, simply select one of the pedal’s six onboard presets with the center toggle switch. The addition of a third-party MIDI controller with USB host provides access to any of the C4 Synth’s 128 Factory presets. Connect the C4 to the Neuro Desktop Editor (a free download for Mac and Windows) or the Neuro Mobile App (iOS and Android) and unlock the pedal’s true power. The Neuro software features a Eurorack inspired editing interface with 4 parallel voices, 3 oscillator wave shapes, 11 envelope followers, 24 modulating filters, distortion, tremolo, pitch shifting, intelligent harmonization, programmable sequencing, and more. Use the editor to create anything from classic synth tones to the sounds you've imagined, but never actually heard. Finally, for a world of great tones without all the tweaking, download sounds from the ever-expanding collection of published presets created by the C4 Neuro Community.

Once you’ve found your sound, burn it directly to the pedal in any of the C4 Synth’s 128 preset positions, save it to your own personal effects library, or share it with the rest of the C4 Neuro Community. Never before has a guitar synth pedal offered so much is such a small package.

Source Audio

Official Product Page

Source Audio SA 249 - One Series C4 Synth - Demo Video (No Talking) - Guitar Bonedo

Source Audio SA 249 - One Series C4 Synth - Demo Video - Mike Hermans

Source Audio SA 249 - One Series C4 Synth - Bass Demo - Nathan Navarro

Source Audio SA 249 - One Series C4 Synth - Bass Demo - The Bass Channel

Source Audio Spectrum Intelligent Filter & C4 Synth - Review by Gitarre&Bass [DE], [01-2020]

Source Audio C4 Synth - Review by GrandGtrs [DE], [01-2020]

Source Audio C4 Synth - Review by Bonedo [DE], [12-2019]

Source Audio C4 Synth - Review by TopGuitar [PL], [11-2019]

Source Audio C4 Synth - Review by PremierGuitar [EN], [10-2019]

Source Audio SA 249 - One Series C4 Synth - Review by TopGuitar [PL], [08-2019]

SA 249 One Series C4 Synth

Andrea De Blasio

Sweetwater exclusive.
Multi-effect processor with the helix sound Over 300 effects and models from the Helix, M series and other Line6 products 6 Simultaneously usable amplifiers, boxes and effect blocks - including looper and IR loading Coloured LC display Integrated audio interface 3 Footswitches with colour-coded LED rings MIDI In and Out Expression pedal connection Input: L / Mono and Right Output: L / Mono and Right USB MIDI In and Out / Thru Headphone output FX loop Aux in Dimensions: 17.8 x 12.6 x 6.6 cm Weight: Approximatey 800 g Connection for 9 V DC 3 A power supply Includes power supply

LINE 6

Review by musicradar

Demo by Guitar Bonedo

HX Stomp - Cosmic Gray

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Demo by Andertons Music Co

H90 Harmonizer®

christopher P

Analog Octaver with 1 octave down. Second footswitch for sub octave only. Tone Control for OC2-like sound CCW and Mutron-like sound CW.

Demo by Marc-Antoine Forget

Octabvre MkIII

The Microtubes Vintage is our tribute to some of the most legendary sounds in rock history. It provides warm tube-like tones with a natural dynamic response that echoes the organic compression of old tube amps and reel-to-reel tape machines.

Demo by  Prymaxe

Demo by  Musicmaker

Review by Steve Cook, premierguitar.com

Demo by amosheller 

Demo by the bass channel 

Vintage Microtubes

Oleksandr Lysenko

Die TONEX Pedal Bass Edition ist ein Hardware-Stompbox für Bassisten, die mit 150 bassoptimierten Tone-Models und Presets vorkonfiguriert ist und eine breite Palette von Vintage-Röhrensounds bis zu modernem High-Fidelity liefert. Sie bietet eine phasentreue Dry/Wet-Mischung, um starke Grundtöne zu erhalten und zusätzlich Drive hinzuzufügen, beinhaltet 15 Onboard-Effekte (Vor-/Nachschaltung), eine VIR Multi-IR-Lautsprechersimulation und Software-Integration mit TONEX CS, TONEX Editor sowie AmpliTube.

TONEX Pedal Bass Edition is a hardware stomp-box for bass players that comes pre-loaded with 150 bass-optimized Tone Models and presets, offering a wide range of vintage tube and modern high-fidelity bass sounds. It features dry/wet phase-tight blending to maintain strong fundamentals while adding drive, includes 15 onboard effects (pre/post routing), a VIR multi-IR cabinet engine, and software integration with TONEX CS, TONEX Editor, and AmpliTube.

IK Multimedia

Demo by AMP

Review by That Guitar Lover

Review by SoundGale

ToneX Pedal Bass Edition

Lee Atkin

Entwickelt in Zusammenarbeit mit Bass-Professor und Klangkenner Ian Martin Allison ist der MXR Bass Synth ein Kraftpaket unter den Pedalen, das donnernde Sub-Oktaven, expressive Hüllkurven und üppige Modulationseffekte mit erstklassigem Tracking und Sustain bietet – dazu alle Funktionen, die Sie benötigen, um jeden einzelnen Aspekt Ihres Klangs zu formen.

Designed with low-end professor and tone connoisseur Ian Martin Allison, the MXR Bass Synth is a powerhouse of a pedal offers thunderous sub-octave, expressive envelope, and lush modulation effects with killer tracking and sustain—plus all the features you need to shape every detail of your tone.

Bass Synth MB301

Doom 2 von 3 Leaf Audio